David Nathaniel Baker, Jr. (born 1931) is a native of Indianapolis, Indiana and currently holds the position of Distinguished Professor of Music and Chairman of the Jazz Department at the Indiana University School of Music in Bloomington, Indiana. A virtuosic performer on multiple instruments and top in his field in several disciplines, Baker has taught and performed throughout the USA, Canada, Europe, Scandinavia, New Zealand and Japan.
See The Sand Pebbles
Cellist Wendy Sutter received degrees from both the Curtis Institute of Music and the Juilliard School. A native of Seattle, she made her solo debut with the Seattle Symphony at age sixteen. Awarded the first prize in the Juilliard cello competition, Ms Sutter made her New York solo concerto debut at Avery Fisher Hall in the New York premiere of Kaddish for cello and orchestra by composer David Diamond.
Sergey Khachatryan was born in 1985 in Yerevan, Armenia. In December 2000 he won First Prize in the VIII International Jean Sibelius competition in Helsinki, becoming the youngest ever winner in the history of the competition. In 2005 he claimed the First Prize at the Queen Elizabeth Competition in Brussels. Sergey has performed with all the major UK orchestras, including the City of Birmingham Symphony Orchestra, the BBC Philharmonic and regularly with the Philharmonia Orchestra.
Richard Tognetti (born 4 August 1965) is an Australian violinist, composer and conductor. He was born in Canberra and raised in Wollongong. He is currently Artistic Director and Leader of the Australian Chamber Orchestra. Tognetti studied at the Sydney Conservatorium of Music with Alice Waten and undertook post-graduate study at the Berne Conservatory with Igor Ozim, where he was awarded the Tschumi prize in 1989.
Melbourne has the longest continuous history of orchestral music of any Australian city and the MSO is the oldest professional orchestra in Australia, celebrating its centenary in 2007.
The MSO performs to more than 250,000 people in Melbourne and regional Victoria in over 150 concerts a year. The Orchestra has performed with renowned artists such as Igor Stravinsky, Mariss Jansons, Isaac Stern, Yehudi Menuhin, Jessye Norman, Artur Rubinstein, Mstislav Rostropovich, Hakan Hagegard, Geoffrey Lancaster, Emanuel Ax, Jeffrey Tate, Sumi Jo, and Nigel Kennedy.
Arthur Jeffes has brought together a group of musicians to create Music from the Penguin Café, playing the music of his father, Simon Jeffes and the Penguin Cafe Orchestra and combining it with his own compositions. The ensemble that Arthur has drawn together are about the same age as the original members of the PCO when they first started playing together in the late 1970s. Music from the Penguin Café began touring from June 2009 into the early autumn, playing at festivals, concert venues, clubs and parties.
Kronos Quartet is a string quartet founded by violinist David Harrington in 1973. Since 1978, the quartet has been based in San Francisco, California. The longest-running combination of performers (1978–1999) had Harrington and John Sherba on violin, Hank Dutt on viola and Joan Jeanrenaud on cello. Jennifer Culp replaced Jeanrenaud on cello in 1999. Jeffrey Zeigler replaced Culp on cello in 2005.
Bang on a Can is a multi-faceted musical organization based in New York City. It was founded in 1987 by three American composers who remain its artistic directors: Julia Wolfe, David Lang, and Michael Gordon. It is a major force in the presentation of new concert music, and has presented hundreds of musical events worldwide. The San Francisco Chronicle has called Bang on a Can "the country's most important vehicle for contemporary music."
See also original artist name in Russian: Дмитрий Дмитриевич Шостакович. Dmitri Dmitriyevich Shostakovich (Russian: Дми́трий Дми́триевич Шостако́вич, Dmitrij Dmitrievič Šostakovič) (September 25 [O.S. September 12] 1906, (St Petersburg, Russia) – August 9, 1975) was a Russian composer of the Soviet period. Shostakovich had a complex and difficult relationship with the Soviet government, suffering two official denunciations of his music, in 1936 and 1948, and the periodic banning of his work.