Drum and bass | Musicosity

d bridge

D-Bridge AKA Darren White's first introduction into the music scene was in 1992, when he formed 'Sewage Monsters' with his older brother (signed to MCA and Island Records as 'Steve Spacek'). After releasing one 12" on their own label, they disbanded; and Darren went on to work with 'Armshouse Crew' of 'We Are E' fame... this was to last for a further two years. In 1995 Darren met Jason Maldini through a mutual friend and was soon to be working alongside him at Trouble On Vinyl.

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atmospheric drum and bass

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Shock One

Coming from a traditionally trained musical background Shock One bring a unique sound to the drum and bass music scene. Discovering the sound through artists like Bad Company, Konflict and Ed Rush & Optical, it wasn’t long before Karl Thomas and Jay Burns, at the time playing in a metal band with members of Pendulum, were experimenting in the electronic music. It was when Shock One’s tune ‘Silverscreen’ dropped at a pendulum return show that things started to really move.

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Utah Jazz

Luke Wilson’s career started in the mid 90's, when he began to DJ and learn the production ropes with DnB legend Alex Reece. Several years later, the trademark, solo Utah Jazz sound was born leading to a release for Hospital Records and a large number of tracks on Liquid V. In 2006, Utah Jazz received widespread international acclaim with his remix of Roni Sizes classic, “It’s a jazz thing”. Thanks to support from dance music heavyweights Zane Lowe, Annie Mac, Pendulum, Andy C and Grooverider, chart success soon followed, with the remix reaching number 1 in the Radio 1 charts.

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Woz

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tin can radio

Tin Can Radio is a truly exciting up-and-coming Brisbane based band. Their infectious flavour of synth-driven indie dance music infuses the heavy rhythms of drum ‘n bass, discopunk and breakbeats to their unique soulful melodic stylings. Moving through genres like sands through the hourglass: Electro, Dubstep, Soul-Reggae Grooves… These are the days of our Tin Can Radio. Combining this with their high energy stage show, a Tin Can Radio live performance is a MUST SEE for anyone on a night out, from the most overzealous groovers to the chilled, head-nodding wall-flowers.

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Pariah

There are a number of artists/bands under the name of Pariah. 1. Pseudonym of London, UK based dubstep/future garage producer Arthur Cayzer who has released a single, Detroit Falls, and an EP, Safehouses on the legendary dance label R&S Records. He has also provided licensed remixes for media darlings The xx and illustrious RnB/Soul vocalists Erykah Badu and Brandy. Cayzer has been gaining vocal supporters such as BBC Radio 1 DJ and electronic music evangelist Mary Anne Hobbs and contributed a mix to her show.

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Calibre

Dominick Martin aka Calibre is the 1st exclusively Irish Drum and Bass artist. Classically trained in violin, he dropped this for drums and began playing in various bands, before finding early Detroit techno and house. His inspiration around that time is said to wander around the likes of Kenny Larkin, Carl Craig, Juan Atkins, the Orb. His brother introduced Calibre to drum and bass and jungle, which at first he couldn’t follow the pattern as he felt it was too relentless and 'beaty', and so at that point he preferred four to the floor drumbeats from the US house style.

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Kenji

Pre Glass and Ashes. 2) Dubstep artist from Riga, Latvia.
http://soundcloud.com/kenji-2

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Livewire

The Livewire Gang consists of many artists from various neighborhoods in North, East, and West Oakland; J Stalin, Shady Nate, Jay Jonah, Philthy Rich, Stevie Joe, Lil Rue, Lil Blood, Ruben Stunner, R.O.B., Ronald Mack, Kiwi, HD, and Mayback. Livewire Records was founded in mid 2004 during the splurge of the Hyphy Movement By West oakland native artist and rapper J Stalin. He created the label for him and his camp J Jonah and Shady Nate to debut there music, and a way to keep all there business within the family.

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D-Bridge

D-Bridge is a legendary figure in drum & bass. Though his career stretches back to the early 90s, it was in his role as one quarter of the irrepressible drum & bass super-group Bad Company in the late 90s and early 00s that he really stamped his mark on the scene, dominating the sound of drum & bass during that period. Tunes like ‘The Nine’, ‘Planet Dust’ and ‘Nitrous’ are unforgettable classics and are the tip of the iceberg of an incredible back catalogue of work from the foursome.

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