Joe Ransom
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J-Slyde
These days, there aren’t too many DJs whose passion for the music they play is made so visible when they speak of their craft. How refreshing it is then to see someone like J-Slyde putting in his all – and then some – into every aspect of his obsession. Brought up on music from an early age, the late 90’s saw the young man embrace the sounds of electronica, and over the years such an embrace has conjured up quite a list of influences. His musical tastes are quite broad, dabbling in all kinds of genres and surrounding himself with as much melodies of supreme quality as possible.
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Bass Kleph
Bass Kleph writes the kind of tracks where the whole club does a double take, then bum rushes the DJ to find out what the F##K is this?!?. It’s a dirty, bouncy, querky, sexy, sensory assault of less is more Tech/Electro. A mash of straight beats, and break beats, big bass and house treats. It’s that… well it’s that Bass Kleph sound. He describes the sound as a war on average, fought by Amazonian swimsuit models with machine guns, and he’s not too far off.
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Freq Nasty
From the days of Breakbeat's origins, FreQ Nasty established himself as one of the scene's pioneers, producing many of the genre's defining moments. As Breakbeat came into its own, FreQ Nasty's tunes remained ahead of the pack. His music is on the cutting edge of the FutureStep Movement, a chaotic loose assemblage of sonic renegades, steeped in the traditions of Breaks, Dubstep, Rock, Ragga, Grime and Funk, chopping in and out of slow-motion, Halfstep beats.
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Stanton Warriors
The Stanton Warriors have succeeded in not only bucking musical definition but have picked it up by the collar and kicked its ass. They've also done this in true underground warrior style as despite becoming the first breakbeat act ever to sign to a major label (warner, no less), they were required to, in their eyes, compromise their style for the sake of shifting units. As a result they refused to put out any releases and focused on the DJing whilst a new label was sought (V2).
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Kid Kenobi
Kid Kenobi is an Australian DJ who won People's Choice NSW DJ of the Year in 2001 at the Australian Dance Music Awards, and Technics Australian DJ of the Year in 2001-2005. He has been featured in FHM, Rolling Stone, Ralph and Urb and also writes for some music papers. Kid Kenobi has fans all over the globe and a large following in Australia. He has also mixed so many CDs for Ministry Of Sound Australia that they made him his own "Sessions" series. He recently mixed the Ministry Of Sound Clubber's Guide to 2007 with Goodwill.
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The Henchmen
In response to the rise of reality television & the emerging ban on all culturally seditious behaviour, a psychobilly pop band called The Henchmen began hiring out halls & warehouses, putting on seditious showcases of reckless abandon disguised as 'parties'.
At first nobody came. even their closest friends and family disassociated from this reckless band of loners & outcasts. So in 2004 they moved from the relative safety of Canberra and spread their 'party' across the national landscape, performing everywhere from Brisbane to Adelaide.
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Rico Tubbs
Rico Tubbs (Riku Pentti) aka Infekto is finnish breakbeat and drum'n'bass producer.
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Atomic Hooligan
Atomic Hooligan are a breaks duo from London. You Are Here, their debut album, was released in 2005. The two are also well known for their remixes. Matt Welch is a classically trained violinist since the age of 4 and holds a Masters in Music. The other Hooligan and Turntabelist / DJ extraordinaire Terry Ryan is a graduate of the School of Audio engineering and has been spinning the decks since he discovered body hair.
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