industrial

Tzolk'in is a collaboration project between the belgium musician Sal-Ocin(Empusae)
and the french project Flint Glass(aka Gwenn Tremorin ). They both wanted to do a conceptual creation inspired by Mayan mythology and the ritual calender Tzolk'in. As their passion and knowledge grew, a ritual, mythical soundtrack emmerged. The music has elements of ambient, industrial, melancholic sadness and of course elaborated rhythms to enhance the
athmos-fears!

They are a canvas of black, purple and blood red with 'Death' being the artwork. Join Death of Art as they take you on an emotive journey through the dark realm. Music for the eyes and ears with their theatrical style live show incorporating props, dance and a lot of energy! Erin's vocals and performance style take you from classical through to heavy rock and back again with her unique combination of these styles. Marilyn Manson meets Evanescence....

The name Browning Mummery was adopted in Sydney in 1983 by Australian electronic musician Andrew Lonsdale (1961-), as a vehicle for his contemporary electronic sound works. The name was taken from the label of an old 78 rpm platter without realising the original history of the artist. Originally never intended to be used for more than one performance (as was common at the time) the name stuck. Andrew Lonsdale began producing electronic and experimental music in Rockhampton, Queensland, Australia in 1980...

Introduced to each other by a mutual friend at a metal show in late 2005, Iballa and N8OR discussed their love for electronic music and how they both would like to create a mixture of the Electro, Pop, Rock, Goth genres. Immediately they hit it off and formed The Creptter Children. With a stage performance and sound that they are renown for, The Creptter Children audiences are treated to a non-stop, high energy and vibrant show that has been described as “spectacular and fresh”.