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Prince

Prince Rogers Nelson (born June 7, 1958), known from 1993 to 2000 as an unpronounceable symbol (or informally, The Artist Formerly Known as Prince, Tafkap, or simply The Artist), is a popular American musician. He had 1984's biggest hit song in the US with "When Doves Cry" and is best known for his album and movie "Purple Rain". During the 1980s Prince was comparable with the "mega-superstars" of Michael Jackson & Madonna in terms of star power and sales.

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Kool and the Gang

Kool & the Gang are an American jazz/R&B/soul/funk/disco group. They originally formed in Jersey City, New Jersey, U.S. in 1964. They went through several musical phases in their career, starting out with a purist jazz sound, becoming practitioners of R&B and funk, progressing to a smooth disco ensemble, and ended the successful period of their career producing pop/R&B crossovers. They have sold over 70 million albums worldwide.

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The Transatlantics

Based in Adelaide, South Australia, The Transatlantics are an eight-piece deep funk and soul outfit inspired by the great soul performers of the late 60's and early 70's. The Transatlantics have played support to the likes of Roy Ayers (USA), Eddie Bo (USA), Russ Dewbury (UK), Ohmega Watts (USA), Nick RecordKicks (Italy), Nostalgia 77 (UK), The Bamboos (Melb) and in 2009 have appeared at major festivals including the Big Day Out, Parklife and Playground Weekender. They have released two 7" singles and have a debut album due for release in September 2009.

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Sister Sledge

Sister Sledge is an American musical group formed in 1972 and consisting of four sisters: Kim Sledge (born August 21, 1958), Debbie Sledge (born July 9, 1954), Joni Sledge (born September 13, 1957) and Kathy Sledge (born January 6, 1961). Their biggest successes Stateside came in 1979 with the popular disco anthems We Are Family (#1 R&B, #2 Pop in the USA) and He's the Greatest Dancer (#1 R&B, #9 Pop in the USA), produced by Nile Rodgers and Bernard Edwards of Chic.

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Dam-Funk

Known as Los Angeles' "ambassador of boogie funk," DâM-FunK represents the citizens of the Funkmosphere. Headquartered in the Culver City section of L.A., DâM (pronounced 'dame' as in Damon) spent the last few years cultivating a musical renaissance rooted in the early-80's styles known as boogie, modern soul and electro-funk. As a DJ/selector, DâM-FunK attracts the most discerning boogie funk aficionados within driving distance of his storied Monday-night Funkmosphere parties. But it's not just collectors at the bar toasting to the melodic sounds.

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The Liberators

There are at least two bands under this name. A Dutch rock band and a Australian afrobeat-centered act. - The Liberators was a band from the southern Dutch province Limburg and based in the city of Maastricht.
The band existed from 1979 until 1992 playin' all over Europe. Concerts from Bergen (Norway) all the way down to the Canarian Island and worldfamoust in Maastricht. The band made three albums for Polydor, and the Belgium KKRecords.

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Directions In Groove

Directions In Groove (aka. d.i.g - not to be confused with the Californian grunge band "DIG" ) burst onto the Australian music scene in the early 90¹s with a sound whose freshness and originality quickly won them an enormous audience of fans. Call it acid jazz, jazz funk or just great grooving music d.i.g delivered a level of musical excitement that has seldom been replicated. Directions In Groove (DIG) were a popular Australian acid jazz band originally from the suburb of Redfern in Sydney, who produced several distinctive acid-jazz / groove / funk albums in the 1990's.

Sharon Jones and the Dap-Kings

Sharon Jones & the Dap-Kings are a funk/soul band. They are signed to Daptone Records, where the dap-kings are the house band. They are widely thought to be spearheads of a revivalist movement that aims to capture the essence of funk/soul music as it was at its height in the mid-1960s to mid-1970s. Part of the way this is achieved is to shun modern digital recording methods in favour of using traditional analogue recording equipment. The type of instruments used by the band may also be considered limited to those that would have been available up until the mid seventies.

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