Lo-Fi | Musicosity

Lapalux

Sounds move with curious steps in the music of Lapalux, the solo project of Essex's Stuart Howard. His IDM and hip-hop influenced beat collages unfold like individual short stories, their layered tones playing into your emotions. The thud of bass pulses throughout his tracks, a steady stream of heartbeats that rise in and fall reaction to the excitement, the trepidation and the moments of calm reflection set by the marriage of vocal samples and experimental beatmaking.

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Repairs

Melbourne band who mainline German electro-punk styles (DAF/Cluster/Kraftwerk) and melt them down with subterranean Americana that draws on the nightmare sound of early Suicide, the eschatological tapes and drum machine style of the first incarnation of Destroy All Monsters et al. Captured Tracks calls it “’74 Germany + ’79 Sheffield + ’09 Australia”.

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Bob Log III

Bob Log III was born in Chicago, Illinois and raised in Arizona. Growing up, Log listened to musical artists such as AC/DC, Screaming Jay Hawkins, Bo Diddley, Hasil Adkins and Chuck Berry, later commenting that "That's what rock'n'roll is to me. You take a guitar, turn it up, make the ladies dance, and have a good time.” [1] Bob Log got his first guitar at the age of 11, and by the age of 16 he had moved to slide guitar, playing Delta blues, modeling his slide guitar style on that of Mississippi Fred Mcdowell.

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trashy blues-rock-boogie

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Kurt Vile

Kurt Vile is a guitarist and singer from Philadelphia. He was previously the lead guitarist in the band The War on Drugs and also has a burgeoning solo career. He was signed by Matador Records in May 2009 as a solo artist. His music has been likened to Bruce Springsteen, Bob Seger, and Tom Petty. His first album for Matador, titled Childish Prodigy was released in October 2009. Prior to signing with Matador, Vile released two albums, God is Saying This to You and Constant Hitmaker, on Mexican Summer and Woodsist, respectively.

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Kitchen's Floor

Kitchen's Floor is from Brisbane, Australia. They have released music on Siltbreeze, RIP Society, Bedroom Suck and Negative Guest List. They have two albums - Loneliness is a Dirty Mattress (2009) and Look Forward to Nothing (2011).

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Chook Race

Carolyn, Rob and Matt are Chook Race. A Melbourne garagey three piece band/street gang. Though having only been playing for a short while, Chook Race's garagey surf pop and reputation as an energetic and fun unit has landed them some sweet support spots including the always awesome Sonny and the Sunsets (USA) & Magic Kids (USA)

For bookings or media enquiries contact:
Tim Scott dettolforever@hotmail.com

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Erasers

Erasers are a duo (Rebecca and Rupert) from Perth, Australia. Their debut 5-track CDR was recorded in their bedrooms using both their own and borrowed equipment. Rupert Thomas is formerly from the band Shock! Horror!. http://www.myspace.com/erasersonpencils

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Bass Drum of Death

Bass Drum of Death is a garage rock band based in Oxford, Mississippi. Originally known as John Barrett's Bass Drum of Death they released their first EP ''Stain Stick Skin" in 2008.The band is now John and Colin. The band released "High School Roaches" in 2010 and GB City in April 11, 2011. Check also: http://bassdrumofdeath.blogspot.com/
http://twitter.com/#!/BassDrumOfDeath
http://en.wikipedia.org/wiki/Bass_Drum_of_Death

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Zola Jesus

Zola Jesus is the endeavor of a solitary girl named Nika Roza Danilova to simultaneously combat and invoke the approaching apocalypse using the only weapon/offering she has: her voice. After a decade of opera study and a musical awakening involving such varied inspiration as Billboard bubblegum, classical arias, no wave, avant industrial, she was able to thread her influences into a sound uniquely her own.

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Line Drawings

Line Drawings have just released their debut album take/over. Take/over was crafted in the summer of 2009/10 at various places in Sydney’s inner- west, and later polished at either side of the Pacific by Wayne Connolly (You Am I, Josh Pyke, Youth Group) and Bob Weston (Sebadoh, Archers Of Loaf). ‘Take/over’ calls to mind the places it was made. Its dissonant and dirty guitars recall the sounds of quintessential Australian indie rock while the easy complexity of the rhythm section would not be out of place in Chicago.

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