folk | Musicosity

Willy Mason

Willy Mason (born 21 November 1984) is an American singer-songwriter. He is the son of Jemima James and Michael Mason, both folk singers who, according to Mason, have influenced his music. When Mason was five, he and his family moved from New York to West Tisbury, Massachusetts on the island of Martha's Vineyard. He attended West Tisbury Elementary School and Martha's Vineyard Regional High School, where he participated in several local bands such as Keep Thinking, Cultivation, and Slow Leslie. He later moved to New York City, playing mostly at open mikes and small venues.

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Tex Perkins & The Dark Horses

Tex Perkins, best known for frontman in blues band, Beasts of Bourbon, and indie/blues band, The Cruel Sea.

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Martin Carthy & Dave Swarbrick

Martin Carthy MBE is an English folk singer and guitarist who has remained one of the most influential figures in British traditional music, inspiring contemporaries such as Bob Dylan and Paul Simon and later artists such as Richard Thompson since he emerged as a young musician in the early days of the folk revival.
Dave Swarbrick is an English folk musician, best known for his fiddle playing. Swarbrick joined the The Ian Campbell Folk Group in 1960.

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Steve Poltz

He trick-or-treated at Liberace’s house, planned a two-day stay in Amsterdam that ended a month later with him escaping the city under the cover of darkness, and was Bob Hope’s favorite altar boy. Alone, these anecdotes go well with a fistful of peanuts at a cocktail party. But on top of these add that this person also co-wrote the longest-running song on the Billboard Top 100, had a debut solo album that earned three and a half stars in Rolling Stone, and was awarded the title of “San Diego’s Most Influential Artist of the Decade” at the San Diego Music Awards.

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Goodnight Owl

MAPS AND COMPASSES VIDEO: http://www.youtube.com/watch?v=2XkYyFP86-o
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Goodnight Owl can lead the way in two directions, an embrace of the dawn, or an adventure into the dark. Make it what you will, Central Australian born Eddie Alexander has developed his song writing to take the listener on a journey lyrically and musically.

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Terry Springford

Terry Springford is a folk-pop singer-songwriter from Melbourne, Australia. In 2010, after a long hiatus from music, Terry returned to his home studio in the mountain forests outside Melbourne to record his Pretty Girls album, released in October. The album represents a departure in style for Terry as he adds a variety of electronic sounds to augment his strong songwriting and folk-pop roots. The album is available at iTunes. He's now working on a new album, "Fusion", and playing live in Melbourne. "Summer Dress" is his new single, released in April 2012.

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The Good China

www.myspace.com/thegoodchinaband Lots of instruments + short attention span + 8 people = us. Winter 2009 we hit up Soundpark Studios with producer Steven Schram (Little Birdy, Silverchair, Little Red), emerging with the debut EP ‘Old Maps/New Roads’.

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Matt Corby

Matthew John "Matt" Corby (born 7 November 1990, Australia) is an Australian singer songwriter. In just 18 months, Matt Corby has transformed himself from a 16-year-old singer on Australian Idol, to an artist who has developed his own unique brand of folk/rock. He has worked with such luminaries as Sasha Skarbek (James Blunt) and McGowan Southworth (Ben Lee) and has spent time in the UK and US working on the tracks for his debut EP 'Song For...'

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The Tealeaves

The Tealeaves sound is inspired by the era of the great singer-songwriters, including Cat Stevens, Simon & Garfunkel and Don McLean. Their music overflows with melody, harmony and lyrical honesty, and has been described as “heart wrenching to say the least”. James, the original leaf, gathered the group together in 2008 to prepare and record their self-titled debut album with eminent producer and engineer, Hadyn Buxton. Traversing a wide range of musical styles, their songs range from harmony filled wall-of-sound band tracks to intimate, melancholy indie-pop. 

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Krystle Warren

Seeing Krystle Warren perform for the first time is a striking experience. First, there is the utter improbability of it all: she shuffles onstage with little more than a low-key hello, and proceeds to sing with an effortless power that completely belies her tiny frame. Hearing her fill a crowded club without using a microphone … that’s a Voice. And then there are her vocal stylings, which feature a melisma as rich as that of Wonder or Hathaway, but put all of that technique at the service of music that has never heard such a thing – folk and country...

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