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Tanuki Dub

Tanuki Dub’s "Glad to be Glad" is the premier solo offering from the versatile bassist of pop/rock bands The Beautiful Girls and George, former metal band Pangaea and Brisbane Jazz/World/Groove all-stars The Neighbourhood Groove Collective. <a href="http://www.last.fm/music/Paulie+B" class="bbcode_artist">Paulie B</a>. is an Australian music gem, tucked away in his West End studio ‘The Tanuki Lounge’ when he isn’t touring internationally with The Beautiful Girls. As a producer and engineer, Paulie B.

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dub

reggae

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Loefah

Leading dubstep producer/deejay hailing from London, UK. Member of DMZ.

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Fat Freddys Drop

Incorrect page for Fat Freddy's Drop - please fix your tags

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Lucky Elephant

Lucky Elephant are united in a desire to provide warm, inviting, melodic, challenging, fresh music. The 4 dashing young blades armed only with a collection of high maintenance, but hugely loveable old synths, tape delays, Wurlitzers, harmoniums, drums, ukuleles and guitars stride proudly out to battle – confident that the truth will out, and that once again music can provide inspiration and comfort.

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Dj Rupture

DJ /rupture AKA of Jace Clayton, a New York-based DJ and producer. He used to play in the drum and bass collective Toneburst, and DJ'ed in Boston during the late 1990s. His standard set-up involves three turntables, on which he creates complicated mixes—such as one with a cappella vocals, the second with breakbeats, and the third with ambient effects. His 2008 release "Uproot" made the Pitchfork 2008 Top 50 Albums of 2008 list

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dub

dubcore

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Emalkay

With initial support in the form of grime veteran Plastician, “Birmingham’s finest” Emalkay gained the attention of South London based label Boka Records with the warped, future bass drones and epic strings of Gut Feeling. Continuing the success, Testing The Waters EP was released in October 2006 followed by Monsters in June 2007. The revolutionary sound of Mecha, released in the fall of 2007, gained Emalkay support from the likes of Radio 1 DJ Mary Anne Hobbs and breakbeat pioneer FreQ Nasty, as well as many of the leading figures of the current dubstep scene.

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Roots Manuva

Roots Manuva, born Rodney Smith is a British hip-hop artist, who mixes hip hop with reggae and dub as well as electronica, and even some gospel. He grew up around Stockwell in South London. His parents were from a small village in Jamaica called Banana Hole where his father was a preacher and tailor. Spending much of his early years in poverty, this and his strict Pentecostal upbringing clearly had an influence on his music as can be seen in many of his tracks such as "Sinny Sin Sins" and "Colossal Insight".

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Easy Star All-Stars

The Easy Star All-Stars are a collective family of some of the finest reggae musicians in the New York area. The band features a rotating cast drawn from a talented pool of players, meaning that every show has its own nuances and its own life. The masterminds behind the All-Stars are Easy Star musical director Michael Goldwasser (a.k.a. Michael G), frequent production partner Victor Axelrod (a.k.a. Ticklah), and Easy Star execs Eric Smith and Lem Oppenheimer.

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Skream

Skream is the electronic music producer and DJ Ollie Jones from Croydon, South London. One of dubstep's first and most prominent producers, he is often hailed as the 'ambassador' of the growing genre. Most famous outside the dubstep community for his crossover hit 'Midnight Request Line' released in 2005 on Tempa, he continues to churn out classics at an amazing rate, including his 'Skreamizm' vinyl series and a self-titled album, both also on the seminal Tempa record label.

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Ikonika

Ikonika (real name Sara Abdel-Hamid) is a UK-based electronic musician, producer and DJ often associated with Hyperdub Records and the Dubstep genre. Her debut 12", "Please/Simulacrum" was released in 2008 on Hyperdub Records. She has released music on Planet Mu, as well as a remix of DJ Mujava’s "Township Funk", released by Warp Records. Ikonika’s music combines melodic synth patterns, driving drums, melancholic sub bass and unorthodox song structures.

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