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Prince

Prince Rogers Nelson (born June 7, 1958), known from 1993 to 2000 as an unpronounceable symbol (or informally, The Artist Formerly Known as Prince, Tafkap, or simply The Artist), is a popular American musician. He had 1984's biggest hit song in the US with "When Doves Cry" and is best known for his album and movie "Purple Rain". During the 1980s Prince was comparable with the "mega-superstars" of Michael Jackson & Madonna in terms of star power and sales.

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James Pants

THE YEAR IS 2001 AND THE PLACE IS TEXAS. Stones Throw head honcho Peanut Butter Wolf is DJing while a sharply dressed young man approaches the DJ Booth with his Prom date in tow to formally introduce himself. Thus begins the story of James Pants. What began as a dream Prom night to see his hero DJ went to an internship at the label to eventually landing the ultimate fantasy by being signed to the roster and championed as the ‘next big thing’ by none other than Peanut Butter Wolf himself – on top of critics like Busy P, Urb, XLR8R, & Dazed & Confused Magazines.

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Scat

SCAT is an English techno-electronica project by Dorset based Bill Moseley with collaborations from various other local Artists. Scat is also a band that plays jazz, specialising in original gospel music and jazz standards. The unrivalled jazz act has picked up a 2004 American Gospel Music Award and when you see them jam you’ll know why. SCAT brings together Queensland’s best musical talent with Jeremy O’Connor on double bass, Trent Bryson-Dean on drums, Chris Poulsen on keys and Craig Burnett on vocals.

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N.E.R.D

N.E.R.D (No One Ever Really Dies) is a funk rock, alternative rock and alternative hip hop band formed in 2001. Their music is best described as funk rock, with various other influences, including hip hop, R&B, soul, alternative rock, and blues. Pharrell Williams and Chad Hugo met in Virginia Beach, Virginia at the ages of 12 at a summer camp for musicians, which they both disliked. They spent their free time making beats and performing in groups with fellow childhood friend Timbaland. Shay Haley began performing with Williams and Hugo in high school.

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The Cat Empire

The Cat Empire is a six-piece alternative band from Melbourne, Australia. Their sound has been described as a fusion of jazz, funk, and rock with heavy Latin / Salsa influences (not to mention reggae, ska and dub). Currently, the Cat Empire consists of Ollie McGill (keyboard and backing vocals), Ryan Monro (bass and backing vocals), Felix Riebl (percussion and vocals), Harry James Angus (trumpet and vocals), Will Hull-Brown (drums), and Jamshid "Jumps" Khadiwhala (decks, percussion). A strong, recurrent theme of their music is the rejection of materialism, war, and intolerance and an enthusiastic embrace of cultural diversity and the simple, carefree life.

The Cat Empire began as a trio with McGill, Riebl, and Monro in late 1999, and started playing a wide variety of gigs in Melbourne. The band soon expanded in 2001, adding Angus, Hull-Brown, and Khadiwala.

THE Cat Empire's message, on stage and in the studio, has always been about breaking down borders: musical, geographic, lingual. But they have never done it so powerfully as they do on their new album, Cinema. The album serves up a set which captures the inexorable force - and sheer joy - of their live performances, delivered in a format perfect for lounge-rooms, backyards, BBQ’s, cafes, road trips and parties all over the world.

Cinema, the band's fourth studio album, is a dazzling statement of a band at a peak of its powers, music designed to move the body and the mind. Right from the opening track, Waiting, this is music that leaps from the speakers.

All the elements that people love about The Cat Empire are there but the result is brighter, bolder. And yes, more cinematic. What grabs the ear immediately is that this is not a band playing with genres. In the past, The Cat Empire dived in to any musical style which took their fancy, from reggae to salsa, Latin to hip-hop. Cinema reveals a band that has developed an emphatic voice that is all their own.

``That's a sound that has emerged out of nearly 10 years of playing on stage together,'' says singer and percussionist Felix Riebl. ”The result is an album that's much more integrated than anything we've done before, with a Cat Empire sound that runs consistently through it. The lyrics are perhaps darker, but they are accompanied by music that is uplifting which gives it a strange but powerful feeling.''

Riebl adds: “At times the album is thoughtful, at times it makes you just forget and dance. But it is an album that has more sonic depth than we've ever had before, experimental in parts but with really direct choruses. It's going to be a great album to play live, especially on big stages and at festivals.''

Of course, the stage is never far from the thoughts of this band. In an age when so much of selling music seems to be about celebrity and fashion, The Cat Empire have risen to be one of Australia and indeed the worlds favourite live acts through sheer musicality and the power of their interaction on stage. The band - Riebl, Vocalist and trumpeter Harry Angus, keys player Ollie McGill, bassist Ryan Monro, drummer Will Hull-Brown and Jamshid Khadiwala (aka ‘Jumps’) on decks - played their 700th show in Amsterdam last year, and will hit the 800 mark in 2010. While it is not well known in Australia, The Cat Empire are one of the country's most successful musical exports, doubling their audience numbers at every return stop.

They have headlined some of the world's biggest music festivals, including Summersonic (Japan), Rock am Ring (Germany) and V Fest (UK), playing Bonnaroo (US) as well as to an audience of 300,000 at the Montreal Jazz Festival. They have also played on some of world's highest rating entertainment shows, including Dave Letterman and Jay Leno. This year their worldwide tour in support of the international release of Cinema will see them return to Canada, US, Europe, Japan and the UK, where they will play to a full house at London's Brixton Academy.

The knowledge that they would be playing songs from the new album on so many big stages focused the song writing sessions for Cinema. The album was recorded close to home at Sing Sing studios in Melbourne with producer Steve Schram, and he encouraged them to make an album that was their most collaborative song writing effort yet.

``That was a deliberate decision from all of us,'' says the lion of the live show - Vocalist and Trumpeter Harry Angus. ``With six people in the band sometimes there will be a song on an album that not everyone wants to play live. This album certainly gets around that problem. And I think that after so many years playing together the guys are much more confident about contributing to the writing. Steve encouraged us to do that. That's been great for us.''

Of working with The Cat Empire, Schram says “it was the perfect studio scenario; amazing players open to trying anything and willing to take a back seat when required. Egos were left at the door.” He adds “In terms of musicianship, it's no secret that they don't come much better than The Cat Empire. Yet Cinema shows that simplicity and one well placed note packs more of a punch and serves the song far more than musical chops alone. We set out to explore in depth the mood and character of each song while maintaining a focus on performance rather than studio trickery. “

After taking their longest break from studio recording after the release of 2007's So Many Nights, the band reconvened feeling refreshed. ``In 2008 we took a break from touring for 8 months. Then in 2009 we released our (live album) Live on Earth” Riebl says. ``When we came back to the band, and then into the studio we all rediscovered what we loved about The Cat Empire in the first place; that it is a band that can do the unexpected, that we have great energy and make music that is always a lot of fun to play on stage. The feeling right now is just like when we were starting out. We're all very excited about that.''

Cinema will be released ...
JUNE 25, AUSTRALIA
JUNE 29, CANADA
JULY 6, USA
AUGUST 2010, EUROPE & JAPAN

See www.thecatempire.com for tours and information
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Chic

Chic (pron. IPA: /ˈʃiːk/, sometimes fully capitalized as CHIC) is an american disco and funk band that was formed in 1976 by guitarist Nile Rodgers and bassist Bernard Edwards. It is best-known for its commercially successful disco songs, including "Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)" (1977), "Everybody Dance" (1977), "Le Freak" (1978), "I Want Your Love" (1978), "Good Times" (1979), and "My Forbidden Lover" (1979).

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Chromeo

Chromeo is an electrofunk duo based in Montreal, Canada and New York City. They are P-Thugg, on keyboards, synthesizers and talk box, and Dave 1 (David Macklovitch) on guitar and lead vocals. The two were best friends since childhood and officially formed the band in 2002. They describe themselves as the only successful Arab/Jewish collaboration since the beginning of time. David Macklovitch is currently earning his Ph.D in French literature from Columbia University, where he also teaches undergraduate French classes.

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Directions In Groove

Directions In Groove (aka. d.i.g - not to be confused with the Californian grunge band "DIG" ) burst onto the Australian music scene in the early 90¹s with a sound whose freshness and originality quickly won them an enormous audience of fans. Call it acid jazz, jazz funk or just great grooving music d.i.g delivered a level of musical excitement that has seldom been replicated. Directions In Groove (DIG) were a popular Australian acid jazz band originally from the suburb of Redfern in Sydney, who produced several distinctive acid-jazz / groove / funk albums in the 1990's.