trip-hop | Musicosity

Nitin Sawhney

Nitin Sawhney (raised in Rochester, Kent, England) is a london-based composer and dj of various styles of music, including jazz, drum and bass, hip-hop, flamenco and modern orchestral compositions. His major works include Beyond Skin, Prophesy, Human, and Philtre. He is considered one of the pioneers of what is known as the Asian Underground music scene, defining a music genre that mixes south-asian musical influences with western electronica and breakbeat style. He does however dislike the tag of "world" music, describing it as musical apartheid.

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Sia

Sia Kate Isobelle Furler, to use the name her musician parents gave her, already has a staggering track record. If her name itself - pronounced 'See-ah' - isn't familiar to millions, her voice undoubtedly is. In 2000, the Adelaide born singer scored a bolt from the blue Top 10 hit with her debut single, Taken for Granted. Pairing her unique Australian drawl with the strident strings from Sergei Prokofiev's 'Romeo & Juliet', the track was championed by Trevor Nelson and had Sia performing live on Jo Whiley's Radio 1 show.

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Husky

There are at least two bands named "Husky". 1) Polish electronica-downtempo duo consisting of Patrycja Hefczynska (vocalist/writer) and Jacek Dojwa (composer/producer). Their music is influenced by such artists as Björk, Craig Armstrong, Amon Tobin, Telefon Tel Aviv, Portishead and Lamb. They released two LP's: "Czy słyszysz?" (eng. Do you hear) in 2002 and "Zgadnij" (eng. Guess) in 2006. 2) Based in Charlotte, NC, Husky is made up of Mark Hadden (bass), Phil Strickland (guitar), and Nate Wilkinson (drums).

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Portishead

Portishead are a band from Bristol, United Kingdom, named after a small coastal town twelve miles west of said musical hotbed, in North Somerset. They were initially known for their use of jazz samples and some hip-hop beats along with various synth sounds and the hauntingly beautiful vocals of singer Beth Gibbons. Their current sound drops the samples in favour of a harder, more abrasive edge, but retains Gibbons' vocals.

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BOWER

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Death In Vegas

Death in Vegas are a psychedelic rock and electronic band from the United Kingdom, currently comprising two permanent members: Richard Fearless and Tim Holmes. Influenced by a wide range of musical genres including psychedelic rock, electro, krautrock, dub and industrial, the band's sound is constantly in flux, moving between live acoustic and electronic sounds. The band was formed in 1994 by Fearless and Steve Helier and signed to Concrete Records under the name of Dead Elvis.

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DJ Krush

DJ Krush (Hideaki Ishii) was born in 1962 in Tokyo. At an early age, Ishii dropped out of school, and joined a local gang, and a few years later, Yakuza. After watching the film 'Wild Style' in the early '80s, he was inspired, bought himself a set of turntables, and began to learn the art of turntablism. In 1987, he formed the KRUSH POSSE, which made numerous appearances as a group in late 1992 which gave him recognition for becoming the first DJ in Japan to perform with live musicians.

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Malakai

There are at least two bands called Malakai. One is a four piece metal band from Phoenix Arizona, US, and the other is a two-piece band from Bristol, UK. The following is about the Bristol Band:
They comprise of Gee (vocals) and Scott (music). Their sound is a mix of beats and samples, drawing on a wide range of influences from dub to sixties pop, all tied together by Gee’s distinctive voice.

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Lamb

Several bands have used the name Lamb over the years: 1. The most widely-known Lamb is a trip-hop duo formed in 1996 in Manchester, England, by Lou Rhodes (singer-songwriter) and Andy Barlow (production). They incorporated into their musical style a distinctive mixture of jazz, dub, breaks, and drum and bass with a strong vocal element and, in their later works especially, some acoustic influences.

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Bomb The Bass

Bomb the Bass (formed 1987, in London, England) is the umbrella title for the output of British musician and producer, Tim Simenon. The band, which has evolved its style over the years, has been classed as electronic or dance. As a name, Bomb the Bass came from Simenon's approach to collaging and mixing sounds whilst DJing in the mid to late 1980s; he says "samples were either scratched in live or sampled and looped on top of the rhythm section.

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