breakcore | Musicosity

breakcore

Shinra

1. As a young primary school boy, Shinra first started his audio experiments on his trusty Amiga 600 computer, producing goodness knows what with OCTAmed 4 software. As the years went by, he spent many long hours on the decks in his living room, djing progressive house to an audience of just himself :( Fast forward to about the year 2000, when he first obtained a cd by the mighty Aphex, and his musical tastes were forever changed. Since then, Shinra has been banging out crazy tunes on his laptop like nobody's business.

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Delete

There are several artists with that name: 1) "Delete" aka Sergio Munoz, an electronic artist / DJ from Caracas, Venezuela. The word ‘delete’ has become a seminal part of our modern lexicon over the past 20 years thanks to the advent of the internet and our global, digital culture. Delete is also the production moniker of an artist who too has been growing over the past 20 years. One whose sound and style are at once rooted in the musical heritage of his native Venezuela and home in the digital diaspora of our globalized techno-culture.

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Maladroit

Breakcore producer based in Sydney, Australia. Formerly part of the now-defunct System:Corrupt collective. His hardcore influenced breakcore is known for exceeding speeds of 250bpm, a breakcore record. His work samples extensively from pop songs, ska and other electroacoustic genres. However unlike other artists who employ the popmash, he combines songs at breakneck speeds and with little concern for royalties owed to the artists he samples from. Some of his tracks can employ as many as 90 copyright protected songs over a five minute period.

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Monster Zoku Onsomb!

.. ... Someone said MZO sounded like: "Techno Jungle Sixties Hardcore Punk from Outa Space! " ... Someone else said : "Mental ragga rave n bass with zigzag bass lines and the kind of free spirited abandon guaranteed to ram a dance floor in 10 seconds flat! " Biography 2009 From the cultural swamps of Australia’s most gleaming citadel; Brisbane Australia,(?) crawl Monster Zoku Onsomb! An ensemble who have forged their own sound from the shattered pieces of kitsch retrodelica and contemporary bass culture.

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Dysphemic

Dysphemic’s curiosity with electronic music began at the age of 10 when he experimented with Sound Tracker 2 on his family's 1984 Amiga Commodore computer.This same process of sequencing has carried through out his development of technique which can be described today as crushing the limits of electronic music.

Heavily influenced by Jungle and Drum and Bass, at the age of 15 Dysphemic produced his first 60 minute album.

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Camo & Krooked

When “one of the biggest talents in Drum’n’Bass” (according to Grooverider), Vienna based Reinhard Rietsch aka CAMO and up- and coming producer Markus Wagner aka KROOKED, who both started producing in 2002, teamed up in 2007 nobody could have guessed what impact their collaboration will have on the scene!
Since then they have written and produced some of the hottest and devastating dancefloor anthems Drum’n’Bass has heard for a long time! Be it the more soulful sound of the massive “Tonight” or the raw power of smashers like “Dakota” (both released on MAINFRAME Rec.

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dRillbit

Luke Hoskins has been making this particular sort of music under the name of dRillbit since 2003.
He has appeared on numerous compilation cds and has also released 6 of his own official dRillbit releases: Facebreaks album 2005 (Noise Machine : NOISE:005),
The extreme ultra violence EP (Noise Machine : NICE : 002
The Cheap Arse Shitcore EP Or The Shit Arse Cheapcore EP(God Rekidz : GOD103)
DRILLBIT is SHITHEAD Album, 2006 (Noise Machine NOISE : 008)

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The Nam Shub of Enki

The Nam Shub Of Enki and kiki.ILL are pseudonyms taken on by PhILL Thomson, long respected producer, performer and DJ in the Australian underground dance scene. He is also a member of Brisbane electro cabaret super group MONSTER ZOKU ONSOMB! Who have been tearing apart crowds of every denomination for 5 or so years. More info at The Nam Shub Of Enki's official web-site.

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