Australian

New Single 'Lo-Fi' due out October 2011 Whilst Sophie Koh’s one-time wish to be a Playschool presenter never actually eventuated, she did manage to land herself on the set of Neighbours in 2010 for a musical cameo role. This opportunity led to a chance meeting with Australia’s indie-pop king, Ben Lee. A mutual desire to collaborate resulted in Sophie working with producer Brad Wood (Liz Phair/Pete Yorn/Smashing Pumpkins) at his leafy Seagrass studios in Los Angeles.

An Australian electronic group formed in Sydney, Australia in 1979, Severed Heads have released albums ranging from <a href="http://www.last.fm/tag/experimental" class="bbcode_tag" rel="tag">experimental</a> <a href="http://www.last.fm/tag/industrial%20noise" class="bbcode_tag" rel="tag">industrial noise</a> to <a href="http://www.last.fm/tag/synthpop" class="bbcode_tag" rel="tag">synthpop</a> influenced <a href="http://www.last.fm/tag/dance" class="bbcode_tag" rel="tag">dance</a> music. The original members were Richard Fielding and Andrew Wright, and were soon joined by Tom Ellard. This later changed to Garry Bradbury, Paul Deering, and Tom Ellard; Ellard has been the only one to remain throughout the group's career, with changing lineups throughout its two and a half decades of existence, later working mainly with Stephen Jones.

Darker Half play METAL: drawing on the roots of classic heavy metal, they have been inspired by thrash, power, death, speed and more to build a unique style all their own. Darker Half come from Sydney Australia. The band is based around the dual guitars of Vo Simpson and Brad Dickson. The guitar harmonies of Vo and Brad intertwine searing lead breaks with Vo's screaming power vocals and brutal doom growl across the solid yet adventurous bass and drums of Simon Hamilton and Dom Simpson.

Talkshow Boy describes his music as "Hyperactive Glitch Pop", and you couldn't think of a better name for it. Listening to one of his albums is like watching a bunch of rats on speed eat their way through a wall of fairy floss, or riding on the back of a killer whale 2,000 feet below the surface. The only thing surpassing his recordings in sheer energy levels are his live performances, in which he walks about the entire venue interacting with the audience, when he's not rolling around on the floor or dancing like a madman.