Formed in 2008, music for lonesome cowboys in cardigans, featuring members of The Nation Blue, black level embassy, Ricaine, but sounding more like early Tortoise, Mogwai, Battles, Don Caballero.
Xiu Xiu is an experimental band originally from San Jose, California and currently based in Durham, NC and Brooklyn. The band is named after the main character of the 1998 Chinese film "Tian yu" (a.k.a. "Xiu Xiu: The Sent Down Girl") Xiu Xiu was first formed in 2000 and is the main project of singer-songwriter Jamie Stewart, who records with friends on his home computer. Stewart's cousin, Caralee McElroy joined the band in 2003 and was the only other permanent member of the band until her departure in early 2009.
Battles is an American experimental rock band that formed in New York City in 2002. The group is composed of drummer John Stanier (formerly of Tomahawk and Helmet), guitarist/keyboardist Ian Williams (formerly of Don Caballero and Storm & Stress), guitarist Dave Konopka (formerly of Lynx), and, until August 2010, guitarist/keyboardist/vocalist Tyondai Braxton (son of Avantgarde Jazz musician Anthony Braxton).
There are at least 3 Artists which are or were performing under the name 'Mob' or 'The Mob' 1) MOB
The band, which hails from Denmark, plays a rather intense, yet fragile type of distortion-filled noise rock. We All Repeat the Past is the follow up to 2002’s noise rock epic I Believe In You, and with this latest release Mob returns with walls of blistering distortion, moody-noise-ridden outbursts, crashing drums, and dark but peaceful interludes, like a butterfly crushed by a ten ton truck. This latest offering also sees the band progressing into slightly more aggressive and bleak areas.
Grails is an American <a href="http://www.last.fm/tag/instrumental" class="bbcode_tag" rel="tag">instrumental</a> rock band from Portland, Oregon. Initially going by the name "Laurel Canyon", guitarist Alex Hall, drummer Emil Amos (also of 'Holy Sons') and second guitarist Paul Spitz garnered positive reactions following their first show, played on a whim. Portland musicians Timothy Horner (violin) and Bill Slater (piano/bass) later joined the group to record their first EP.
65daysofstatic began in Sheffield, United Kingdom in 2001 as Iain Armstrong, Paul Wolinski and Joe Shrewsbury. Contrary to popular belief, they did not originally form to try to write music to fit the unreleased and little known John Carpenter film, 'Stealth Bomber' (starring Kurt Russell). Instead, they took their name from the 1954 CIA-backed coup d'etat in Guatemala. There, the CIA disabled Guatemalan communication systems while spreading propaganda, leading to the overthrow of the government.
Sleepmakeswaves are an instrumental rock band from Sydney, Australia. Drawing influences mainly from but not limited to post-rock, the young quartet mix driving metallic bombast with textured electronics to create a sonic space where delicate melodies and thunderous climaxes peacefully co-exist. Since their formation in late 2006, sleepmakeswaves have rapidly established themselves as a promising and unique voice in their field.
aheadphonehome is a small collective (sometimes of 1) based in Brisbane Australia. Founded by noise maker/producer Phil Laidlaw in 2006, aheadphonehome draws on eclectic loves of experimental, guitar based, electronica, ambient, DIY, folk, psychadelic and pop traditions to create layed, evolving songs. The debut album "in the static" was released in late 2007.
The Sydney, Australia experimental rock band formerly known as Pivot, now having changed their name to PVT due to legal rights, are a 3 piece band based in London and Sydney. PVT were formed as a purely improvisational 5 piece band in Sydney 1999 by brothers Richard Pike and Laurence Pike. The band spent the subsequent four years developing their sound and working on their debut, with guitarist Richard Pike producing.
Mr. Maps are a five-piece instrumental rock band from Brisbane, Australia. Since their inception in 2007, Mr. Maps have quickly earned a reputation for transcendental live performances showcasing complex layers of bass, drums and guitar lifted by lush piano and cello, and punctuated by electronic glitches and tones. Mr. Maps’ compositions are experimental and meticulous with an air of optimism and beauty, blending math-rock with elements of New York post-classical and electronics.