piano

Vladimir Davidovich Ashkenazy (sometimes transliterated Ashkenazi) (Russian: Влади́мир Дави́дович А́шкенази) (born July 6, 1937) is a Russian conductor and, more notably, a pianist. He was born in Nizhny Novgorod, Russia. Ashkenazy began his studies at the age of 6 and showing prodigious talent, was accepted at the Central Music School at 8. A graduate of the Moscow Conservatory, he won second prize in the prestigious International Frederick Chopin Piano Competition in Warsaw in 1955 and shared first prize in the 1962 International Tchaikovsky Competition with English pianist John Ogdon.

Anthony Pateras (b.1979) is a multidisciplinary musician living and working in Melbourne, Australia. Solo, he appears on piano or analogue electronics, and composes written works for ensembles, orchestras and soloists. His main bands are Pateras/Baxter/Brown freeform acoustic noise-jazz, an electro-acoustic duo with Robin Fox, the free-grind project PIVIXKI (with Max Kohane) and noise sculptors POLETOPRA (with Marco Fusinato).

There are at least two artists with this name. 1) A Canadian multi-talented musician / producer (born Jason Charles Beck, aka Chilly Gonzales), known for his MC & electro albums (i.e. "The Entertainist" & "Presidential Suite".), plus his comical live shows. He is able to play the piano, guitar, bass, drums & various brass instruments. In the 1990s, he was the leader of the alternative rock band Son before embarking on his solo career. Early in his solo career, he toured with Peaches (Merill Nisker) and the press nicknamed them the "Bonnie and Clyde of prankster rap.

Sergei Vasilievich Rachmaninov (Russian: Сергей Васильевич Рахманинов, Sergej Vasil’evič Rakhmaninov, 1 April 1873 [O.S. 20 March] – 28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.[1]