americana

JIm Lauderdale is a Nashville showman in the grand tradition. He's also one of the city's finest songwriters, as the Dixie Chicks, Patty Loveless, Mark Chestnut, Vince Gill and George Strait will be glad to attest. Beyond Music Row, Lauderdale is well known in bluegrass and jamband circles. He recorded two albums with the legendary Ralph Stanley, one with Donna the Buffalo and he collaborated with Grateful Dead lyricist Robert Hunter on <i>Headed for the Hills</i>, his 2004 release on Dualtone Records.

While Kurt Wagner’s role as bandleader in seminal soul/country/folk collective Lambchop sees him deal in multiple shades of deep-orange warmth, Cortney Tidwell’s solo career is often shaded by a kind of icy detachment; an engaging, beautiful coldness. At first glance they might not seem the most natural fit for an album of country takes from the 60s and 70s, but look a little deeper and Invariable Heartache makes perfect sense.

Micah P. Hinson is a singer/songwriter from Abilene, Texas with a warm, husky voice. His music has an americana/alternative country slant, with hints of gospel and blues. Micah P. Hinson and the Gospel of Progress, his first real album, was produced in 2004 by The Earlies, Micah's friends, collaborators and sometimes tour buddies (where they play as his backing band). In 2005, his earlier 4-track recordings were produced and released properly as an album under the title The Baby & The Satellite. Micah has toured with and opened for artists such as Will Oldham, Iron & Wine, David Gray and Calexico.

Roots/alt. country duo The Yearlings combine warm harmonies with delicate flat-picking and sparse country blues to create songs that are at once haunting and soothing. Hailing from Adelaide, The Yearlings have pushed new limits in Australia's Roots/Alt. country scene. Robyn Chalklen and Chris Parkinson have wasted no time in getting down to the business of making music since meeting at the Tamworth Country Music Festival in 2000. Their successful self-titled debut album (released on Reckless Records in 2003) was recorded live in 8 hours and long-listed for an ARIA nomination.