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roots

Dallas Frasca

It's no surprise that "Not For Love Or Money", the debut album by Aussie roots/rock powerhouse Dallas Frasca has a sense of exhilaration and dynamics throughout. That's because Frasca and her partner in crime, Jeff Curran (guitarist) wrote the tracks during a heavy-duty bout of touring. "It was recorded in five studios around the country over an 18 month period - and was basically written to have an empowering impact on the listener," reveals Frasca.

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Don Letts

Don Letts’ came to notoriety in the late '70s DJing reggae music to punk crowds at 'The Roxy' club in London. He also started to document the punk rock movement in 'The Punk Rock Movie'. He continued to make documentaries across the spectrum of credible music including a celebrated film about Bob Marley. Musically, he was a founder member of Basement 5 and Big Audio Dynamite,the latter with The Clash's Mick Jones, managed the all woman punk group The Slits and collaborated with many post-punk outfits in the 1980s.

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The Twinkle Brothers

The Twinkle Brothers hail from the north coast of Jamaica in the ghettos of Falmouth, the Parish of Trelawny. The two brothers, Norman and Ralston Grant, were baptized in the church of Anglican Diocese. They started singing in the Sunday school choir and concerts at the age of six and eight respectively. At that time they started to make their own instruments since they could no afford to buy them. They made guitars and drums from various tin cans (garbage can, sardine, milk, etc.) and fishing line.

Jimmy Cliff

Jimmy Cliff OM (born James Chambers, 1 April 1948, St Catherine, Jamaica) is a Jamaican reggae musician. He is best known among mainstream audiences for songs like "Sittin' in Limbo", "You Can Get It If You Really Want" and "Many Rivers to Cross" from The Harder They Come, a film soundtrack which helped popularise reggae across the world. Cliff moved to Kingston in 1962. After he released two singles that failed to make much of an impression...

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Ash Grunwald

Ash Grunwald is an Australian blues musician.

While it’s true that his music is steeped in the Delta blues tradition of the legendary acoustic musicians who proliferated in pre-World War II America’s deep South and the giants of electric blues who shaped rock and roll, it’s the young Victorian’s willingness to combine these influences with grooves and sounds common in contemporary music that sets him apart.

A soulful singer and guitar player, Grunwald immediately drew attention with the release of 2002’s ‘Introducing … Ash Grunwald’ a collection of originals and blues standards that included ‘Smokestack Lightnin’ (Howlin’ Wolf) ‘The Sky Is Crying’ (Elmore James), and ‘Rolling and Tumbling’ (Robert Johnson) recorded live with only acoustic guitar and foot percussion consisting of a stomp box and tambourine.

The positive response to Grunwald’s debut resulted in two Victorian Blues awards for Emerging Talent and Album of the Year.

The following year he scored two Australian Blues awards for Male Vocalist of the Year and Best New Talent in addition to the MBAS’ Blues Performer of the Year. He also reached the final of the International Blues Performer of the Year in Memphis.

In 2004 Grunwald released his follow up album, I Don’t Believe, once again recorded solo and live.

Since his initial release he’d been made aware of two Tom Waits albums, Swordfishtrombones and Bone Machine. In a daring move he emulated Waits’ experimental bang and clang percussion using hammers, spanners, pots, etc, in addition to a boss loop station as a bed for his lap steel, dobro, and acoustic guitars.

The album included six originals, two of Waits’ compositions, "Going out West" and "Jesus Gonna Be Here" (a-cappella with handclaps) and blues standards "Walking Blues" and "Cross Roads" (Robert Johnson), "Empire State" (Son House), and "How Many More Years" (Howlin’ Wolf).

On the strength of this release Ash won an ARIA award nomination for Best Blues And Roots Album, and the Victorian Blues award for Male Vocalist Of The Year (equal with Lloyd Spiegel) and in 2005 the MBAS Vic / Tas award for Solo / Duo Of The Year (equal with Dave Hogan).

For the ‘Live At The Corner’ album (songs from his first two releases plus Willie Dixon’s ‘Spoonful’ featuring Ian Collard on harmonica) Ash won the 2005 MBAS Vic / Tas and Australian Blues award’s Album Of The Year in addition to being nominated once again for the Best Blues And Roots album at the ARIA’s.

Ash has built a substantial following performing at countless live venues around the country and at major festivals including Byron Bay, Port Fairy, Falls, Apollo Bay, Fremantle, Cockatoo Island and Margaret River.

In May 2005, Ash was invited to take over the reins as host of Triple J’s popular Thursday night show Roots ‘N All.

Ash Grunwald continues to forge his own identity with the release of twelve original songs on album number four, ‘Give Signs’ recorded on his own label Delta Groove Records. As usual it will be live and solo. And as usual, it is another terrific offering from this talented performer.
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Jess Harlen

Now arrives Jess Harlen, a taste of soul, urban roots, lyrical stylings and poetic incision. This songstress hails from the rolling hills and coastlines of New Zealand and is of Ngati Porou and Nga Puhi decent. Moving to Australia with her family at a young age, Jess spent her school years growing up in Brisbane where she began singing and was taught to play the guitar by her family. Throughout her musical upbringing, influences include blues artists such as John Lee Hooker and Nina Simone, Motown greats such as Otis Redding and Gladys Knight...

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BonJah

Hailing from Tauranga, New Zealand, this four piece folk, funk, roots band has spent the last 20 months playing shows around Australia. After playing over 380 shows since their arrival in May 2006 they have cemented their place as one of Australia’s hardest working groups. BONJAH have followed their acoustic roots and share a deep genuine love for playing music. Having already gathered a legion of fans in Melbourne and around Australia by playing and touring relentlessly, their reputation as an amazing live act is fast continuing to grow.

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