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blues

James Grim Woodcutters

James Grim fronted Brothers Grim and the Blue Murders – and lived to tell the tale. Just.

Over 11 years, Melbourne’s premier exponents of malevolent, punked-up blues/rockabilly, Brothers Grim and the Blue Murders, earned a reputation for their relentless touring and explosive live shows – and for playing as hard offstage as they did on it.

After literally working themselves into the ground, in 2016 the band’s firebrand frontman, James Grim, decided enough was enough. He pulled the pin on the band – and the lifestyle – that was killing him.

Now band-less and sober, Grim resolved he’d never play in a band again, but return to music for music’s sake. He took his hard-earned life lessons and experiences to his friend, award-winning country music songwriter Dan Waters, and began crafting new songs, cut from his signature raw lyrical honesty.

“Grim is once again pursuing songs of depth and sincerity (with) a bevy of dark-country tunes that feature some of the most evocative lyrics you’ll be hearing for some time”
— Adam Norris (BEAT Mag)
What emerged from those sessions became the template for a suite of dark country ballads that explored the awkward moments that lie within, and between, flawed humans. Grim explored these themes further with other songwriters he loves and respects, including Jamie Messenger and Frank Sultana.

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Julie O’Hara

Australian singer, Julie O'Hara is a freelance performing and recording artist from Melbourne.

Julie O’Hara, is a veteran of the Melbourne music scene, performing since the late 80’s.

Julie began her professional jazz singing career as a teenager with residencies enabling her to work with some of the county’s finest jazz musicians. The desire to evolve musically to communicate with her peers began in those early years, inspired by the musicianship around her.

Now an established musician, songwriter and recording artist, Julie has regularly toured Europe, Asia and Australia, playing at jazz and music festivals or performing as a guest vocalist, (The Cat Empire, Hoodangers, The Pearly Shells, Mistaken Identity). Although Julie performs predominantly jazz music, she also writes for pop, bluegrass, hip hop, R&B, neo soul, country and EDM.

Julie writes songs across various genres, having freelanced in different musical scenes for almost thirty years. Julie features on over thirty recordings, including Aria award winning album,

‘Cities’ by The Cat Empire and ‘Midnight Sun’ with George Washingmachine (nominated for a Bell Award for best jazz vocal album). Julie has won numerous song writing awards for jazz, contemporary pop and EDM.

Julie works as a music educator, lecturing in jazz and contemporary voice and improvisation at the Sir Zelman Cowen School of Music at Monash University and teaches song writing at Melbourne Graduate School and Monash University.

Julie has a background in Speech Pathology and voice science. Julie has taught singing, song writing and improvisation at NMIT, VCA, Melbourne Conservatoire, Melbourne Polytechnic, Victoria University and RMIT.

Julie is currently studying Estill Voice Mechanics and music production.

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Jeff Lang

Singer-songwriter Jeff Lang has built up a reputation for startlingly original performances, working without a set list, allowing the unique energy of each night to shape the songs. While Lang will talk of his admiration for the elemental blues of Skip James, the raw gospel of Blind Willie Johnson, the devastating guitar work of Jimi Hendrix, the masterful slide guitar of Ry Cooder, and the sublime songwriting of Bob Dylan and Richard Thompson, comparisons to these artists fails to paint an adequate picture.

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Gwyn Ashton

In Sydney, Australia in the 80s Gwyn Ashton was one-time lead guitarist for Stevie Wright and Swanee and in the 90s he moved to Melbourne and played on two of The Masters Apprentices Jim Keays' solo albums. Ashton opened for Rory Gallagher, Junior Wells and various blues bands from the USA when they came to Australia. Asked by Billy Thorpe if Mick Fleetwood could sit in with his band, Ashton was instantly on the short list as lead guitarist with according to Mick's sound engineer "something big but we can't say who it is", but he was told to get his passport together! One can only imagine...

After relocating and playing the European circuit for three years by 2001 the now Virgin Records France recording artist Gwyn Ashton was nominated at third position as ‘Guitarist of The Year’ in Guitar Part Magazine. First and second positions were Jeff Beck and Gary Moore, fourth was Popa Chubby, fifth was Guns N Roses Izzy Stradlin. Ashton’s first gig in France was opening for Buddy Guy with ex Rolling Stones Mick Taylor on before Gwyn. Ashton questioned this and said 'we don't deserve to be on after Mick. It's the wrong way around' but the organisers insisted on this as his popularity in France had grown. Ashton then played the Paris Music Trade Show where Fender France presented him with a new Stratocaster.

With numerous worldwide radio appearances under his belt, in the '90s Ashton appeared live on a radio show in Kent, England with Bert Jansch. He played on a derelict Dutch train carriage on the pirate station Radio London in the Netherlands and networks in Australia including various ABC stations and public radio. He was also interviewed and played a live performance in France on Paris Inter.

Ashton then co-headlined Garden Blues Festival in Marseille with Robben Ford and on the bill with Ray Charles at Cognac Blues Passions. At this time Ashton had two of his albums simultaneously in the Amazon France Top 100 charts. He has played many guitar and blues festivals including two appearances at the Acoustic Festival of Great Britain, Popkomm in Berlin, Guitar Heroes Festival in Germany with Mick Taylor and has conducted blues masterclasses at London’s Guitar Institute, Guitar X and Academy of Sound in Birmingham and Exeter, England. Ashton also played the 10th annual ’Thanks Jimi’ Festival in Wroclaw, Poland onstage with Bernie Marsden and Jimi Hendrix’s brother Leon Hendrix, leading 8000 guitarists playing ‘Hey Joe’ in the market square setting a new ‘Guinness Book of World Records’.

For five years Ashton was Gerry McAvoy’s choice for fronting the Rory Gallagher celebratory group Band of Friends, replacing Thin Lizzy/Motorhead guitarist Brian Robertson. They headlined the first two Ballyshannon Rory Gallagher Festivals with members of The Dubliners opening for them. Rory’s brother Donal was taken aback by Ashton’s interpretation of his late brother’s guitar playing stating ‘I like the way you put your own slant on Rory’s music, you don’t just copy him’. The band consisted of Gerry, Lou Martin, Brendan O’Neill, Mark Feltham and Dennis Greaves, all who at the time played in the band Nine Below Zero. Gerry and Brendan played on Ashton’s ‘Fang It! album with Greaves producing it. The album received great reviews and won many awards for ‘Album of The Year’ in a host of magazines.

Italian guitar company Liutart then asked Ashton to design his own signature guitar which he uses to this day with the configuration based on his favourite classic guitars - Gibson Firebird, Danelectro and Fender Telecaster pickups. Ashton called this 'the ultimate slide guitar'.

Since then Ashton has been touring Europe with many acts including The Yardbirds, Johnny Winter, Peter Green, Slade, The Sweet, Canned Heat, Magnum, The Troggs and headlining his own shows. He has also played dates in England with Van Morrison, Robin Trower, Jeff Healey, Tony Joe White, Walter Trout and 15 arena shows, including Wembley, with the legendary Status Quo with Francis Rossi asking him about co-writing and Rick Parfitt wanting some slide guitar tips. Ashton has shared the bill twice with Joe Bonamassa, once at Birmingham NEC for Music Live and once at a guitar festival in Sweden. Ashton has performed at guitar shows appeared twice on Czech National TV, ZDF TV in Germany and in Bulgaria on Slavi's Show, Slavi being the 'Bulgarian Jay Leno' with an audience of two million. This coincided with Ashton's concert for the American Chamber of Commerce celebrating American Independence Day, 50 years of Bulgarian occupancy and the 50th anniversary of the Stratocaster, the show being organised by Fender Bulgaria July 4 2004.

Three years running he played at Deep Purple keyboardist Don Airey’s charity show near Cambridge, England with members of Whitesnake Bernie Marsden, Mickey Moody and Neil Murray, plus Uli John Roth, Robert Hart and Jimmy Page’s first choice for Led Zeppelin vocalist Terry Reid. Don has played on two of Ashton’s albums ‘Prohibition’ (alongside Chris Glen and Ted McKenna from Sensational Alex Harvey Band, Ian Gillan, Michael Schenker Group) and ‘Radiogram’ which also features guest appearances from Kim Wilson (Fabulous Thunderbirds), Robbie Blunt (Robert Plant), Mark Stanway (Magnum, Phil Lynott’s Grand Slam) and Mo Birch (Robert Plant, Go West, Paul Rodgers, Culture Club). Ashton has recorded eight albums, some with special guests mentioned above.

Ashton has been invited onstage with some of the greatest blues and rock musicians including ex Black Crowes Marc Ford who also asked him to play lap steel on a studio session in Los Angeles. They also played three duo shows together. He jammed with Walter Trout, the legendary Canned Heat and Hubert Sumlin at blues festivals in England and Germany, bassist extraordinaire Jerry Jermott (BB King, Aretha Franklin) and Cactus and former Vanilla Fudge bassist Tim Bogert in Los Angeles and he even sat around David Crosby's dining room table trading licks on acoustic guitar with the former Byrd's legendary singer, songwriter. Jackson Browne and Robert Plant have both commented favourably on Ashton's playing and both been part of his audience. Ashton has even been known to sit around former Rainbow and Alcatraz singer Graham Bonnet in his living room, playing and singing Beatles songs together! He's also played with Steely Dan's Elliott Randal and former Jethro Tull's Mick Abrahams at a fund-raising show in England. Tull's former drummer Clive Bunker was Ashton's first UK drummer and Ashton played two shows with ex Rick Wakeman singer Gary Pickford-Hopkins.

During a tour of Spain, Ashton found himself jamming with former Wings drummer Geoff Britten who played on ‘Venus and Mars’. In Austin Texas, he was invited onstage with the hierarchy of the Austin scene including Derek O’Brien, Malford Milligan, Chris Duarte, Roscoe Beck and Frosty.

Eric Johnson’s bassist Chris Maresh joined Ashton on a 2018 German tour with Welsh drummer Chris Sharley from the 70s band Sassafrass. Budgie’s Burke Shelley gave Ashton a CD to learn their songs as they were possibly looking for a replacement guitarist at one stage. Shelley’s blues band opened for Ashton at a Christmas party at Tawe Delta Blues Club in Swansea, Wales. They were introduced by Dire Straits and Rockpile drummer Terry Williams.

Ashton’s first Czech Republic gig was with BB King at Golem Blues Festival, where he was the only other musician apart from King's entourage allowed in the dressing room prior to his

performance. Ashton has recorded nine albums, some with special guests mentioned above.

Gwyn Ashton’s critically-acclaimed release ‘Solo Elektro’ saw him reinvented as an alternative progressive blues-rock solo artist with elements of 60s garage rock, psychedelia, acoustic roots and some good old-fashioned rock 'n' roll influences. The follow-up power-duo album - 2019's Sonic Blues Preachers features ex Bon Scott Fraternity drummer John Freeman.

An inductee into the South Australian Music Hall of Fame for recognition of his contribution of sharing original Australian music with the world, Ashton's show is retro with a modern evolution as he crosses the boundaries between indie rock and the blues, mixing his electric set with acoustic lap side and steel-bodied resonator guitars along the way. His two-hour show takes his audience on an eclectic musical mesmerising story-telling journey, as he engulfs and engages them in a hypnotic musical adventure, showing music has no boundaries.

The Mojo Corner

THE MOJO CORNER

Together now for more than 10 years, The Mojo Corner are a tight knit unit of great friends and musicians that are continuing to grow and develop their sound. Never sitting still they have a reputation for tight and energetic live shows. The songs written are from a time that is theirs and are straight from the heart. Not tied down to one genre.

They are Rock. They are Roots. They are Blues. They have Soul.

There has definitely been ups and downs over the years with a few line-up changes along the way, but with new layers of keys and backing vocals has lifted the music to a new level. The boys have released 3 albums including Whole Lotta Woman, Trouble, and Bullet On A Train. They have recently released a live EP “Live at Manorism Studio” both as audio and as a visual experience that shows the true essence of the band. A new album in now in the making too.

They have toured around Australia over the years and have played hundreds of gigs including Queenscliff Music Festival, Echuca Winter Blues Festival, Bendigo Blues and Roots Festival, Blues On Broadbeach, and also Woodford Folk Festival. The Mojo Corner have played along side and supported many fantastic well known Australian artists along their journey too.

The journey is still a reality and with it, new life breathed into a collective to deliver more. A little rough around the edges, always up for a beer, we are ready for a good time.

It’s always about the music.

Itchy Fingers

Itchy Fingers are a four piece 50's & 60's Rock'n'Roll, Rockabilly, Rythym & Blues band from Melbourne. Formed in 1992 the band has been gigging for the last 27 years, performing at various Festivals, Pubs and clubs, dances, Hot Rod Shows, Car Club events and private functions.

Deadnecks

Deadnecks are a Grateful Dead Tribute band from Melbourne, Australia.
With soaring guitar solos, three part vocal harmonies and tight improvisation. Deadnecks specialise in their own style of psychedelic folk country blues jams.

Gabriella Cohen

t doesn't matter which way you listen to it- upside down, sideways, in the bathtub, at the laundromat, driving down the highway, putting your face on before a big night… Whatever blows your hair back….you're gonna love it.

Living in a shotgun house in New Orleans, to slinging hot dogs on Elwood beach, Cohen has done it again, whipped up the best record she's written to date.

In the sea of flash-in-the-pan artists, Gabriella Cohen's music is timeless, not bound to any genre or trend.

Pitchfork hailed her as a 'Clever and wise-cracking songwriter', and Rolling Stone has predicted she'll be a household name by 2022. She's been nominated for the prestigious Australian Music Prize, not to mention an AIR nominee for Best Blues and Roots Album (Pink is The Colour Of Unconditional Love).

From the depths of the rainforest in country Queensland, Cohen self-produced and recorded the majority of her third record.

Then, fed up with being a one-woman show, she gathered her nearest and dearest and recorded songs with Pop Maestro Sam Cromack (Ball Park Music), folk troubadour JB Paterson, and with Matthew Malone and Xavier Butler from Chaos Magick Studios.

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The Breadmakers

The Breadmakers are a Melbourne institution, but are perhaps better known in Japan, Spain and France than they are in some Australian capitals. They formed in 1989 to play early ‘60s-style Louisiana Rhythm & Blues – they take their name from a Slim Harpo track – having individually cut their teeth in ‘60s-styled garage rock bands earlier in the decade.

Their new album, entitled simply The Breadmakers, is their first in over a decade and their most powerful yet. It was recorded in a beach shack in Sorrento by their latest keyboard player Mikey Young, who is best known as the guitarist of influential Melbourne punks Eddy Current Suppression Ring, and for his recording and mastering work with countless punk and garage bands worldwide. Mikey has captured the Breadmakers like never before; loud, stormy and very live sounding. The album includes ten new Breadmakers originals and a couple of covers, including a version of much-feted 1966 Wollongong garage-rock obscurity “Moonshine” by the Marksmen.

Rod Paine & The Fulltime Lovers

Out front on vocals and harmonica, the charismatic Rod Paine is a stylish showman with one of the most soulful and inspiring voices in this land. Charming audiences for over 30 years, he has walked the stages throughout the country delivering a sound somewhere between Muscle Shoals and mid-sixties electric Blues. Add the broken-up harp sound emanating from his little 40-year-old amp, and he is hard to draw a comparison with.

Ray Tully and Tony Harwood form a dynamic rhythm section that is the backbone of the act. Performing together for over 34 years, this tight unit has graced various line-ups such as The Sensational Rocket 88’s, The Redliners, The Detonators and Straight 8’s to name just a few. In 2014, the Fulltime Lovers welcomed the extraordinary Co Tipping to take over guitar duties, wielding the Fender Stratocaster in a way very few can. This important inclusion signalled a shift in the band’s sound and an extension of its broad appeal.

The recent addition of Michael Shannon on Hammond organ has added colour and depth to the repertoire, where his incredible musical knowledge shows through. In 2013, Rod Paine & The Fulltime Lovers won the prestigious MBAS Blues Performer of the Year Award. They subsequently represented the MBAS in 2014 at the International Blues Challenge in Memphis USA, where they competed with the world’s best to impress an international audience.

Check out some of Rod Paine and The Fulltime Lovers below thanks to the fantastic MBAS:

(124) Rod Paine & Fulltime Lovers @ MBAS May 31st 2022 - YouTube

This is a General Admission show with choice of limited seating upon arrival into George Lane. Support for the evening is still to be announced.