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Starforge

The story of Starforge began in the year 2007 when Andy Suppradit decided it was time to unleash his own brand of melodic death metal upon the Australian metal scene. Inspired by the sounds of the Scandinavian scene and elements from Thrash, Death, Black and Power metal, Andy spent 2008 composing what would be Starforge's first demo 'Infinite'. Before the songs had been written, Josh Mcmaster was chosen to be the vocalist. This was a natural choice as Josh and Andy have been working together musically since 2004 through many projects including grindcore band Mutant On A Forklift.

Weddings Parties Anything

Weddings Parties Anything, often known as WPA and Weddoes, is an Australian folk rock band formed by Mick Thomas in Melbourne in 1985 and continuing until 1998. Their name came from a Clash song ("Revolution Rock") and musicologist Billy Pinnell described their first album as the best Australian rock debut since Skyhooks' Living in the '70s. WPA initially gained a reputation as a hot new band through their constant touring in their early days, however they never really became a commercial success.

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Ash Grunwald

Ash Grunwald is an Australian blues musician.

While it’s true that his music is steeped in the Delta blues tradition of the legendary acoustic musicians who proliferated in pre-World War II America’s deep South and the giants of electric blues who shaped rock and roll, it’s the young Victorian’s willingness to combine these influences with grooves and sounds common in contemporary music that sets him apart.

A soulful singer and guitar player, Grunwald immediately drew attention with the release of 2002’s ‘Introducing … Ash Grunwald’ a collection of originals and blues standards that included ‘Smokestack Lightnin’ (Howlin’ Wolf) ‘The Sky Is Crying’ (Elmore James), and ‘Rolling and Tumbling’ (Robert Johnson) recorded live with only acoustic guitar and foot percussion consisting of a stomp box and tambourine.

The positive response to Grunwald’s debut resulted in two Victorian Blues awards for Emerging Talent and Album of the Year.

The following year he scored two Australian Blues awards for Male Vocalist of the Year and Best New Talent in addition to the MBAS’ Blues Performer of the Year. He also reached the final of the International Blues Performer of the Year in Memphis.

In 2004 Grunwald released his follow up album, I Don’t Believe, once again recorded solo and live.

Since his initial release he’d been made aware of two Tom Waits albums, Swordfishtrombones and Bone Machine. In a daring move he emulated Waits’ experimental bang and clang percussion using hammers, spanners, pots, etc, in addition to a boss loop station as a bed for his lap steel, dobro, and acoustic guitars.

The album included six originals, two of Waits’ compositions, "Going out West" and "Jesus Gonna Be Here" (a-cappella with handclaps) and blues standards "Walking Blues" and "Cross Roads" (Robert Johnson), "Empire State" (Son House), and "How Many More Years" (Howlin’ Wolf).

On the strength of this release Ash won an ARIA award nomination for Best Blues And Roots Album, and the Victorian Blues award for Male Vocalist Of The Year (equal with Lloyd Spiegel) and in 2005 the MBAS Vic / Tas award for Solo / Duo Of The Year (equal with Dave Hogan).

For the ‘Live At The Corner’ album (songs from his first two releases plus Willie Dixon’s ‘Spoonful’ featuring Ian Collard on harmonica) Ash won the 2005 MBAS Vic / Tas and Australian Blues award’s Album Of The Year in addition to being nominated once again for the Best Blues And Roots album at the ARIA’s.

Ash has built a substantial following performing at countless live venues around the country and at major festivals including Byron Bay, Port Fairy, Falls, Apollo Bay, Fremantle, Cockatoo Island and Margaret River.

In May 2005, Ash was invited to take over the reins as host of Triple J’s popular Thursday night show Roots ‘N All.

Ash Grunwald continues to forge his own identity with the release of twelve original songs on album number four, ‘Give Signs’ recorded on his own label Delta Groove Records. As usual it will be live and solo. And as usual, it is another terrific offering from this talented performer.
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The Dingoes

The Dingoes were an Australian rock band from 1973 to 1979.

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For Amusement Only

For Amusement Only was an Australian pop punk band from Melbourne, Victoria. They released an EP in 2002, titled Where Did We Go Wrong? and an album in 2003 titled One for the Team. Both were released by Below Par Records. They were influenced by Mest, Jimmy Eat World, Goldfinger and blink-182. Band Members:
Novo - Guitars/Vocals
Tim - Guitars/Vocals
Benno - Bass
Chuckles - Drums

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Regurgitator

Regurgitator is a rock band from Brisbane, Australia which formed in 1994. It consists of lead singer/guitarist quan Yeomans, bassist BEN ELY, drummer Peter Kostic and newly recruited keyboardist Seja Vogel. A blend of rock and electronica, they captured a devout following and have been credited for invigorating the Australian indie pop scene in 1996 with their debut album titled Tu-Plang. Regurgitator have undergone several changes in musical direction over the years, including a move towards hip-hop and away from their rock roots, which have not always been popular with some fans.

TZU

TZU are an Australian hip hop group, originating from Melbourne, Victoria. The group formed in 1999 as a side project combining members of Curse Ov Dialect and Pan. Members include Joelistics, Countbounce, Pasobionic and Yeroc. They are known for live shows with significant crowd involvement where they will often involve local MCs, and have been known to invite the entire audience on stage. TZU differs from typical hip hop groups because they use instruments in their performances.

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Morganics

Morgan Lewis, better known in the hip-hop world as Morganics, is an MC, Beatboxer, Bboy producer. He is also involved in hip hop theatre and teaching beat-boxing and MC'ing to community centres, jails, schools, theatre companies and remote Aboriginal communities. Known for the hit 'Down River' by the Wilcannia Mob featuring three young Aboriginal boys rapping to a beat-boxing soundtrack, Morganics continues to encourage others to use their own words, terms and language as he does to try to make hip hop our own.

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