experimental

The Gaslamp Killer is a Los Angeles-based DJ whose eclectic style ranges from psychedelia and world music to dubstep and left-field hip-hop. Associated with Flying Lotus' Brainfeeder Records, he made his production debut in the late 2000s with a series of EPs. Born William Benjamin Bensussen, he originally comes from San Diego, CA, whose downtown Gaslamp District's bar scene inspired him to name himself the Gaslamp Killer in disgust for much of the patronage.

Dengue Fever’s psychedelic take on the Cambodian pop sounds of the 60s makes them one of rock’n’roll’s most unique success stories. They draw enthusiastic crowds from LA to the UK, from Maui to Moscow, and leave critics rummaging through their thesauruses looking for new superlatives to describe their sound. The band’s latest release, the documentary feature film Sleepwalking Through The Mekong (DVD/CD Soundtrack) continues the story and evolution of the band as they travel to Cambodia as the first Western group to perform the music of Cambodia since the fall of the Khmer Rouge.

Holy Fuck is an electronic rock band based in Toronto, Canada. Their current line-up includes original and core members Brian Borcherdt and Graham Walsh along with Matt Schulz on drums and Matt McQuaid on bass. Holy Fuck uses live drums and bass along with a myriad of toy keyboards, guitar pedals, mixers and even a 35mm film synchronizer to mimic modern electronic music, consciously avoiding modern fail-safes like laptops and programmed backing tracks. They have brought their live show to festivals like Glastonbury, Roskilde, Coachella, Lollapalooza, Fuji Rock and All Tomorrow's Parties.

Audio artist Barry Adamson started out as bass player for British punk band Magazine, however, he's since carved more of a name for himself equally for being a founding member of Nick Cave and the Bad Seeds and also for composing a large chunk of the score of David Lynch's Lost Highway. Adamson's solo work varies heavily between Film Noir and classic to industrial rock, whilst taking in everything in between, making him almost impossible to pigeonhole.