Femi Kuti & The Positive Force
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The Irreverence Trio
The Irreverence Trio is an Open Studio exclusive – a smokin' jazz outfit put together by pianist Adam Rudegeair (Lake Minnetonka, The Bowie Project, PBS 106.7fm) to revel in the underground juke joint bathtub gin party that jazz used to be. Conjuring the sleaze of Storyville, the pulse of bebop, and the Devil at the crossroads.
Grab a glass of hooch and join Adam Rudegeair (piano) and his band on a wild ride (with the occasional special guest)
The Irreverence Trio take the music very seriously…they just don’t take themselves too seriously!
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Jazzanova
Jazzanova is a crew of DJs/producers from Germany (Berlin, Hamburg & Munich), inc' Alexander Barck, Axel Reinemer, Claas Brieler, Jürgen von Knoblauch, Roskow Kretschmann & Stefan Leisering. They have been producing hits in the breakbeat / electronic scene since 1996. Their music fuses many styles, including: acid jazz, soul & broken beat.
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Tomasz Stańko Quintet
Tomasz Stanko’s smouldering Slavic soul music and grainy-toned trumpet finds a new context on “Dark Eyes”. Like his hero Miles Davis, the Polish jazz master also has an impressive record as talent scout and mentor, and his latest ensemble pools young players from the North of Europe. Tomasz has had strong connections to Finland in particular since the early 1970s when he was part of Edward Vesala’s creative circle. Now he welcomes two prodigiously gifted Finns into his group, pianist Alexi Tuomarila and drummer Olavi Louhviuori, both expressive and imaginative players.
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ROBERT GLASPER
Robert Glasper was raised in Houston, Texas. His mother was his first and strongest musical influence. Mrs. Glasper not only played piano and sang gospel music in the family's church, she led a band that worked the city's jazz and blues club circuit as well. By the age of twelve, young Robert was playing piano in that church. "Gospel music is built on emotion and spirituality; you go to church and leave crying," he smiles. "It definitely just gave me that sensitivity and knowing how to reach people and knowing how to be in tune with your feelings and the emotion of the music. My thing is, it helps me relate to the audience 'cause they're gonna give you what you give them. When you bring the crowd into your world, you can do anything you want."
By the time he reached adolescence, Robert knew his destiny was to be a jazz musician. He was accepted to the Houston's famed High School for the Performing Arts ("Jason Moran went there before me."). Post-graduation, Glasper enrolled at New School University in Manhattan. Soon after arrival, he hooked up with future bandmember Reid and vocalist Bilal, an old schoolmate. As an undergrad, Glasper gigged with Christian McBride, Russell Malone and Kenny Garrett. Professional life after the New School was even sweeter: stints with Nicholas Payton, Roy Hargrove, Terence Blanchard, Carmen Lundy, and Carly Simon.
The Bilal connection brought the pianist back to hip-hop. Glasper's contributions to Bilal's debut and subsequent tour brought him to the attention of Q-Tip (A Tribe Called Quest). "Tip would come hang out at my shows, and one day he called me and said, ‘I'm doing this tour and I need you to play keys. Can you do it?’†He's also since played with Mos Def, and is featured prominently on Bilal's forthcoming sophomore release.
In 2003, Glasper's first album Mood was released on indie label Fresh Sound New Talent, and two years later, Blue Note came calling. At Blue Note, Glasper joins a jazz piano legacy that stretches back to 1939, beginning with Albert Ammons and Meade Lux Lewis, and continuing through Thelonious Monk, Bud Powell, Herbie Hancock, McCoy Tyner, Chick Corea, Andrew Hill, Cecil Taylor, Gonzalo Rubalcaba, Jacky Terrasson, Jason Moran and Bill Charlap. Undaunted, Glasper reflects, “I’m just happy to be a part of the Blue Note family and its rich history.â€
-- From Glasper's Official Website Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
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Lopaka
Lopaka is a super-groovy bunch of dudes from the ex-band, My Cat Drinks Tap Water, who wanted to make math music. Their original attempts at such were futile and full of short comings.
As such, the 3 young men attempting this feat parted ways briefly to each undergo their own spiritually revealing journey. On said journeys, the men discovered the root of their being and unlocked the infinite potential of their creativity and understanding of their surroundings.
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Leon Thomas
Amos Leon Thomas Jr (born 1937, died May 8, 1999) was an American avant garde jazz singer from East St. Louis, Illinois. He changed his name to Leone in 1974. Thomas is best known for his work with Pharoah Sanders, particularly the 1969 song "The Creator Has a Master Plan" from Sanders' Karma album. Thomas's most distinctive device was that he often broke out into yodeling in the middle of a vocal. This style has influenced singers James Moody and Tim Buckley,among others.
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Sharon Jones and the Dap-Kings
Sharon Jones & the Dap-Kings are a funk/soul band. They are signed to Daptone Records, where the dap-kings are the house band. They are widely thought to be spearheads of a revivalist movement that aims to capture the essence of funk/soul music as it was at its height in the mid-1960s to mid-1970s. Part of the way this is achieved is to shun modern digital recording methods in favour of using traditional analogue recording equipment. The type of instruments used by the band may also be considered limited to those that would have been available up until the mid seventies.
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McCoy Tyner
Alfred McCoy Tyner (born 11 December 1938) is a jazz pianist from Philadelphia, Pennsylvania, known for his work with the John Coltrane Quartet and a long solo career. Tyner was born in Philadelphia as the oldest of three children. He was encouraged to study piano by his mother. He finally began studying the piano at age 13 and within two years, music had become the focal point in his life. His early influences included Bud Powell, a Philadelphia neighbor.
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Katie Noonan
Over the last two years Katie Noonan and her new band ‘The Captains’ ( Cameron Deyell – guitar, Stu Hunter – keys/bass, Declan Kelly – drums) have been building a vessel of exciting new songs. A return to form for Katie, this band sees the songstress sailing towards a more beloved lush and organic sound with her trademark strong and inspired personal stories. Katie has co-written songs with a host of Anzac luminaries including Tim Finn, Don Walker, Sia Furler, Josh Pyke, Tom Shapcott and her fellow ‘Captains’ band mates.
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