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Australian

Ian Moss

Ian Moss first came to attention as the guitarist for Australian rock legends Cold Chisel. After they split up in 1983, Jimmy Barnes jumped into a successful solo career, but Moss laid low, only forming the Ian Moss Band in 1986. After spending nine months in L.A. sorting through song demos, he eventually co-wrote "Tucker's Daughter" with former Cold Chisel bandmember Don Walker. The song went to number one in Australia in March 1989 and his debut album, Matchbook, was released in September. It also went to number one and sold over 210,000 copies.

Shellfin

Since the creation of this band it’s been about the love of stoner rock and fun. We love Kyuss, we love chilling out and we love groovin’. After a few line up changes we've gotten together what we believe to be a strong musical force. Since acquiring a new singer, we've recorded a five track EP entitled, Stay For Tea. For the fans of fat tones, pounding drums and groovin' bass this should be pleasing to the ear.

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Signet Mae

From the beginning, Signet Mae wanted to write great songs with a soulful honesty that also reflected a genuine artistic passion. A passion to explore songs rich in atmospheric sound scapes that combine beautiful melodies with lyrical sincerity. Nathan Russo, Ryan Belfield, Luke Sheldon, Adam Corcoran and Danny Batelic all grew up in different suburbs of Victoria, Australia and each of them point to significant early musical discoveries as life altering moments. This musical connection provided an outlet for creativity and an escape route from the mundane reality of suburban existence.

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Abbie Cardwell

Imagine Bobby Gentry & JJ Cale had a love child and she was adopted by Rickie Lee Jones whilst dating Tom Waits and they all had summer vacations with Ryan Adams & Lucinda Williams......and then you've got somewhere closer to describing Abbie Cardwell's sound! This Aussie Triple J Unearthed winner is one helluva banjo pickn, guitar slingin, harmonica totin chick with the voice of a "homesick angel"

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Naked on the Vague

Naked On The Vague (NOTV) were born out of discontent with the malady of nothingness. This nothing fuels their stabbing assault of doom laden experimental punk.
Bands releases: Chitty Chat (Sacred Bones 2009) 7", The Blood Pressure Sessions (DualPlover 2007/ Siltbreeze 2008) CD/ LP, Mickey Mouse Headache Tapes (Near Tapes 2009) C30 cassette/ CDR, Poltergeist Palm (Skulltones 2008) 7” vinyl, Sad Sun (Sabbatical 2007) CD, Naked On The Vague (Dual Plover 2006) 7” vinyl, and "Heaps of Nothing" (Siltbreeze 2010) - their first album as a band.

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Corpsickle

Corpsickle was summoned from the ground by meddling occultists at the turn of the millenium. The unimpressed summoned fiends, the zombie of necrophilia and corpsemaster general immediately slew these panda worshipping occultists and enlisted the services of the master of maggot mayhem and unleashed 2 demos of zombified death metal, Eaters of Pus in 2000 and Violating the Dead in 2001. After the second release the fiends returned to their previous antics, ZON started making sweet love to the dead, CMG slayed poofters and defiled virgins and MOMM returned to his tomb.

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Otouto

Otouto is a Melbourne-based band that is centered on the music of singer and songwriter Hazel Brown . With the help of Kishore Ryan (Kid Sam, Seagull) on drums/pots and Martha Brown on vocals and keys, the trio's influence lies in salt of the earth folk tradition, the soul music of Motown and Philadelphia and those working at the edges of today's melting pot of pop, folk, electronica and hip-hop.

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Models

Three bands share this page: an Australian rock group, a 70s punk rock band, and a Serbian pop band. 1. Models were an alternative rock group from Melbourne, Australia, active from 1978-1987. Various versions of Models have reformed for short tours. 1) They formed from two earlier punk/New Wave bands, Teenage Radio Stars (singer and guitarist Sean Kelly) and JAB (Ash Wednesday, Pierre Voltaire and Johnny Crash, keyboards, bass and drums respectively).

When they formed, Models were hailed as one of the most innovative and imaginative Australian bands.

Four decades later, nothing has changed.

Well, that’s not quite right – a lot of things have changed, but not the band’s approach to making music.

Models have always done things their own way.

As the authors of The 100 Best Australian Albums (which featured Models’ The Pleasure Of Your Company) stated: “Melbourne electronic outfit Models followed a distinctly perverse and disjointed course from the outset.”

The band actually had a “no singles” policy when they started – which annoyed Molly Meldrum. In 1980, Molly stopped his car on busy Chapel Street in Melbourne when he spotted a couple of Models. “He blocked traffic for several minutes to berate us,” singer Sean Kelly chuckles, “telling us that we were doing no one any favours and that our song ‘Happy Birthday IBM’ could’ve been a hit!”

(Molly didn’t hold a grudge, later calling Models “one of my favourite bands from the Countdown era”.)

Models rescinded their “no singles” policy with their second album, Local &/or General, and their chart-topping run of hits includes I Hear Motion, Big On Love, Barbados and Out Of Mind Out Of Sight.

Models are that rare breed of bands – one that has successfully straddled critical acclaim, cult appeal and commercial success.

“Alongside The Boys Next Door/The Birthday Party, Models were one of the first Melbourne bands to rise out of the ashes of that city’s hothouse punk/new wave explosion of the late 1970s with a clear vision and wider appeal,” says Ian McFarlane, author of The Encyclopedia Of Australian Rock And Pop.

Models were inducted into the ARIA Hall of Fame in 2010.

“We might go into hibernation occasionally – actually, quite a lot,” Sean Kelly says, “but we have never broken up.”

Models have continued to record, recently releasing two EPs, GTK and MEMO. And live, the band pays tribute to the pop genius of James Freud, who died in 2010.
The songs still sound fresh. “We don’t think of them as being old,” Andrew Duffield says.
Models never go out of style.