kyü is an experimental-pop outfit from Sydney. The duo is comprised of Freya Berkhout and Alyx Dennison.
Protest the Hero is a band from Whitby, Ontario. Formed in 1999, when they were just 14 years old, they originally used the name Happy Go Lucky, but changed their name before releasing their first EP, A Calculated Use of Sound, to Protest the Hero. This was followed by the release of their first full length, Kezia, on the indie label Underground Operations. On January 23, 2006 the band officially signed with Vagrant Records for Kezia's United States release.
Mitchell Brennan is a noise artist based in Melbourne VIC. His current work is based in the manipulation and collage of recorded sounds as well as tapes, mics and ceramics. 2010 has seen Mitchell playing shows in Brisbane, Lismore, Newcastle, Sydney and Adelaide as well as Melbourne both solo and in collaboration. Ongoing collaborators include Fjorn Butler (Butler/Brennan Duo), Mark Skelton (Incompetent Cervix), Cooper Bowman (Mitchell Brennan & RSI), Lachlan Gale (Hrvatska) and Lara Soulio. Mitchell was also one-third of the now defunct Newcastle based trio Brassskulls.
UMLAUT is a Japanese indie rock band. For Bär McKinnon's new project, see Umläut.
Michael Allan Patton (born January 27, 1968, in Eureka, California) is an American singer, songwriter, composer, multi-instrumentalist, and video game voice actor, best known as the lead singer of the rock band Faith No More from 1988 to 1998, which recently reunited in 2009 and will be touring Europe this summer. He has also handled lead vocals and composed music for Mr. Bungle, Tomahawk, Lovage, Fantômas, The Dillinger Escape Plan, Moonchild Trio and Peeping Tom.
Naminé is 16 year old Melbourne, Australia local Darcy Baylis. Drawing from a wide range of influences including House, R&B and the video games of Square-Enix, Naminé can be best described as lo-fi dance music. Darcy has so far released two EP's and a single, all available from his blog: http://celestial-love.tumblr.com
Morten J. Olsen - drums & SuperCollider3
Anders Hana - guitar & keyboard. MoHa! play somewhat loud music influenced by incredibly varied sources. Some say the duo deal in sonic splatter, in a brew of improvisation, noise, computer music and probably some more. Others say it is reminiscent of the conversation your mate has at you on the weekend in a club when he’s had too much to drink and is telling you how great everything is at 100mph. Only instead of your mate it is actually R2D2, which leads you to believe maybe that someone did put something in your drink.
Halifax, Nova Scotia native Chris d'Eon, who performs under his last name only, has a passion for music that started at an early age - he began mixing together his own tracks when his parents bought him some synthesizers and a sequencer at age four. D’Eon’s musical interests expanded when he started college and began studying Iranian, Arabic and Turkish music. This interest took him to northern India, where he lived in a monastery and studied with a Tibetan musician who taught him to play the dranyen, or Tibetan lute.
Ann Arbor's latest prodigal son and lover of sprinkles on doughnuts, takes the legacy of all Detroit's talented musical sons and daughters and makes Hip Hop beats filled with snippets of Soul, Funk, 70's Italian horror flick soundtracks, Nintendo bonus level music, and 90's Hip Hop. Somehow, with this much content, the beats still manage to sound gloriously minimal and disjointed. Fans like Benji B, Andrew Meza and XLR8R have been eagerly snapping up his tracks, as Sam freeze frames Electro energy and spits it back out as twisted future Jazz.
“Real music is crash protected,” state the liner notes of Black Radio, a future landmark album by the Robert Glasper Experiment that boldly stakes out new musical territory and transcends any notion of genre, drawing from jazz, hip-hop, R&B and rock, but refusing to be pinned down by any one tag. Like an aircraft’s black box for which the album is titled, Black Radio holds the truth and is indestructible.