world | Musicosity

Senyawa

Rully Shabara is a frontman and vocalist of Zoo, a math-rock/experimental band based in Yogyakarta, Indonesia. In Zoo’s latest trilogy album he develop the music direction with traditional music approach by using javanesse language and traditional instrument but still in the vein of punk music. Meanwhile, Wukir Suryadi devoted his life into traditional music even in his teen he also listening to rock and heavy metal (musical genre that very popular in Indonesia back in the ’80s). He is best known when he create his own instrument named Bambuwukir by himself.

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Daara J

Daara J (Pronounced Daa-raa Jee, which means "The School" in the Wolof language) are a Senegalese rap trio, consisting of N’Dango D, Aladji Man and Faada Freddy. Their music blends western hiphop with traditional African rhythms to create a great infectionsly dancy style. In their last album, Boomrang, they were joined by guests including Rokia Traore, who is one of the leading women in Malian music.

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Riccardo Tesi & Banditaliana

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Ana Moura

Portuguese vocalist Ana Moura, whose soulful and riveting interpretation of her land's captivating fado style has made her a star in Europe. Ana Moura has become a leading exponent of this poetic, deeply expressive idiom which personifies the Portuguese psyche as it explores such universal themes as lost love, separation, and longing. As Ana explains, "It's very special because it's all about emotions and feelings. It needs no translation."

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Richard Bona

Born in 1967 in the village of Minta in East Cameroon, Bona grew up in a home filled with music. He began to perform in public at the age of five, singing in the village church with his mother and four sisters. His earliest instruments were wooden flutes and hand percussion. Eventually he constructed his own 12-string acoustic guitar. After moving to the bigger city of Douala, Richard began playing gigs at the age of 11 on a rented electric guitar. A major turning point in his life happened in 1980 when a Frenchman came to his town and established a jazz club in a local hotel.

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A French Butler Called Smith

Gold Coast based world music band A FRENCH BUTLER CALLED SMITH have been performing their high energy Latin, funk, instrumental fusion over a 2 year period to ever increasing audiences on Australia's East Coast. The initial creators behind this all organic dance music sound were acoustic guitar aficionado (Scott French), bass maestro (Jake ‘the Butler’ Martin) and respected world percussion artist (Brennan Smith).

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Emmanuel Jal

Emmanuel Jal (born c. 1980) is a Sudanese musician and former child soldier. Born in the village of Tonj in Southern Sudan, he was a little boy when the civil war broke out. Emmanuel’s father joined the Sudan People’s Liberation Army (SPLA) and when he was about seven years old his mother died. Emmanuel then decided to join the thousands of children travelling to Ethiopia who had been told that they could be educated there.

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Waiting for Guinness

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Nitin Sawhney

Nitin Sawhney (raised in Rochester, Kent, England) is a london-based composer and dj of various styles of music, including jazz, drum and bass, hip-hop, flamenco and modern orchestral compositions. His major works include Beyond Skin, Prophesy, Human, and Philtre. He is considered one of the pioneers of what is known as the Asian Underground music scene, defining a music genre that mixes south-asian musical influences with western electronica and breakbeat style. He does however dislike the tag of "world" music, describing it as musical apartheid.

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Femi Kuti

Femi Kuti is an award winning Nigerian musician, and the oldest son of legendary Afrobeat pioneer Fela Kuti. Femi was born in London on 16 June 1962 and grew up in the former Nigerian capital Lagos. Like his father, Femi has shown a strong commitment to social and political causes throughout his career, but he differs in his religious views. In 2001, Femi collaborated with a number of US musicians such as Common, Mos Def, and Jaguar Wright, on his Fight to Win album. This album was widely regarded as the most influential Neo-Afrobeat album of the early 21st century.

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