Indie | Musicosity

The Brian Jonestown Massacre

The Brian Jonestown Massacre was formed in San Francisco in 1990. The band has had over 40 members since then, but its driving force and main songwriter is Anton Newcombe. Other prominent members have included Matt Hollywood, Dean Taylor, Jeff Davies, Brian Glaze, and Joel Gion. Their sound is heavily influenced by the psychedelic sounds of the 1960s, but also carries influences from shoegaze, jangle pop, garage rock, and lo-fi sonorities.

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Fun Machine

Double the fun! 1.Fun Machine is a progressive rock band from New Jersey. They are on BNS Sessions. 2. Under the same moniker are a band of cheeksters from Australia who sweep lewd themes into tasteful funk-munched pop zest. More antics than yo' gran's garage.

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Kes Band

Kes Band is a trio from Melbourne: Karl E. Scullin (KES), (of Mum Smokes), and former member of Bird Blobs; Julian Paterson (Minimum Chips, Mum Smokes etc), and Lehmann B. Smith. Two Kes Band albums have been released to date, each features different musicians: Paddy Mann (Grand Salvo), Oliver Mann, Laura Jean, Biddy Connor (Sailor Days), and Nick Veneables (Jessica Says). Two albums - Kes Trio and Kes Band III - are to be released in 2010 following a Japanese tour with Tokyo band My Pal Foot Foot.

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Kirin J. Callinan

Kirin J. Callinan. The mad bitch from Mercy Arms.

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The Shire

The Shire are a Heavy band from the Central Coast, formed late 2010. Their main interests are to play shows and write music other people will enjoy as much as they do!

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Modest Mouse

Modest Mouse is an American rock band. The band was formed in 1993 in Issaquah, Washington, United States by guitarist Isaac Brock, drummer Jeremiah Green and bassist Eric Judy. Since being signed to Sony's Epic Records in 2000, Modest Mouse has attained significant popular success with songs such as "Float On" and "Dashboard." The band's current configuration is Isaac Brock (vocals, guitar), Tom Peloso (strings, horns, bass, keyboards), Eric Judy (bass), Jeremiah Green (drums) and Joe Plummer (drums).

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Jack's Mannequin

Jack’s Mannequin started off as a side-project of Andrew McMahon, who is the vocalist, pianist and main songwriter of the band <a href="http://www.last.fm/music/Something+Corporate" class="bbcode_artist">Something Corporate</a> but has now become his main project. The band is based in Orange County, California. The name Jack’s Mannequin originated from one of McMahon’s songs called <a title="Jack's Mannequin – Dear Jack" href="http://www.last.fm/music/Jack%27s+Mannequin/_/Dear+Jack" class="bbcode_track">Dear Jack</a>, which was written about a friend of his whose brother was diagnosed with childhood leukemia. Andrew himself was diagnosed with leukemia on June 1, 2005 and cancelled a show for the first time ever when he received the call from his doctor.

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Jesca Hoop

Jesca Ada Hoop is a American singer-songwriter and guitarist from Northern California, who performs music that covers differing genres. Her musical mentor has been Tom Waits. One of five children in a fifth generation Mormon couple, Hoop was steeped in a musical environment created by her family. She began performing as a child and starred in her high school choir. Hoop broke away from the strictures of Mormonism just as her parents were separating.

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Bright Eyes

Bright Eyes is a band consisting mainly of American singer-songwriter/guitarist Conor Oberst. Bright Eyes also features multi-instrumentalist/producer Mike Mogis, keyboard player Nate Walcott and a rotating lineup of collaborators drawn primarily from Omaha, Nebraska, United States' indie music scene. Having been deeply influenced early on by singer-songwriters David Dondero and Simon Joyner, Conor Oberst has been recording music since the age of 13. He released his first three albums at the ages of 13, 14, 15, respectively, all under the name "Conor Oberst" and released only on cassettes.

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Cabins

”Dark”, “melodic”, “spiky” and “atmospheric” are all overused words in the noble pursuit of describing sound. Still, they all seem oddly appropriate when trying to get a handle on what Sydney's Cabins are. With a sound that is uniquely theirs, they sift through rubble in the musical junkyard pulling out shards of glass and little treasures, and making them into songs.
Pounding basslines and drums intersect with woozy pianos and spiky guitars to carry tales of foreboding and unease up a strangely melodic path.

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