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Australian

Sunnyboys

Sydney band Sunnyboys remain one of the most highly regarded and best-loved bands of the Australian post-punk era. Fronted by the enigmatic and youthful singer/songwriter and guitarist Jeremy Oxley, the band breathed some freshness and vitality into the Sydney music scene in the early 80s.

Essentially Sunnyboys wore their influences on their sleeve - The Remains, The Flamin' Groovies, The Kinks and The Beatles with a dash of Detroit muscle thrown in for good measure. They produced melodic power pop classics and were rewarded with an immediate positive response.

Between 1980 and 1984 they released their self-titled EP (1980) and 3 albums: "Sunnyboys" (1981), "Individuals" (1982) and "Get Some Fun" (1984).

However, Jeremy Oxley's battle with schizophrenia plagued the band and Sunnyboys announced their break-up in June 1984. Their farewell tour produced the album "Real Live" which was recorded over two nights in Sydney (29th and 30th June).

In 1985, the French label Closer combined The Sunnyboys' first two albums as a double set entitled "Days Are Gone" for the European market.

In late 1987, Jeremy Oxley attempted to revive Sunnyboys with a new line-up. The new band signed a deal with RCA and released an album entitled "Wildcat" (produced by ex-Sherbet keyboard player, Garth Porter). The album failed to convince old Sunnyboys fans and the band broke up again in 1990.

In July 1991, Mushroom released the compilation album "Plays The Best" and the original line-up reunited for a national tour.

Also "Shakin' - Live 1991" (1993, live cd + "Sunnyboys" EP) has been released by Phantom and "This Is Real" (2004, double-CD, Singles/Live/Rare) by Feel Presents.

The band:
Jeremy Oxley - Guitar, vocals
Peter Oxley - Bass
Richard Burgman - Guitar
Bill Bilson - Drums

For more info see the band's MySpace profile and this. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Mental As Anything

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Van She

Formed in the early part of 2005, Van She is a band from Sydney. Unashamedly taking bits and bobs from 80’s post punk, funk and synth pop, 90’s grunge, french house, film scores, 70’s krautrock and the latest collection of innovative artists like Tom Vek and M83, Van She is that unique beast that one was beginning to believe no longer existed – a band that takes all these influences from days gone but makes them sound unique, modern, and…. fresh. A lazy pastiche this isn’t.

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City Calm Down

City Calm Down is a live electronic four piece from Melbourne, Australia. With varying degrees of influence stemming from post-punk, disco, jazz, and techno they're making an interesting brand of electronic dance pop. Their live show involves extensive use of samplers, synthesizers, sequencers and drum modules as well as the use of more traditional instruments such as bass guitar, saxophone, voice and kit. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Ben Browning

A pulsating solo effort from electronic pop crooning man-child and Cut Copy bassist Ben Browning is the shiniest, newest addition to the Cutters stable of artists. Prior to starting on Cut Copy's most recent album Zonoscope, Ben Browning dug into his trusty mind-hole and began penning tracks for a solo release. "I Can't Stay" is the lead single, taken from Browning's forthcoming EP on Cutters records.

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II

1.
II is the one-man Black Metal project of DNAR. Formed in France during 2007.
2.
ii (pronounced "i i") are a duo from Melbourne, Australia, who chart a course through guitar-based atmospherics, noise, instrumental pop and sound art. Comprising Alex Nosek (guitar, synthesiser, computer) and Jon Tjhia (guitar, synthesiser, computer, drum set), the group focusses equally on improvisation and premeditation, with an interest in breaking from melodic and harmonic structure.

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Day of Contempt

Day of Contempt were a metalcore band from Adelaide, South Australia. Formed in 1997, they became an integral part of the burgeoning Adelaide underground hardcore scene before gaining widespread recognition and respect on a national scale. After releasing two cassette demos and a pair of EPs (Where Shadows Lie and See Through the Lies), as well as undertaking countless tours across Australia, USA, Europe and Japan, Day of Contempt relocated in mid-2004 to the Los Angeles/Orange County area. Signing with Epitaph, the band released one further EP, 2005's The Will to Live.

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