Morten J. Olsen - drums & SuperCollider3
Anders Hana - guitar & keyboard. MoHa! play somewhat loud music influenced by incredibly varied sources. Some say the duo deal in sonic splatter, in a brew of improvisation, noise, computer music and probably some more. Others say it is reminiscent of the conversation your mate has at you on the weekend in a club when he’s had too much to drink and is telling you how great everything is at 100mph. Only instead of your mate it is actually R2D2, which leads you to believe maybe that someone did put something in your drink.
Morten J. Olsen - drums & SuperCollider3
There are more than one artists named High Society. 1) High-Society sind Kobra und Smexer von der Beatfabrik. High Society war ein reines Funprojekt und wird in dieser Art wahrscheinlich nicht nocheinmal erscheinen. In diesem Sinne Beatfabrik 4 Life! 2) High Society is also a Hip Hop project by 3 vicious game changers of the Chicago Illinois scene.
http://www.myspace.com/highsociety666 3) High Society is cooperate project of two electronic music producers and DJ’s, J. Mellouw and Irreverb (Khola) who are also running the art collective and record label called Global Warming.
The Bakery are an 11 piece band from Sydney, Australia. With a sound that is a mixture of funk, reggae and ska these guys have some balls. They have two charismatic female singers whose vocals are comparable to the great Gwen Stefani but with a little more soul, and a five-piece horn section. Naughty lyrics and a playful nature this band has a loyal following, and their debut album launch sold out The Basement in Sydney. Emily Collins: Vocals
Rosie Henshaw: Vocals
James Maybury: Trumpet
Dave Dziedzic: Trumpet
Robben Ford (born December 16, 1951) is a blues, jazz and rock guitarist with a diverse career. He was born in Woodlake, California and raised in Ukiah. He taught himself guitar when he was 13 and considered his first influence to be Mike Bloomfield. At 18 he moved to San Francisco to form the Charles Ford Blues Band (named after his father, who was also a guitarist) featuring his brothers Mark (mouth harp) and Patrick (drums).
Four (or more) artists have gone by the name Cortex: a French jazz-funk group from the 70s, a Swedish punk band, a Spanish metalcore band and a experimental Belgian project by Alain Neffe. 1. A French jazz funk group from the seventies.
Key members were Alain Mion (Piano) and Alain Gandolfi (drums, percussion). Cortex recorded several albums and singles for the Sonodisc label. 2 albums got re-issued: 'Troupeau Bleu' (on 'Dare-Dare') and 'Volume 2' (on 'Follow Me'). 2. A Swedish punk or post-punk band from Gothenburg.
Fresh, for now, as a progressive rock market band, the Swiss trio named COWBOYS FROM HELL is yet an interesting-looking new group, with their debut album (recorded in 2007 but released only up in the first months of 2008) sounding pretty slick. Combining the ideal of entertaining fresh music with those of funk-jazz sessions, creative band strumming and deep, at times improvised, rock, the result of their music and activity goes overall the same...
Audio artist Barry Adamson started out as bass player for British punk band Magazine, however, he's since carved more of a name for himself equally for being a founding member of Nick Cave and the Bad Seeds and also for composing a large chunk of the score of David Lynch's Lost Highway. Adamson's solo work varies heavily between Film Noir and classic to industrial rock, whilst taking in everything in between, making him almost impossible to pigeonhole.
Lisa Miller is acclaimed by critics and fans alike throughout Australia as a sublime songwriter, possessed of a blue-eyed, broken-hearted voice which is utterly distinctive. Her songs are at once perceptive and evocative, desperately sad and munificently hopeful, spare and substantial. Miller has released 6 solo albums since her 1996 debut. Her 5th album "Morning In The Bowl Of Night" was released in 2007.
There are at least two bands under this name. A Dutch rock band and a Australian afrobeat-centered act. - The Liberators was a band from the southern Dutch province Limburg and based in the city of Maastricht.
The band existed from 1979 until 1992 playin' all over Europe. Concerts from Bergen (Norway) all the way down to the Canarian Island and worldfamoust in Maastricht. The band made three albums for Polydor, and the Belgium KKRecords.
The Cat Empire is a six-piece alternative band from Melbourne, Australia. Their sound has been described as a fusion of jazz, funk, and rock with heavy Latin / Salsa influences (not to mention reggae, ska and dub). Currently, the Cat Empire consists of Ollie McGill (keyboard and backing vocals), Ryan Monro (bass and backing vocals), Felix Riebl (percussion and vocals), Harry James Angus (trumpet and vocals), Will Hull-Brown (drums), and Jamshid "Jumps" Khadiwhala (decks, percussion). A strong, recurrent theme of their music is the rejection of materialism, war, and intolerance and an enthusiastic embrace of cultural diversity and the simple, carefree life.
The Cat Empire began as a trio with McGill, Riebl, and Monro in late 1999, and started playing a wide variety of gigs in Melbourne. The band soon expanded in 2001, adding Angus, Hull-Brown, and Khadiwala.
THE Cat Empire's message, on stage and in the studio, has always been about breaking down borders: musical, geographic, lingual. But they have never done it so powerfully as they do on their new album, Cinema. The album serves up a set which captures the inexorable force - and sheer joy - of their live performances, delivered in a format perfect for lounge-rooms, backyards, BBQâ€™s, cafes, road trips and parties all over the world.
Cinema, the band's fourth studio album, is a dazzling statement of a band at a peak of its powers, music designed to move the body and the mind. Right from the opening track, Waiting, this is music that leaps from the speakers.
All the elements that people love about The Cat Empire are there but the result is brighter, bolder. And yes, more cinematic. What grabs the ear immediately is that this is not a band playing with genres. In the past, The Cat Empire dived in to any musical style which took their fancy, from reggae to salsa, Latin to hip-hop. Cinema reveals a band that has developed an emphatic voice that is all their own.
``That's a sound that has emerged out of nearly 10 years of playing on stage together,'' says singer and percussionist Felix Riebl. â€The result is an album that's much more integrated than anything we've done before, with a Cat Empire sound that runs consistently through it. The lyrics are perhaps darker, but they are accompanied by music that is uplifting which gives it a strange but powerful feeling.''
Riebl adds: â€œAt times the album is thoughtful, at times it makes you just forget and dance. But it is an album that has more sonic depth than we've ever had before, experimental in parts but with really direct choruses. It's going to be a great album to play live, especially on big stages and at festivals.''
Of course, the stage is never far from the thoughts of this band. In an age when so much of selling music seems to be about celebrity and fashion, The Cat Empire have risen to be one of Australia and indeed the worlds favourite live acts through sheer musicality and the power of their interaction on stage. The band - Riebl, Vocalist and trumpeter Harry Angus, keys player Ollie McGill, bassist Ryan Monro, drummer Will Hull-Brown and Jamshid Khadiwala (aka â€˜Jumpsâ€™) on decks - played their 700th show in Amsterdam last year, and will hit the 800 mark in 2010. While it is not well known in Australia, The Cat Empire are one of the country's most successful musical exports, doubling their audience numbers at every return stop.
They have headlined some of the world's biggest music festivals, including Summersonic (Japan), Rock am Ring (Germany) and V Fest (UK), playing Bonnaroo (US) as well as to an audience of 300,000 at the Montreal Jazz Festival. They have also played on some of world's highest rating entertainment shows, including Dave Letterman and Jay Leno. This year their worldwide tour in support of the international release of Cinema will see them return to Canada, US, Europe, Japan and the UK, where they will play to a full house at London's Brixton Academy.
The knowledge that they would be playing songs from the new album on so many big stages focused the song writing sessions for Cinema. The album was recorded close to home at Sing Sing studios in Melbourne with producer Steve Schram, and he encouraged them to make an album that was their most collaborative song writing effort yet.
``That was a deliberate decision from all of us,'' says the lion of the live show - Vocalist and Trumpeter Harry Angus. ``With six people in the band sometimes there will be a song on an album that not everyone wants to play live. This album certainly gets around that problem. And I think that after so many years playing together the guys are much more confident about contributing to the writing. Steve encouraged us to do that. That's been great for us.''
Of working with The Cat Empire, Schram says â€œit was the perfect studio scenario; amazing players open to trying anything and willing to take a back seat when required. Egos were left at the door.â€ He adds â€œIn terms of musicianship, it's no secret that they don't come much better than The Cat Empire. Yet Cinema shows that simplicity and one well placed note packs more of a punch and serves the song far more than musical chops alone. We set out to explore in depth the mood and character of each song while maintaining a focus on performance rather than studio trickery. â€œ
After taking their longest break from studio recording after the release of 2007's So Many Nights, the band reconvened feeling refreshed. ``In 2008 we took a break from touring for 8 months. Then in 2009 we released our (live album) Live on Earthâ€ Riebl says. ``When we came back to the band, and then into the studio we all rediscovered what we loved about The Cat Empire in the first place; that it is a band that can do the unexpected, that we have great energy and make music that is always a lot of fun to play on stage. The feeling right now is just like when we were starting out. We're all very excited about that.''
Cinema will be released ...
JUNE 25, AUSTRALIA
JUNE 29, CANADA
JULY 6, USA
AUGUST 2010, EUROPE & JAPAN