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Australian

Funkoars

The Funkoars are an Australian hip hop act from Adelaide, Australia and formed in 1999. Funkoars were founded on the unique personalities of four individuals. These larger than life musicians were drawn to each other not just from a love of music, but their light hearted and jovial outlook on life. It’s these personalities coupled with their prodigious talent that has brought Funkoars their success. The energetic and humorous nature of their lyrics is not something that can be emulated.

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SONNY FODERA

Hailing from Adelaide, Australia Sonny Fodera's story is starting to gain momentum; having started producing music at a young age he has established himself as one of Australia’s premier deep jackin house dj's and producers, artist/remixer. As a dj, his signature sound showcases smooth technical wizardry combined with a music selection geared to satisfy even the most discerning house music listeners.

Having played along side the likes of Chuck Love, John Larner, Derrick Carter, the Littlemen, Audio Jack, James Curd to name a few, Sonny Fodera is renowned for his consistently high quality dj sets.

As a producer /remixer, Sonny Fodera continues to exploit his raw musical talents and ever expanding skills. He has released on top house labels from Drop Music, Guesthouse, Kitsam Recordings and many more and quickly gained support from the industries most respected names such as Mark Farina, Derrick Carter and Mastiksoul. His discography is growing at a rapid rate and his unique style of quality house music incorporates many original as well as live elements with influences taken from jazz, to funk, to hip hop and anything in between. Fodera is one talented producer who is making a big impact in the scene on a global scale! Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Kingswood

KINGSWOOD are a four-piece slab of classic indie rock from Melbourne Australia consisting of Fergus Linacre (lead vocals), Alex Laska (lead guitar & backing vocals), Jeremy Hunter (bass & vocals) and Justin Debrincat (drums & backing vocals).

After touring the east coast with Stonefield and The Delta Riggs, packing out the Northcote Social Club and other venues in their own right and their first and second singles "Yeah Go Die" and "Medusa" receiving high rotation on Triple J, the band are stoked to release their eagerly anticpated 'Change of Heart' EP.

2012 will be a massive year for KINGSWOOD, so be sure to experience them live when you get the chance.

They Said It...

Gemma Pike (triple j)
"QOTSA-eqsue with an über rock break down. Looking forward to more."

Jaymz Clements (Editor - triple j magazine)
"KINGSWOOD are the perfect blend of rip-snorting, muscular rock that claims Josh Homme as its patron saint, and melodic stoner punk – Yeah Go Die is a sublime, brawny rush and should see them stomping all over the pansy-tight jeaned poseur jerks who've somehow appropriated rock'n'roll from its sweaty, kick-arse origins."

Rosie Beaton (triple j)
"Rock on KINGSWOOD! Yeah Go Die is a pumping tune, whip lashing indeed and very stoner-rock."

Nathan Wood (V-Music)
"KINGSWOOD's Yeah Go Die is a stripped down, no bullshit punch in the face of everything that's rock. There's no computers, no synths, no production tricks – just a bunch of dudes playing their instruments hard, fast and loud. If you want to take your shirt off, let your gut hang out, pound a beer and blow an ear drum, then get this, load up and let loose."

http://www.kingswoodband.com Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Beggars Orchestra

Dramatic and captivating, dark and intriguing. Murder, love, betrayal, revenge are sonically morphed in an unforgettable theatrical rock performance. More than artists, the five members of Beggars Orchestra are story tellers. Blasting drums, rich keyboards, thunderous bass and screaming guitar cuts through as a souring, melodic voice begins to tell the tale. Chapter by chapter the orchestra weave their story with intricate musical detail, captivating onlookers with their intense, energetic performance.

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Garage Hymnal

Garage Hymnal are a collaboration of professional Christian musos, committed to taking time out of their normal gigs to lead the church in worship. Originally formed as the Sydney University Evangelical Union’s 2004 annual conference band, they were quickly overwhelmed by the need for evangelical worship leaders in Sydney and started recruiting like-minded contributors to the project. With over 50 contributors, Garage Hymnal is about bringing together musos from all sorts of denominations and from all over Sydney.

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The Basics

(There is more than one artist by this name - this article refers to Australian band "The Basics" who have released the records 'Keep Your Friends Close', 'Stand Out/Fit In', 'Call It R&B', 'For Girls Like You' and 'Get Back') The Basics, whose musical style could loosely be described as heavily referencing 60s pop and rock (such as The Beatles, The Beach Boys, The Kinks etc) with elements of rock 'n' roll, reggae and rhythm and blues mixed in,were formed after Kris Schroeder and Wally de Backer met at a party in Melbourne.

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Traps

Traps are a 4-piece indie rock band from Sydney, Australia. The members are Kieran Day (Lead Vocals, Guitar), Ben Hassell (Support Vocals, Guitar), Matthew Edge (Bass) and Malcolm Tain (drummer). They formed in late 2007 from the fragments of many other bands, and recorded 4 demos in december of 2007.

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Big Heavy Stuff

Big Heavy Stuff is a Sydney-based Australian indie rock band with a unique style, blending edgy guitars and a pounding rhythm section with songwriter Greg Atkinson's exceptional sense of melody. Their harder edge, evident on their breakthrough "Maximum Sincere" album of 1997, has mellowed somewhat on more recent releases, without detracting from their trademark emotional intensity. They are known for recent works including their latest albums "Size of the Ocean" and "Dear Friends and Enemies", the latter of which was written at a time of political contemplation in Australia...

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