noise | Musicosity

MoHa!

Morten J. Olsen - drums & SuperCollider3
Anders Hana - guitar & keyboard. MoHa! play somewhat loud music influenced by incredibly varied sources. Some say the duo deal in sonic splatter, in a brew of improvisation, noise, computer music and probably some more. Others say it is reminiscent of the conversation your mate has at you on the weekend in a club when he’s had too much to drink and is telling you how great everything is at 100mph. Only instead of your mate it is actually R2D2, which leads you to believe maybe that someone did put something in your drink.

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Assassins 88

http://www.myspace.com/assassins88

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Radio People

From the salty tear-infected circuit boards of Cleveland, Ohio, comes 'Radio People', Sam Goldberg's synthwave commission for the ever-excellent Digitalis imprint. For the latter half of the '00s he's been a part of the same underground noise scene as Emeralds, running his Pizza Night cassette imprint and releasing a handful of rare tapes on Gneiss Things, Wagon and Weird Forest, among others. Radio People is a relatively recent handle he's been using for a trio of now out-of-print cassettes on Pizza Night, and this is the first vinyl product of that chemically imbalanced sound.

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The Stabs

Formerly called Jodi Moore as a tribute to an acquaintance who didn't want the honour of seeing her name in the street press, The Stabs acquired their new name not long after starting to play irregular gigs at small Melbourne venues around 2003. They have the honour of clearing the 'Airport Lounge' at Monash Uni faster than any other lunchtime act, with only three diehards ending up braving the wall of noise for the whole set.

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Zola Jesus

Zola Jesus is the endeavor of a solitary girl named Nika Roza Danilova to simultaneously combat and invoke the approaching apocalypse using the only weapon/offering she has: her voice. After a decade of opera study and a musical awakening involving such varied inspiration as Billboard bubblegum, classical arias, no wave, avant industrial, she was able to thread her influences into a sound uniquely her own.

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HTRK

Originated in Melbourne, Australia, art rock project HTRK -- pronounced "Hate Rock" (also known before as Hate Rock Trio) -- began performing in 2003. After their former group disbanded, bassist Sean Stewart and guitarist Nigel Yang recruited vocalist Jonnine Standish with aims to create a project inspired by Lynchian imagery, using very slow mechanical repetition (courtesy of an 808 drum machine and Jonnine playing percussion), simple groove-laden basslines, and highly textured guitar noise.

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Satori

There are 7 bands under the name of SATORI: 1) UK based industrial / power electronics act. 2) USA based act providing a fresh mix of reggae, bluebeat, rocksteady and ska. 3) Shaman / ethno haos orchestra from Moldova. 4) HC/Death band from Vyškov, Czech republic. 5) Goa Trance producer 6) Hard Rock/Metal band based in the West Midlands, England. 7) Melbourne Psychedelic/Stoner rock band. http://www.myspace.com/satori925

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Paul Heslin

Paul Heslin was raised in the capital city of Australia in a dark well of hyper-christian homeschooling, before peeling the layers off and beginning to grapple with the world of electronic sound. In 2008, after completing a university degree in digital sound and composition, he vanished overseas to England and France for an extensive period of musical development, returning to Australia in late 2010 with a spiky melange of facial hair and the transformative rubbernecker ep.

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Holy Balm

Holy Balm are a three piece psychedelic dance jam band from Sydney, Australia. The group consists of Anna John, Emma Ramsay and Yoni Hochman.

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Eat Skull

Eat Skull are a quartet hailing from Portland, Oregon, co-masterminded by Rob Enbom (former bushwacker in the ranks of Hospitals and Hole Class) and another original Hospital, Rod Meyer. Like their brethren and forebears, Eat Skull runs a post pattern deep beyond pop and punk. They bring to the game an extrasensory appreciation of New Zealand's South Island Sound (Great Unwashed, Axemen), Cleveland art-damage skronk (Modern Art Studio, X-X), and the wretched excess of forgotten Midwest hardcore (Stiff Legged Sheep, Chemotherapy).

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