Double the fun! 1.Fun Machine is a progressive rock band from New Jersey. They are on BNS Sessions. 2. Under the same moniker are a band of cheeksters from Australia who sweep lewd themes into tasteful funk-munched pop zest. More antics than yo' gran's garage.
Rising up from the western suburbs of Adelaide, Poetikool Justice in three years have established themselves at the forefront of Adelaide’s ever-growing music scene. Named as part of the 2007 top 20 up and coming live acts to watch out for in South Australia, Poetikool Justice produce a catchy fusion of Hard Funky*Reggae*Hip Hop which is influenced musically by a wide range of rootsy underground styles.
Robot Child plays original jazz- and funk-infused rock music.
Michael Franti is a gifted and much-heralded spoken word artist and political activist from San Francisco, CA. As leader of the politically and socially-charged group Spearhead, Franti is at the forefront of hip-hop's renaissance, expanding the music's boundaries as he draws on funk and soul-driven beats. Through his music and poetry, Franti tackles a range of issues--the criminal justice system, corporatization of our daily lives, AIDS, gay rights, homelessness, the death penalty, drug addiction and suicide.
Earlier this year, there came to be two nocturnal creatures who loved nightlife. However, this love had to go further, the two desired a relationship with the nightlife’s fuel and energy. As the craving increased, turntables and production software were bought. And so it began . . . . Since then, the duo have warmed up the stage for DJ Falcon, DCUP, Trevor Loveys, Worthy, Justin Martin, Ehsan Gelsi, Paqman, Dahahu, Raw City Rukus, Shifty Business, Offtapia, Cheese, Hubert and many more.
Mark Ronson is a sought-after turntablist, who's worked with such diverse artists as JAY-Z, Lily Allen, Robbie Williams, Christina Aguilera, Amy Winehouse, Ol' Dirty Bastard, Duran Duran and comedian Jimmy Fallon. Born in London, he is the son of writer Ann Dexter-Jones and real estate tycoon Laurence Ronson. His mother later married Mick Jones, lead guitarist of multiplatinum selling rock band Foreigner. He has two sisters: fashion designer Charlotte Ronson and DJ Samantha Ronson.
Gil Scott-Heron (born April 1, 1949 in Chicago) is an American poet and musician, known primarily for his late 1960s and early 1970s work as a spoken word performer, associated with African American militant activists. Heron is perhaps most well known for his poems/songs "The Revolution Will Not Be Televised" and "What's the Word - Johannesburg" a movement hit during the 1980's South Africa college and national divestment movement in the United States of America.
Allen Toussaint (born January 14, 1938) is an American musician, songwriter and record producer and one of the most influential figures in New Orleans R&B who was inducted into the Rock and Roll Hall of Fame in 1998. In the 1960s and 1970s, he was a prolific writer, producer and arranger, creating numerous hits for a variety of artists including Lee Dorsey, Robert Palmer, The Showmen, The Meters, Betty Wright, Solomon Burke and Willie West. He produced material for Dr John, LaBelle, Chocolate Milk and Aaron Neville amongst many more.
The Bakery are an 11 piece band from Sydney, Australia. With a sound that is a mixture of funk, reggae and ska these guys have some balls. They have two charismatic female singers whose vocals are comparable to the great Gwen Stefani but with a little more soul, and a five-piece horn section. Naughty lyrics and a playful nature this band has a loyal following, and their debut album launch sold out The Basement in Sydney. Emily Collins: Vocals
Rosie Henshaw: Vocals
James Maybury: Trumpet
Dave Dziedzic: Trumpet
Daniel Paul Merriweather, born February 17th 1982 in Melbourne, Victoria is an Australian R&B singer/songwriter. His first commercially released recording was a guest appearance on the track "All I Want" from Australian dance act Disco Montego's self-titled album in 2002. In 2007 Daniel Merriweather put his voice to Mark Ronson's "Stop Me" (cover of The Smiths track) which reached #2 on the UK singles charts, and also co-wrote and featured on Wiley's third single, from his fourth album, Cash In My Pocket which reached #18 on the UK singles chart.