Spawned from the festering miasma of the Melbourne underground scene, The Night Terrors' theremin-fueled electro-noise has been petrifying punters since the year 2000. The Terrors' formula of soaring theremin, thunderous metal-bass, breakneck drumming and vintage horror synth has earnt them a reputation as one of Australia's most unusual and original bands. Featuring a completely instrumental lineup...
Halifax, Nova Scotia native Chris d'Eon, who performs under his last name only, has a passion for music that started at an early age - he began mixing together his own tracks when his parents bought him some synthesizers and a sequencer at age four. D’Eon’s musical interests expanded when he started college and began studying Iranian, Arabic and Turkish music. This interest took him to northern India, where he lived in a monastery and studied with a Tibetan musician who taught him to play the dranyen, or Tibetan lute.
Paul Heslin was raised in the capital city of Australia in a dark well of hyper-christian homeschooling, before peeling the layers off and beginning to grapple with the world of electronic sound. In 2008, after completing a university degree in digital sound and composition, he vanished overseas to England and France for an extensive period of musical development, returning to Australia in late 2010 with a spiky melange of facial hair and the transformative rubbernecker ep.
Mark Barrage is the moniker adopted by Melbourne-based sound maker Mark Gomes, formerly known as Barrage (for all recordings released prior to his sophomore album 'Delays', released by Mistletone Records in November 2008.
(Mark) Barrage's sound is that of obfuscated, broken electronica - blunted samples and bent, buzzing synths playing against one another between the walls of his out-pop compositions.