Grim Fandango may refer to:
1. Hardcore / Punk Rock band from Perth, Western Australia (www.myspace.com/grimfandangomusic) 1. Formed 2006 in Perth, Western Australia, Grim have finely crafted a unique sound that transcends their hardcore/punk roots. Characterized by intertwining jangling guitars, abrasive three-way vocal melodies and a tight driving rhythm section Grim Fandango write ferocious, discordant songs beaming with an undeniable presence of pop-sensibilty and optimism.
Grim Fandango may refer to:
from Cyclic Defrost: Melbourne’s MC Ivens first emerged from the hip-hop scene a few years back as a founding member of the Awakenings Crew. Ivens’ live performances resemble the intense atmosphere of a hardcore gig more than your usual hip-hop throwdown, with Ivens delivering his sharp-focused dystopian lyrical flow to audiences at point-blank range. Otherwise known as David Coen, Ivens founded Awakenings Crew alongside Hykoo, Nick Sweepah, Chasm, Aux-One, Osinaka and Grizzly Baddums.
Battles is an American experimental rock band that formed in New York City in 2002. The group is composed of drummer John Stanier (formerly of Tomahawk and Helmet), guitarist/keyboardist Ian Williams (formerly of Don Caballero and Storm & Stress), guitarist Dave Konopka (formerly of Lynx), and, until August 2010, guitarist/keyboardist/vocalist Tyondai Braxton (son of Avantgarde Jazz musician Anthony Braxton).
Booker T. Jones (born November 12, 1944) is a multi-instrumentalist, songwriter, record producer and arranger, best known for fronting the band, Booker T. and the MGs. Born in South Memphis, Tennessee, Jones was a child prodigy, playing the oboe, saxophone, trombone, and piano at school and serving as organist at his church. He attended Booker T. Washington High School, the alma mater of Rufus Thomas and shared the hallowed halls with future stars like Isaac Hayes's writing partner David Porter; saxophonist Andrew Love of The Memphis Horns; soul singer/songwriter William Bell and Earth...
Zoë Keating is a Canadian musician and composer. Classically trained from the age of eight, Keating studied music at Sarah Lawrence College in Westchester County, New York and the Scuola di Musica di Fiesole in Italy. After graduation she moved to San Francisco and began working in computer software while moonlighting as a cellist with dance troupes, theatre companies, and rock bands. She combined the two, and developed her now signature style while improvising for late night crowds in her San Francisco warehouse space.
There are currently at least 3 acts performing as Signals. 1) A Japanese instrumental project.
1) Ex-members of LA indie outfit The Mae Shi
2) British experimental electronic instrumental 1) Signals is an instrumental project lead by former BLANKEY JET CITY and current PONTIACS bassist 照井利幸 (Terui Toshiyuki). In addition to writing all of the band’s tunes, Terui plays acoustic guitar. The other two members are 椎野恭一 (Kyōichi Shiino) on drums and 勝井祐二 (Katsuki Yūji) on violin. The first Signals album, Lapis Sky, was the first material to be produced by WELD MUSIC CHAMBER.
Melbourne 3-piece experimental improvisational instrumental stoner rock/metal heavy jam type band. Occasionally collaborate with fellow Melbournians Spider Goat Canyon, to form Goatwitch.
Russian Circles is a three piece instrumental post-rock/post-metal band from Chicago. The band plays epic, sprawling music which runs the gamut of heavy discordant metal to soft delicate passages. They are also known for their energetic live shows, which include tours with Tool, Red Sparowes, Minus the Bear and Daughters, as well as appearances at the 2006, 2007 & 2008 SXSW festivals. Formed in late 2004 by guitarist Mike Sullivan and bassist Colin DeKuiper (both formerly of another instrumental band Dakota/Dakota), they quickly recruited Dave Turncrantz, formerly of St.
The Portico Quartet are a bunch of guys in their early twenties who play instrumental music. Formed four years ago from two sets of schoolfriends, they share a house in East London, make recordings, and play festivals and clubs. Yet what distinguishes them from dozens of other Hackney hopefuls is the way they sound – a fresh, unclichéd resynthesis and reinvention of music that’s both pleasingly familiar and thrillingly new, like World Music from the future.