Special Brew are a ska band from Perth, Western Australia. Current members are: Magnus “Danger” Magnus (Vocal), Sid (Bass/Vocal), Foxy (Drums), Mark (Guitar), Stewie (Keys), “BB” (Trom), Cooky (Trumpet), Mark III (Sax), Matt (Trom)
I Blame Coco is headed by Coco Sumner (real name Eliot Pauline Styler Sumner), supported by Joy Joseph and Raphael Mann from Mr Hudson & The Library on drums and bass. According to the Caesar Songfacts, Sumner is the daughter of the musician Sting and actress Trudi Styler. In 2008 she signed with Island Records, and after sending time writing and recording in Sweden she released her debut single Caesar as I Blame Coco on February 1, 2010.
The Mad Caddies are a ska punk band from Goleta/Santa Barbara/Solvang, California. The band formed in 1995 and has released five full-length albums, one live album, and two EP's. Their sound has influences from a wide range of genres, including ska, punk, hardcore, swing, reggae and jazz. Founding members Chuck Robertson, Sascha Lazor, Todd Rosenberg, Carter Benson and James Malis started the group in high school but the band's membership has changed frequently since its inception.
Its the 25th anniversary of the Rubiks Cube Rubix Cuba: an 80's commercial fad crossed with a communist stalwart. A contradiction. Whilst appearing happy on the outside and in their music, Rubix Cuba are a deep and melancholy band (not that you'd guess it) with songs from the heart...which they wear on their shirtsleeves!! The Rubix Cubans bring a ball of energy to any stage and are bouncy, photogenic and annoyingly catchy.
Berdiri di tahun 2005 di kota Denpasar, Bali - Indonesia. JOYRIDE didirikan oleh bassist Billy Bagus, kemudian menyusul bergabung vokalis+gitaris Joe Enders dan drummer Don 'Dagger' Christyanto
Nama JOYRIDE diambil dari judul sebuah lagu milik BAND HARDCORE bernama THE WEDDING, bukan diambil dari lagu milik ROXETTE! =)
Pada masa awal terbentuknya, genre JOYRIDE adalah pop punk dan post-hardcore, namun sering terjadi pergantian gitaris. akhirnya pada tahun 2007 gitaris Gils Francis bergabung ke dalam formasi untuk mengisi posisi yang kosong pada line up yang ada.
Chris Murray is a Canadian-born singer-songwriter and guitarist working primarily in the genre of ska. In Canada, he was a member of the now-defunct ska band King Apparatus. He now lives in the Los Angeles, California area, where he performs regularly, both solo as well as with the Chris Murray Combo. Murray has performed throughout North America, Europe, Japan, and South America, and released several CDs on the Asian Man Records label.
For the Ecuadorian reggae group see <a href="http://www.last.fm/music/Pap%C3%A1+Chang%C3%B3" class="bbcode_artist">Papá Changó</a> Whether you’re lulled into a trance by the dark, visceral melodies or energized by the afro-inspired rhythms you will be moved, one way or another, by Papa Chango. With a line-up comprising horns, percussion, guitars and the mighty Farfisa organ, the Melbourne based 9-piece bring a modern flavour to the sounds of the 1970’s Ethio-jazz and afro-funk movements. Debut album "The Matador" released 2012.
The Cat Empire is a six-piece alternative band from Melbourne, Australia. Their sound has been described as a fusion of jazz, funk, and rock with heavy Latin / Salsa influences (not to mention reggae, ska and dub). Currently, the Cat Empire consists of Ollie McGill (keyboard and backing vocals), Ryan Monro (bass and backing vocals), Felix Riebl (percussion and vocals), Harry James Angus (trumpet and vocals), Will Hull-Brown (drums), and Jamshid "Jumps" Khadiwhala (decks, percussion). A strong, recurrent theme of their music is the rejection of materialism, war, and intolerance and an enthusiastic embrace of cultural diversity and the simple, carefree life.
The Cat Empire began as a trio with McGill, Riebl, and Monro in late 1999, and started playing a wide variety of gigs in Melbourne. The band soon expanded in 2001, adding Angus, Hull-Brown, and Khadiwala.
THE Cat Empire's message, on stage and in the studio, has always been about breaking down borders: musical, geographic, lingual. But they have never done it so powerfully as they do on their new album, Cinema. The album serves up a set which captures the inexorable force - and sheer joy - of their live performances, delivered in a format perfect for lounge-rooms, backyards, BBQâ€™s, cafes, road trips and parties all over the world.
Cinema, the band's fourth studio album, is a dazzling statement of a band at a peak of its powers, music designed to move the body and the mind. Right from the opening track, Waiting, this is music that leaps from the speakers.
All the elements that people love about The Cat Empire are there but the result is brighter, bolder. And yes, more cinematic. What grabs the ear immediately is that this is not a band playing with genres. In the past, The Cat Empire dived in to any musical style which took their fancy, from reggae to salsa, Latin to hip-hop. Cinema reveals a band that has developed an emphatic voice that is all their own.
``That's a sound that has emerged out of nearly 10 years of playing on stage together,'' says singer and percussionist Felix Riebl. â€The result is an album that's much more integrated than anything we've done before, with a Cat Empire sound that runs consistently through it. The lyrics are perhaps darker, but they are accompanied by music that is uplifting which gives it a strange but powerful feeling.''
Riebl adds: â€œAt times the album is thoughtful, at times it makes you just forget and dance. But it is an album that has more sonic depth than we've ever had before, experimental in parts but with really direct choruses. It's going to be a great album to play live, especially on big stages and at festivals.''
Of course, the stage is never far from the thoughts of this band. In an age when so much of selling music seems to be about celebrity and fashion, The Cat Empire have risen to be one of Australia and indeed the worlds favourite live acts through sheer musicality and the power of their interaction on stage. The band - Riebl, Vocalist and trumpeter Harry Angus, keys player Ollie McGill, bassist Ryan Monro, drummer Will Hull-Brown and Jamshid Khadiwala (aka â€˜Jumpsâ€™) on decks - played their 700th show in Amsterdam last year, and will hit the 800 mark in 2010. While it is not well known in Australia, The Cat Empire are one of the country's most successful musical exports, doubling their audience numbers at every return stop.
They have headlined some of the world's biggest music festivals, including Summersonic (Japan), Rock am Ring (Germany) and V Fest (UK), playing Bonnaroo (US) as well as to an audience of 300,000 at the Montreal Jazz Festival. They have also played on some of world's highest rating entertainment shows, including Dave Letterman and Jay Leno. This year their worldwide tour in support of the international release of Cinema will see them return to Canada, US, Europe, Japan and the UK, where they will play to a full house at London's Brixton Academy.
The knowledge that they would be playing songs from the new album on so many big stages focused the song writing sessions for Cinema. The album was recorded close to home at Sing Sing studios in Melbourne with producer Steve Schram, and he encouraged them to make an album that was their most collaborative song writing effort yet.
``That was a deliberate decision from all of us,'' says the lion of the live show - Vocalist and Trumpeter Harry Angus. ``With six people in the band sometimes there will be a song on an album that not everyone wants to play live. This album certainly gets around that problem. And I think that after so many years playing together the guys are much more confident about contributing to the writing. Steve encouraged us to do that. That's been great for us.''
Of working with The Cat Empire, Schram says â€œit was the perfect studio scenario; amazing players open to trying anything and willing to take a back seat when required. Egos were left at the door.â€ He adds â€œIn terms of musicianship, it's no secret that they don't come much better than The Cat Empire. Yet Cinema shows that simplicity and one well placed note packs more of a punch and serves the song far more than musical chops alone. We set out to explore in depth the mood and character of each song while maintaining a focus on performance rather than studio trickery. â€œ
After taking their longest break from studio recording after the release of 2007's So Many Nights, the band reconvened feeling refreshed. ``In 2008 we took a break from touring for 8 months. Then in 2009 we released our (live album) Live on Earthâ€ Riebl says. ``When we came back to the band, and then into the studio we all rediscovered what we loved about The Cat Empire in the first place; that it is a band that can do the unexpected, that we have great energy and make music that is always a lot of fun to play on stage. The feeling right now is just like when we were starting out. We're all very excited about that.''
Cinema will be released ...
JUNE 25, AUSTRALIA
JUNE 29, CANADA
JULY 6, USA
AUGUST 2010, EUROPE & JAPAN