breakbeat | Musicosity

breakbeat

FreQ Nasty

From the days of Breakbeat's origins, FreQ Nasty established himself as one of the scene's pioneers, producing many of the genre's defining moments. As Breakbeat came into its own, FreQ Nasty's tunes remained ahead of the pack. His music is on the cutting edge of the FutureStep Movement, a chaotic loose assemblage of sonic renegades, steeped in the traditions of Breaks, Dubstep, Rock, Ragga, Grime and Funk, chopping in and out of slow-motion, Halfstep beats.

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Plump DJs

Plump DJs (Lee Rous and Andy Gardner) are a DJ and producer team in electronic dance music. Early pioneers of the breakbeat genre in electronic music, the Plump DJs have diversified in recent years to incorporate new styles such as electro, house and bass music. Their sound is still widely thought to maintain a breakbeat aesthetic, but their productions and DJ sets have become stylistically broader. Throughout the 2000s, they released a string of singles and remixes of well-known dance music names such as Fatboy Slim, Orbital, Deadmau5 and the Stanton Warriors.

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Lee Burridge

Lee Burridge is an internationally known house and breakbeat DJ. He is from the UK but lived and worked in Hong Kong and occasionally Thailand during the 1990s. Returning to London, he gained fame and popularity. In 2001, he released the DJ mix Nubreed 005 for the Global Underground Nubreed series. In 2001 he also released the Tyrant 1&2 compilations with Craig Richards on Fabric records, London. In 2003, he released the second mix for the Global Underground series 24:7, and in 2005 he joined with Sander Kleinenberg to release This is Everybody! On Tour.

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Bass Kleph

Bass Kleph writes the kind of tracks where the whole club does a double take, then bum rushes the DJ to find out what the F##K is this?!?. It’s a dirty, bouncy, querky, sexy, sensory assault of less is more Tech/Electro. A mash of straight beats, and break beats, big bass and house treats. It’s that… well it’s that Bass Kleph sound. He describes the sound as a war on average, fought by Amazonian swimsuit models with machine guns, and he’s not too far off.

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The Upbeats

Jeremy Glenn & Dylan Jones are Drum & Bass producers from Wellington, New Zealand. They broke onto the international scene with Slit/Fill Me In, released on BC Presents, but had a following in New Zealand before that, having released some 12" singles on local labels and a full album (on CD) released in that same year. Since, they've had a string of releases on established DnB labels, including Virus, Project 51 & Human.

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Feed Me

There is more than one artist called Feed Me. 1) Feed Me is Jon Gooch (AKA Spor)'s electro/house/breaks project. The first release by Feed Me was 'Mordez Moi', on Noisia's Division label, the second was 'The Spell / Raw Chicken' released on Mau5trap. After completing a stack of remixes for the likes of Gorillaz, Chase & Status and Chris Lake, Feed Me released his much anticipated 'Feed Me's Big Adventure EP' (also on Mau5trap) exclusively to Beatport on Christmas Day 2010.

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UNKLE Sounds

UNKLE's live- and DJ-project under which diverse DJ-mixes have been released Releases:
Do Androids Dream Of Essential Beats (2003)
Never, Never, Land Throwdown (2003)
Edit Music For A Film (After Dark Prologue) (2004)
Where The Wild Things Are (2004)
Edit Music For A Film - The Director's Cut (2005)
Essential Music For A Film - Original Motion Picture Soundtrack Reconstruction (2005)

Unofficial Releases:
Do Androids Dream Of Electric Beats? (2002)
Big Brother Is Watching (2003)
DJ Mix Volume 2 (2004)

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Bassnectar

What started back in the mid-nineties as an experiment fusing youth culture and social action has turned into a multi-faceted, multi-faced creature called Bassnectar. It is the brainchild of Lorin Ashton, and it exists as an open-sourced musical project that is as diverse as it is heavy, as raw as it is meticulous, and as fierce as it is imaginative. Bassnectar combines sound and force with weight while spanning the spectrum of sonic style, covering every genre imaginable, and smashing it all into a collision of intense...

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