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Kiwi

The Bats

There are at least three artists called The Bats: Approaching a quarter century of recording and performing, Christchurch, New Zealand's The Bats have survived seven albums and five world tours with the original line-up of Kaye Woodward, Malcolm Grant, Paul Kean and Robert Scott intact. With a sound at the jangle/indie end of the pop spectrum, the band made significant headway in the States in the 80s alongside Flying Nun label-mates The Chills and The Clean. The 90s saw tours of the US and Europe, supporting the likes of Radiohead, Belly, and R.

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Tahuna Breaks

Tahuna Breaks are an uplifting reggae / funk / soul band based in Auckland. They formed following inspiring jams that stretched from a garage in Onehunga to the remoteness of Piha on Auckland’s west coast. With influences varying from the likes of Marvin Gaye, Red Hot Chilli Peppers, James Brown, UB40 and New Zealand’s very own dub and reggae movement, Tahuna Breaks are a fine tune roots blend of funk and reggae with that distinctive New Zealand summery sound.

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King Kapisi

King Kapisi is a Hip-Hop artist prominant in the New Zealand/Australian Hip-Hop music scene. His real name is Bill Urale. He was the first Polynesian Hip-Hop artist who received the prestigious APRA Silver Scroll Award for Songwriter of the Year for his single 'Reverse Resistance' in 1999.
He released 3 albums: "Savage Thoughts", "2nd Round Testament" and "Dominant Species" and has his own clothing label "Overstayer Clothing".

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Don McGlashan

Don McGlashan is a New Zealand musician and songwriter who has been a member of bands such as The Plague, From Scratch, The Whizz Kids, Blam Blam Blam, The Front Lawn, and The Mutton Birds. He composed several pieces for the Limbs Dance Company. McGlashan won the 'Best Song' award in the 1982 New Zealand Music Awards, for the Blam Blam Blam song Don't Fight It Marsha, It's Bigger Than Both Of Us.

Brooke Fraser

Held every year on verdant polo grounds in Indio, California, the Coachella Valley Music and Arts Festival is many things to many people: A way to hear the best alternative music, a giant lawn party of hipsters wearing hemp sunhats, or the one place you can gawk at members of super-bands as they ride around on golf carts. For Brooke Fraser, Coachella 2009 was the event that re-awakened her desire to make music. It was April and the New Zealand-born singer and songwriter was burnt out after completing a three-year tour supporting her second album, 2006’s Albertine, which debuted at No.

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The Clean

The Clean are an influential indie rock band that formed in Dunedin, New Zealand in 1978. The Clean soon forged a distinctive and quirky sound, inspired by punk filtered through to the relatively isolated New Zealand. Although they released several chart-topping singles in their native country, The Clean are a little-known cult band outside of New Zealand, although their influence is surprisingly far-reaching.

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Little Bushman

The Onus Of Sand is the highly anticipated debut album from Warren Maxwell's rockin' heavy blues band Little Bushman (from New Zeland). Warren Maxwell, formally lead singer with NZ band Trinityroots, is masterfully navigating his new band Little Bushman through the deep waters of 60s/70s style Blues tinged Psych Rock (with heavy nods towards Led Zeppelin, Jimi Hendrix and The Who), all the while keeping it aimed directly at the heart of the New Zealand roots sound he helped pioneer.

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Shihad

Shihad are a four-piece band from New Zealand, comprising Jon Toogood (guitar/vocals), Tom Larkin (drums), Karl Kippenberger (bass) and Phil Knight (guitar). Their style is best described as "hard rock", although they were described as "metal" in their formative years. Shihad were formed in 1988 in Wellington, New Zealand. They were briefly known between 2002-2004 as "Pacifier". During this time the band was attempting to break into the US market and it was decided that Shihad sounded too much like the arabic word 'jihad', thus the name change. Their major albums and EPs include:

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Edwin Derricutt

The inspiring acoustic pop/folk tunes of symmetry, articulate the need to recognise that which is greater than ourselves. Exceptional.

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