Doom

Stitched Vision is Jason Campbell, once global roamer now fringe-dwelling citizen of Newcastle, Australia. His pedal-heavy synthscapes are neither nostalgic nor futuristic, but rather channel the current plight of his city of residence, unfolding as explorations of urban decay and cultural regeneration. Understated melodies sheathed in white noise – pitting the organic against the industrial – mark Campbell’s work and come to symbolise Newcastle’s attempts at rejuvenation beyond its steelworks and coal exporting harbour (the largest in the world).