Australian | Musicosity

Australian

After the Fall

There is more than one artist with this name: 1. After the Fall (NY) - Melodic Hardcore from Albany, NY since 2000. 2 full lengths recorded at Bill Stevenson’s studio THE BLASTING ROOM (descendents, rise against, less than jake) and also a few 7 inches and EP’s. After the Fall recently released FORT ORANGE on cd/lp and are currently on tour in support. COLLAR CITY is a new 3 song 7” released Jan 5 2010 on MIGHTIER THAN SWORD RECORDS.
if you want to avoid other ATF's just go to:
http://www.myspace.com/afterthefall518

Artist Type: 

lyke giants

Emerging from the edge of the Rubicon River, Tasmania (AUS), Lyke Giants have quickly been making a name for themselves since the release of their first; self titled EP at the end of 2010, for which they collaborated with
Aria award-winning producer Paul McKercher (Sarah Blasko, Eskimo Joe, Pete Murray, The Living End, You am I).
Defining their music is challenging as they meld multiple genres and create their own brew of Indie Rock/Pop, intertwining semi-hectic rhythms, flowing vocals and layered atmospheric instrumentation.

Artist Type: 

Perspectives

[1] - Perspectives (USA)
[2] - Perspectives (AUS) 1 - Perspectives are an experimental duo from Florida 2 - Perspectives from Sydney's Northern Beaches are an emotional hardcore band, having shared the stage with bands like La Dispute, Endless Heights, Hopeless, 50 Lions, Snakepit, Cold Youth and Clipped Wings. Having released their first demo last year they have since announced the release of a split with German band White Fields.

My Friend the Chocolate Cake

Formed 1989 by David Bridie and Helen Mountfort (members of Not Drowning Waving) Like their former band, My Friend The Chocolate Cake's music can be seen to straddle the worlds of ambient and world music, with an emphasis on piano and violin-led acoustic music. Influences range from the obvious (such as Penguin Cafe Orchestra and Celtic folk music), to the less obvious (such as John Cale and Talk Talk).

Artist Type: 

Daniel Champagne

Recently described as 'the most talked-about rising star of Australia's next generation' Daniel Champagne delivers one of the most impressive one-man-shows out there!

Reaching to musical depth’s far beyond his years and a way with the guitar that can only be seen to be believed. Champagne often sounds closer to a three-piece band than the 21 year old singer songwriter guitarist now established as a renowned performer on both the Australian and international stage.

A reputation on his instrument of choice firmly established, recent descriptions of the live show state 'Proof that the acoustic guitars only limit is our imagination' (Lloyd Spiegel) and 'The best young guitarist in Australia' (IFC President). Daniel's playing runs from the instruments soul to way outside of its box. His Signature explosion of 2-hand tapping, body percussion and fiery runs in a swag of different tunings can be expected. As can the jazzy finger picking and tasteful improvisation of someone that first picked up the instrument at seven years old and as it would seem, hasn’t put it down since.

The same versatility can be said for his writing and material. Pulling off setts from intense blues-driven crowd pleasers, experimental compositions, bags of originals to century old Folk and Blues Songs delivered with an exiting youthful flair. As for the voice...'He sings with a wonderfully pronounced and proud Aussie twang, howling here, hushed there, always confident, fearless and knowing' (Jamie Forbes)

In all, a live show to mark as an absolute must see!

Having released two celebrated studio EPs - 'My Own Design' (2009) and 'Wide Eyed and Open' (2010). Daniel has now taken his explosive live show to all corners of his homeland and received an overwhelming response on an international level. He has performed at some of the fore-most world renowned Folk and Blues festivals including Woodford, Byron Bay Bluesfest, Nationals (Australia) Vancouver Folk, Salmon Arm Roots & Blues (Canada) to name a few. After Sharing stages with some of the leaders in acoustic music today and been marked as a true light in its future Daniel Champagne now holds a firm reputation for dropping jaws, breaking guitars and making festivals buzz wherever he goes!

PRESS QUOTES
"Daniel is proof that the acoustic guitars only limit is our imagination. It's a thrill to see a young artist with so much creativity, desire and talent using the instrument in a unique way" (Lloyd Spiegel)

"The best young guitarist in Australia" (IFC President)

"His on-stage presence radiates a musical maturity well beyond his years and a phenomenal method of playing the guitar leaves audiences thrilled' (TE Herald, Newcastle)

"It's his guitar work that really steals the show. Champagne has not only mastered his instrument, he's conquered it! Reaching into Folk, Blues, Classical, Jazz, Rock and other styling’s, with nods to virtuosos too numerous to mention. Champagne has created a pastiche all of his own... I cannot recommend this cd highly enough. Buy it, spread the word, something wonderful is happening down here" (BDN)

"A precarious young talent in the guitar world!" (Rhythms Magazine)

PERFORMANCE REVIEW
'Today I saw the future of Folk! - Festival goers flocking in their thousands towards main stage to witness the young musical phenomenon from Australia dish out an absolute show-stopper at the evening’s end.

It's not often that what we are told in this industry is reality, but I can tell you...the hype surrounding this kid is!

Daniel Champagne's guitar skills are indeed unparalleled, I've seen all the great players but have never heard such a sound come out of one instrument. Prowling the stage with it swinging around his shoulders and through the air, his hands are a blur as he taps notes with both hands, beats out rhythms on the body and toys with our emotion in a musical rollercoaster running from all out attach to complete silence with a mere slide of hand. Each song is a polished gem delivered in the vein of a old Folk troubadour, yet with an exiting youthful flair. But it's the manner in which he holds his audience...his commanding stage presence, cheeky road stories of a 21yr old on the international circuit and his old school dancing-in-the-crowd, guitar behind the head showmanship that had the audience in hysterics and had me convinced that we've really struck gold here.

In the modern age of Hip Hop and processed rock music where our folk players are getting pushed to the festival side stages in place of the more 'popular' acts. It’s a true joy to see a young performer steeped in our rich folk tradition who is able to hold a festival crowd both young and old with just a guitar, a voice and an old thing called talent!' (Exert from ‘The Firefly Column’ San Francisco by Anthony James)

FESTIVAL APPEARENCES
- Byron Bay Bluesfest
- Woodford Folk Festival
- Queenscliff Music Festival
- Australian Blues Music Festival
- National Folk Festival
- Vancouver Folk Festival (Canada)
- Salmon Arm Roots & Blues Festival (Canada)

Fairbridge Festival, Corinbank Music and Arts Festival, Snowy Mountain's of Music Festival, Wallaby Creek Festival, Cygnet Folk Festival, Illawarra Folk Festival, Mt Beauty Music Muster, Palm Creek Folk Festival, Red Deer Festival, Kangaroo Valley Folk Festival, Cobargo Folk Festival, Candelo Village Festival, Tilba Easter Festival, Bega Valley Transition Festival, Tuross Music Festival and many more...
Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Artist Type: 

Woollen Kits

Woollen Kits play a kind of washed-out punk rock that slides a line between Bratmobile, Jonathan Richman and Scratch Acid and have released three home-recorded and handmade EPs on their own Periodic Collective label over the past two years, including a split with Wonderful Fellowship. In 2009 they became a three piece, and continue to play short and catchy pop tunes, shorter and catchier than ever.

Artist Type: 

Wish For Wings

Wish For Wings are a hardcore band from Brisbane, Australia. The members of the band are very dedicated and supportive of the straight edge philosophy. They are known for their intense shows and are a cornerstone of the Australian hardcore scene. They have also released an EP "From the Past To the Grave" which was distributed locally.

Artist Type: 

Hoss

Hoss is a hard rock band based in Melbourne, Australia. One of a string of 90s hard rock bands on Melbourne's Dog Meat Records that included the Powder Monkeys and Splatterheads, Hoss was primarily a vehicle for the songs of front man, Joel Silbersher. Silbersher also makes solo records, collaborated with guitarist Charlie Owen under the name of Tendrils and tours as a backing musician with acts such as Tex Perkins and the Dirty Three.

Artist Type: 

Cosmic Psychos

The Cosmic Psychos are a rock band based in Melbourne and rural Victoria in Australia. An underground band that has only ever achieved limited recognition, they were cited as a significant influence on the Seattle grunge scene of 90s. In particular they have been referenced by members of Mudhoney and Pearl Jam and have supported both bands. Known for their droning, fuzzed-out bass and wah-wah guitar with repetitive lyrics, the Cosmic Psychos have a simple sound that works well in context and remained largely untouched since they formed in 1982 when they evolved from the short lived Bum Steers and first achieved notoriety for their demo ‘Custom Credit’ which received enormous airplay on Melbourne public radio station 3PBS.

It was later released on the Down On The Farm mini LP for Mr Spaceman Records which also released their debut LP. The band later moved to Survival Records releasing Go The Hack which was later licensed to Sub Pop Records. They eventually signed to Amphetamine Reptile Records for the American market for the release of their 1991 album, Blokes You Can Trust. That album was produced by then little-known producer, Butch Vig and it produced a song that became an enduring fan favourite, "Dead Roo". A song about perils of Australian highway hazards.

The band went on to release Self Totalled and Oh What a Lovely Pie. In 2006, after a lengthy quiet period, the Psychos issued Off Ya Cruet on Sydney’s Timberyard Records. Notable for being recorded with a new drummer, the title track on album is Kill Bill, a bitter song for ex-drummer, Bill Walsh.

The band was also covered by UK band The Prodigy who released a version of "Feel My Fire" co written with L7 which was largely based on a previous Cosmic Psychos tune "Lost Cause".

Known for their hard drinking behaviour and vulgar lyrics, the Cosmic Psychos are one of the defining bands of the yob rock genre, a movement that celebrates the Australian male lifestyle. Other bands include The Onyas and The Vee Bees.

Robbie "Rocket" Watts

Robbie Watts, joined the band in 1990 until his death on July 1st 2006 following a show in Bendigo. His first album with the psychos, Blokes You Can Trust, was produced by Butch Vig, fresh from completing Nevermind.

Post Rocket Period

The band did not perform live for some time after Robbie Watts' death. In June 2007, the band went on an Australian tour with Sydney's legendary punk band, The Celibate Rifles. Playing guitar in place of Watts, is John McKeering from The Onyas.

Discography

* Down on the Farm (1985)
* Cosmic Psychos (1987)
* Go the Hack (1989)
* Slave to the Crave, Live at the Palace, Melbourne (1990)
* Blokes you can trust (1991)
* Down on the Farm & Cosmic Psychos (1991)
* Palomino Pizza (1993)
* Self totalled (1995)
* Oh what a lovely Pie (1997)
* 15 Years, a Million Beers (2001)
* Off Ya Cruet (2006)
Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.