ambient | Musicosity

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Ulrich Schnauss

Ulrich Schnauss was born in the northern German town of Kiel in 1977. During his formative years, he came to love a wide spectrum of music, ranging from My Bloody Valentine to Tangerine Dream, from Chapterhouse to early bleep and breakbeat tracks. There was not much opportunity to see his musical heroes in Kiel, so he moved to Berlin in 1996. By that time, Ulrich was already a prolific musician in such genres as ambient and drum and bass, with a variety of pseudonyms (most notably View to the Future and Ethereal 77).

Jamie Woon

Jamie Woon is a 25 year old singer-songwriter from Clapton, North-East London, whose sound lies between the usually distinct genres of alternative rock and soul music. His sound envelopes influences and elements as diverse as those of Jeff Buckley, Jamie Liddell, Sade, Sanatana and Meshell Ndegeocello. The recently enrolled rhythm section of a musically liberated and telepathically connected bass player and drummer both named Dan, are to Jamie Woon what Noel Redding and Mitch Mitchel were to Jimi Hendrix.

Mist

There are several artists with the name Mist: 1) Synth based group comprised of John Elliot (Emeralds) and Sam Goldberg. 2) Atmospheric Black Metal from Netherlands who released a split with Förtvivlan in 2010 . 3) Polish thrash/death metal band from Olkusz. 4) Band from Amsterdam who released "We Should Have Been Stars" and "Bye Bye" and "Period". 5) UK based techno artist <a href="http://www.last.fm/music/Max+Duley" class="bbcode_artist">Max Duley</a>'s alias for releases on the Lost-affiliated Cosmic Records label. 6) Swedish pop band from Gothenburg

Queensland Symphony Orchestra

The Queensland Symphony Orchestra (QSO) is an Australian orchestra, based principally in Brisbane in the state of Queensland. The QSO played its first concert on 26 March 1947, with the orchestra consisting of 45 musicians, conducted by Percy Code.[1] John Farnsworth Hall was recruited from the Sydney Symphony Orchestra as the orchestra's first chief conductor. The orchestra played concerts in various Queensland cities and towns, such as Innisfail and Townsville, travelling up to 3500 miles a year in the process.[2]

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Explosions In The Sky

Explosions In The Sky is an American instrumental post-rock band, which formed in Austin, Texas in 1999. Munaf Rayani, Mark Smith, and Michael James had just moved to Austin from Midland, Texas, and drummer Chris Hrasky had just moved to Austin from Rockford, Illinois. The band quickly gained a reputation for their live shows even amongst other established local bands such as Lift to Experience. They also garnered a small amount of media attention as a result of their second album Those Who Tell The Truth Shall Die...

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Julianna Barwick

Louisiana-bred, Brooklyn-based recording artist Julianna Barwick crafts ethereal, largely wordless soundscapes, all of which are built around multiple loops and layers of her angelic voice. Barwick, who credits a rural, church choir upbringing for her unique sound, begins most tracks with a single phrase or refrain, then uses a loop station and the occasional piano or percussive instrument to build the song into a swirling mass of lush, ambient folk.

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Jónsi

There is more than one artist with this name: 1) Jón Þór Birgisson, aka Jónsi, is the guitarist and vocalist for the Icelandic band Sigur Rós. He is universally known for his soft inimitable falsetto voice. He has also released an album as one half of Jónsi & Alex with his boyfriend Alex Somers, formerly of the band Parachutes. Jónsi's solo album, Go, was released on April 6th 2010. In his solo venture Jónsi departs from the ethereal, dreamy landscapes present in Sigur Rós' music and instead concentrates on shorter, more instant 'portrait' tunes.

Irukandji

Irukandji can refer to three bands. 1. Irukandji is a female fronted progressive metal/hard rock band from Norwich, England formed in 2007 under the name Strength of Presence, (initially as a semi-acoustic trio of two guitars and lead female vocals). In 2008 they recruited a drummer and a bassist and changed their name to Irukandji, to reflect the harsher more aggressive nature of their music. Their style is heavily based on singable melodies, fast paced technical guitar solos and double-bass pedal drumming.

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