1- Mystic Eyes is a Reggae band, that was created and produced by Linval Thompson. Mystic Eyes released the album "Mysterious". 2- Mystic Eyes is a Spanish dance project, that was produced and arranged by Raul Nacher. Mystic Eyes released the singles "Give Me", "A Mirage" or "The Rain". 3- Mystic Eyes is a Rock band consisting of Craig Davison, and Scott Davison. They released the album "The Whole World Is Watching".
Thriving and following the steps of independent acts before them, benjalu is a band that prides themselves on the old school approach of constant touring to promote their music. Since their formation in 2006 the Newcastle based roots-rock outfit have made the most of their successes. In 2007 benjalu concentrated on playing every week, mainly focussing on shows in their hometown. They capped off the year when the band released their debut EP ‘Reflecting On’ to an overwhelming response.
Hailed by Santana as “The voice of the street and the band of the future!" The 8 to 11 piece powerhouse band that is BLUE KING BROWN bring their cross generational grooves and socially conscious sound. The infectious energy and passion from lead singer, guitarist and percussionist Natalie Pa'apa'a is a driving musical force that has led BKB through an impressive touring history playing major festivals and venues in Australia through to USA, CANADA, JAPAN and EUROPE.
Don Letts’ came to notoriety in the late '70s DJing reggae music to punk crowds at 'The Roxy' club in London. He also started to document the punk rock movement in 'The Punk Rock Movie'. He continued to make documentaries across the spectrum of credible music including a celebrated film about Bob Marley. Musically, he was a founder member of Basement 5 and Big Audio Dynamite,the latter with The Clash's Mick Jones, managed the all woman punk group The Slits and collaborated with many post-punk outfits in the 1980s.
Hailing from Tauranga, New Zealand, this four piece folk, funk, roots band has spent the last 20 months playing shows around Australia. After playing over 380 shows since their arrival in May 2006 they have cemented their place as one of Australia’s hardest working groups. BONJAH have followed their acoustic roots and share a deep genuine love for playing music. Having already gathered a legion of fans in Melbourne and around Australia by playing and touring relentlessly, their reputation as an amazing live act is fast continuing to grow.
Ash Grunwald is an Australian blues musician.
While it’s true that his music is steeped in the Delta blues tradition of the legendary acoustic musicians who proliferated in pre-World War II America’s deep South and the giants of electric blues who shaped rock and roll, it’s the young Victorian’s willingness to combine these influences with grooves and sounds common in contemporary music that sets him apart.
A soulful singer and guitar player, Grunwald immediately drew attention with the release of 2002’s ‘Introducing … Ash Grunwald’ a collection of originals and blues standards that included ‘Smokestack Lightnin’ (Howlin’ Wolf) ‘The Sky Is Crying’ (Elmore James), and ‘Rolling and Tumbling’ (Robert Johnson) recorded live with only acoustic guitar and foot percussion consisting of a stomp box and tambourine.
The positive response to Grunwald’s debut resulted in two Victorian Blues awards for Emerging Talent and Album of the Year.
The following year he scored two Australian Blues awards for Male Vocalist of the Year and Best New Talent in addition to the MBAS’ Blues Performer of the Year. He also reached the final of the International Blues Performer of the Year in Memphis.
In 2004 Grunwald released his follow up album, I Don’t Believe, once again recorded solo and live.
Since his initial release he’d been made aware of two Tom Waits albums, Swordfishtrombones and Bone Machine. In a daring move he emulated Waits’ experimental bang and clang percussion using hammers, spanners, pots, etc, in addition to a boss loop station as a bed for his lap steel, dobro, and acoustic guitars.
The album included six originals, two of Waits’ compositions, "Going out West" and "Jesus Gonna Be Here" (a-cappella with handclaps) and blues standards "Walking Blues" and "Cross Roads" (Robert Johnson), "Empire State" (Son House), and "How Many More Years" (Howlin’ Wolf).
On the strength of this release Ash won an ARIA award nomination for Best Blues And Roots Album, and the Victorian Blues award for Male Vocalist Of The Year (equal with Lloyd Spiegel) and in 2005 the MBAS Vic / Tas award for Solo / Duo Of The Year (equal with Dave Hogan).
For the ‘Live At The Corner’ album (songs from his first two releases plus Willie Dixon’s ‘Spoonful’ featuring Ian Collard on harmonica) Ash won the 2005 MBAS Vic / Tas and Australian Blues award’s Album Of The Year in addition to being nominated once again for the Best Blues And Roots album at the ARIA’s.
Ash has built a substantial following performing at countless live venues around the country and at major festivals including Byron Bay, Port Fairy, Falls, Apollo Bay, Fremantle, Cockatoo Island and Margaret River.
In May 2005, Ash was invited to take over the reins as host of Triple J’s popular Thursday night show Roots ‘N All.
Ash Grunwald continues to forge his own identity with the release of twelve original songs on album number four, ‘Give Signs’ recorded on his own label Delta Groove Records. As usual it will be live and solo. And as usual, it is another terrific offering from this talented performer.
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