Joss Stone (born Joscelyn Eve Stoker in Dover, United Kingdom on April 11, 1987) is an English soul singer whose throaty style of singing was influenced by early motown singers. Her debut album, The Soul Sessions, consists of classic soul tracks by Betty Wright, Aretha Franklin, Laura Lee and Bettye Swann and was released in late 2003. It reached the top 5 in the UKalbums chart, and also made the top forty of the U.S. Billboard 200 album chart.
Grim Fandango may refer to:
1. Hardcore / Punk Rock band from Perth, Western Australia (www.myspace.com/grimfandangomusic) 1. Formed 2006 in Perth, Western Australia, Grim have finely crafted a unique sound that transcends their hardcore/punk roots. Characterized by intertwining jangling guitars, abrasive three-way vocal melodies and a tight driving rhythm section Grim Fandango write ferocious, discordant songs beaming with an undeniable presence of pop-sensibilty and optimism.
Troy "Trombone Shorty" Andrews (born January 2, 1986) is a trombone and trumpet player from New Orleans, Louisiana, United States. Troy Andrews is the younger brother of trumpeter and bandleader James Andrews . Growing up in New Orleans' Treme neighborhood, "Trombone Shorty" was participating in brass band parades as a child, carrying his trombone even before his arms were long enough to reach all the positions of the slide. Andrews was a bandleader by the age of 6. Originally attracting attention for his youth, by his teens he was attracting attention for his musical virtuosity as well.
The Gaslamp Killer is a Los Angeles-based DJ whose eclectic style ranges from psychedelia and world music to dubstep and left-field hip-hop. Associated with Flying Lotus' Brainfeeder Records, he made his production debut in the late 2000s with a series of EPs. Born William Benjamin Bensussen, he originally comes from San Diego, CA, whose downtown Gaslamp District's bar scene inspired him to name himself the Gaslamp Killer in disgust for much of the patronage.
Maceo Parker (born February 14, 1943) is a noted African-American funk and soul jazz saxophone player, best known for his contributions to James Brown's distinct sound. He was born in Kinston, North Carolina in a musically-rich environment. His mother and father sang in a church and both his brothers are accomplished musicians (drums and trombones). He and his brother, Melvin Parker, joined James Brown in 1964; in his book Brown says that he originally wanted Melvin as his drummer but agreed to take Maceo under his wing as part of the deal.
The Cat Empire is a six-piece alternative band from Melbourne, Australia. Their sound has been described as a fusion of jazz, funk, and rock with heavy Latin / Salsa influences (not to mention reggae, ska and dub). Currently, the Cat Empire consists of Ollie McGill (keyboard and backing vocals), Ryan Monro (bass and backing vocals), Felix Riebl (percussion and vocals), Harry James Angus (trumpet and vocals), Will Hull-Brown (drums), and Jamshid "Jumps" Khadiwhala (decks, percussion). A strong, recurrent theme of their music is the rejection of materialism, war, and intolerance and an enthusiastic embrace of cultural diversity and the simple, carefree life.
The Cat Empire began as a trio with McGill, Riebl, and Monro in late 1999, and started playing a wide variety of gigs in Melbourne. The band soon expanded in 2001, adding Angus, Hull-Brown, and Khadiwala.
THE Cat Empire's message, on stage and in the studio, has always been about breaking down borders: musical, geographic, lingual. But they have never done it so powerfully as they do on their new album, Cinema. The album serves up a set which captures the inexorable force - and sheer joy - of their live performances, delivered in a format perfect for lounge-rooms, backyards, BBQâ€™s, cafes, road trips and parties all over the world.
Cinema, the band's fourth studio album, is a dazzling statement of a band at a peak of its powers, music designed to move the body and the mind. Right from the opening track, Waiting, this is music that leaps from the speakers.
All the elements that people love about The Cat Empire are there but the result is brighter, bolder. And yes, more cinematic. What grabs the ear immediately is that this is not a band playing with genres. In the past, The Cat Empire dived in to any musical style which took their fancy, from reggae to salsa, Latin to hip-hop. Cinema reveals a band that has developed an emphatic voice that is all their own.
``That's a sound that has emerged out of nearly 10 years of playing on stage together,'' says singer and percussionist Felix Riebl. â€The result is an album that's much more integrated than anything we've done before, with a Cat Empire sound that runs consistently through it. The lyrics are perhaps darker, but they are accompanied by music that is uplifting which gives it a strange but powerful feeling.''
Riebl adds: â€œAt times the album is thoughtful, at times it makes you just forget and dance. But it is an album that has more sonic depth than we've ever had before, experimental in parts but with really direct choruses. It's going to be a great album to play live, especially on big stages and at festivals.''
Of course, the stage is never far from the thoughts of this band. In an age when so much of selling music seems to be about celebrity and fashion, The Cat Empire have risen to be one of Australia and indeed the worlds favourite live acts through sheer musicality and the power of their interaction on stage. The band - Riebl, Vocalist and trumpeter Harry Angus, keys player Ollie McGill, bassist Ryan Monro, drummer Will Hull-Brown and Jamshid Khadiwala (aka â€˜Jumpsâ€™) on decks - played their 700th show in Amsterdam last year, and will hit the 800 mark in 2010. While it is not well known in Australia, The Cat Empire are one of the country's most successful musical exports, doubling their audience numbers at every return stop.
They have headlined some of the world's biggest music festivals, including Summersonic (Japan), Rock am Ring (Germany) and V Fest (UK), playing Bonnaroo (US) as well as to an audience of 300,000 at the Montreal Jazz Festival. They have also played on some of world's highest rating entertainment shows, including Dave Letterman and Jay Leno. This year their worldwide tour in support of the international release of Cinema will see them return to Canada, US, Europe, Japan and the UK, where they will play to a full house at London's Brixton Academy.
The knowledge that they would be playing songs from the new album on so many big stages focused the song writing sessions for Cinema. The album was recorded close to home at Sing Sing studios in Melbourne with producer Steve Schram, and he encouraged them to make an album that was their most collaborative song writing effort yet.
``That was a deliberate decision from all of us,'' says the lion of the live show - Vocalist and Trumpeter Harry Angus. ``With six people in the band sometimes there will be a song on an album that not everyone wants to play live. This album certainly gets around that problem. And I think that after so many years playing together the guys are much more confident about contributing to the writing. Steve encouraged us to do that. That's been great for us.''
Of working with The Cat Empire, Schram says â€œit was the perfect studio scenario; amazing players open to trying anything and willing to take a back seat when required. Egos were left at the door.â€ He adds â€œIn terms of musicianship, it's no secret that they don't come much better than The Cat Empire. Yet Cinema shows that simplicity and one well placed note packs more of a punch and serves the song far more than musical chops alone. We set out to explore in depth the mood and character of each song while maintaining a focus on performance rather than studio trickery. â€œ
After taking their longest break from studio recording after the release of 2007's So Many Nights, the band reconvened feeling refreshed. ``In 2008 we took a break from touring for 8 months. Then in 2009 we released our (live album) Live on Earthâ€ Riebl says. ``When we came back to the band, and then into the studio we all rediscovered what we loved about The Cat Empire in the first place; that it is a band that can do the unexpected, that we have great energy and make music that is always a lot of fun to play on stage. The feeling right now is just like when we were starting out. We're all very excited about that.''
Cinema will be released ...
JUNE 25, AUSTRALIA
JUNE 29, CANADA
JULY 6, USA
AUGUST 2010, EUROPE & JAPAN
Erykah Badu (born Erica Abi Wright on February 26, 1971 in Dallas, Texas) is an American R&B/hip hop artist whose work crosses over into jazz. She is best known for her singles "You Got Me" her collaboration with The Roots, as well as her own songs "Tyrone", "Love Of My Life", "On & On", "Bag Lady", "The Healer", "Honey" and "Soldier". Her lyrics are highly personal urban philosophy which throw emotional challenges in the face of the listener. She weaves unusual musical influences together creating a rich texture of sound.
Robert Glasper was raised in Houston, Texas. His mother was his first and strongest musical influence. Mrs. Glasper not only played piano and sang gospel music in the family's church, she led a band that worked the city's jazz and blues club circuit as well. By the age of twelve, young Robert was playing piano in that church. "Gospel music is built on emotion and spirituality; you go to church and leave crying," he smiles. "It definitely just gave me that sensitivity and knowing how to reach people and knowing how to be in tune with your feelings and the emotion of the music.
Four (or more) artists have gone by the name Cortex: a French jazz-funk group from the 70s, a Swedish punk band, a Spanish metalcore band and a experimental Belgian project by Alain Neffe. 1. A French jazz funk group from the seventies.
Key members were Alain Mion (Piano) and Alain Gandolfi (drums, percussion). Cortex recorded several albums and singles for the Sonodisc label. 2 albums got re-issued: 'Troupeau Bleu' (on 'Dare-Dare') and 'Volume 2' (on 'Follow Me'). 2. A Swedish punk or post-punk band from Gothenburg.