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blues rock

Kid Congo and The Pink Monkey Birds

From the early '80s onward, guitarist Kid Congo Powers (born Brian Tristan) was a distinctive presence at the nexus where roots music meets punk. Powers had memorable tenures with the Gun Club (which he co-founded with Jeffrey Lee Pierce), the Cramps, and Nick Cave & the Bad Seeds. However, while he was the instrumental half of the Congo Norvell duo in the '90s, Powers didn't consider stepping out as a frontman until 2005. That year, Powers released two solo albums, Philosophy and Underwear and Solo Cholo. As Powers began refining his skills as a songwriter and vocalist, he ramped up his recording and touring schedule, and formed a band to accompany him on his projects. Fusing primitive, swampy rock & roll, garage rock, and fractured blues with East L.A. Chicano rock and a dash of punk and psychedelia, Powers dubbed his new band the Pink Monkey Birds. The group initially featured Powers on guitar and vocals, Jack Martin on guitar, Kiki Solis on bass, and Ron Miller on drums. By the time the band recorded its first album, Dracula Boots, in 2009, Martin was out and Jesse Roberts had stepped in on guitar and keyboards. Kid Congo & the Pink Monkey Birds continued to tour regularly, racking up more miles than Powers had since the '90s, and they released Gorilla Rose in 2011 and Haunted Head in 2013. In 2016, Powers and the group delivered their fourth album, La Arana Es la Vida. The LP introduced a new Pink Monkey Birds lineup; Jesse Roberts parted ways with the band, and Powers recruited guitarist Mark Cisneros to fill the vacancy in the group.

Rob Caudill

People stop Rob Caudill in airports for autographs. They stare at him in restaurants. And when he struts on stage, women scream themselves hoarse. Why? Because Caudill is a dead-on Rod Stewart Impersonator. He's got the high-definition jawline, the shock of spiky blonde hair, but most importantly, he has the nose. Vocally, his distinctive, naturally-raspy voice sounds like the legendary Stewart, and his range easily nails every high note from Stewart's younger days. So, it's no surprise this singer has carved out a career 'recreating' Rod Stewart. From kicking out soccer balls to spinning mic stands, to belting out all of Rod's greatest hits - Caudill's high energy show is a must-see event for people of all ages. When Rob was just seventeen, people started telling him that he looked like Rod Stewart - a phrase Rob would hear repeatedly from almost everyone he met for the rest of his life. He began his musical career after graduating high school and moving to Memphis, TN to study music at MSU. "I've got the greatest job in the world, making a living doing something I love." While in Memphis, Rob began playing bass for local bands around town and doing session work. As bass player for a band called "The Breaks" Caudill got his first major opportunity when they signed to RCA Records. The Breaks' first single, "She Wants You", was played in heavy rotation on MTV music television which caught the attention of Bugle Boy Clothing, who used The Breaks for their first commercial on MTV. After a few years, The Breaks disbanded, so Rob put together a group called "The Willys" that included legendary guitarist Shawn Lane. They quickly became one of Memphis' hottest bands. Rob also began doing session work with Joe Walsh of the Eagles and jammed with many others such as John Entwhistle of the Who, along with members of Cheap Trick, Allman Brothers Band, Lynyrd Skynyrd, Survivor and Red Hot Chili Peppers just to name a few. In 1996, he realized he couldn't escape the remarkable natural resemblance to Rod Stewart so he heeded the advice of Joe Walsh and began his tribute career. Rob put down his bass, bought some wild clothing and diligently studied lots of Rod's videos, vocals and mannerisms.Now, more than a 15 years later, he is still spinning his mic stand and kicking soccer balls out to audiences everywhere. When he leaves town he is armed with his "Tonight's the Night Band," a repertoire of more than 100 Stewart songs (covering everything from the beginning years of The Faces to the Great American Songbooks), and a wardrobe of loud, mostly custom made suits that match Rod Stewart's attire to a tee. He has been working with the world famous Legends in Concert show out of Las Vegas for the past 15 years. He also works independently doing a high energy two hour show and claims "I've got the greatest job in the world, making a living doing something I love." A true international sensation, Rob has performed:•For The Sultan of Malaysia•At a wedding for a Malaysian Princess•At the Miss World Philippines Beauty Pageant•At Autoracing's MotoGP event in Sepang Malaysia•At the AFF Suzuki Cup Football (Soccer) Matches between Malaysia and Indonesia in Kuala Lumpur and Jakarta Rob’s performed his Tribute to Rod Stewart all over the world including: Australia, Cambodia, Canada, China, Finland, Indonesia, Japan, Malaysia, Mexico, Singapore, South Africa, Sweden, Thailand, and theUnited States

Little House Godz

Original Australian Rock & Blues from Songwriter and Musician Ross Percy, with John Coupe on bass, and Rohan Way on drums.

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The Dead Amigos

Formed in early 2016 from a most unlikely late night encounter, The Dead Amigos have been unrelenting in spreading their unique blend of bluesy stoner rock with underlays of psychedelic and funk across the Melbourne and St Kilda music scenes.

The Vineyard, Prince of Wales, the Espy, Cherry bar, Revolver, Evelyn hotel, Brunswick hotel and the Tote are among the many iconic venues the boys have frequently graced in their short time together. On top of this, the St Kilda rockers ‘Lets Get Twisted’ tour brought the new gospel of their sound to rocking places such as Frankies Pizza in Sydney and the Bearded Lady in Queensland.

Now preparing to unleash their debut album with producer Tyson Fish (The Living End, Dropkick Murphys, Bad//Dreems), The Dead Amigos are showing no signs of slowing down as they continue to bring a unique blend of St Kilda rock n roll to the masses.

Art vs Science

Beloved Sydney electronic dance band Art vs Science release their long-awaited new album ‘Big Overdrive’. The vibe-packed record, written and recorded over the past decade includes their recent dancefloor ready single ‘I Saw You’, ARIA club hit ‘SWEAT’ produced by Kim Moyes (The Presets) and their new single ‘Check The Boombox’, which was produced by Dan McNamee and Dan Williams. Rich in melodies, synth stabs and classic Art vs Science experimentation, ‘Big Overdrive’ is a collection of songs that captures the heights of the trio as a groundbreaking alternative dance band, pushing musical boundaries with crafted multi-layered bangers.

Sonically ‘Big Overdrive’ lives and breathes in a way that can be played live to an intimate club audience or to a festival crowd. It’s also a celebration of the band’s longevity performing together for fifteen years. The music was recorded in studios all around Sydney, with a heavy emphasis on DIY. The bulk of the album was tracked at Dan Mac’s parents’ old place in Dural, in a sweaty hotbox near the attic, using a handful of microphones and a bucketload of vibe!

“In the course of selecting the music for this long awaited album, some of these rare sessions were uncovered, and the joy and fun embedded within were plain to hear. Of course, lots of love and expertise came from actual outside experts such as Kim Moyes (The Presets), Alex Gooden (Mix Engineer, SAFIA), Sam Ford (Tone City Records), Joe La Porta (Mastering, Sterling Sound), and Guy Davies (Mastering, Electric Mastering).”
Art vs Science.

Festival ready single “I Saw You” explores a quiet-verse loud-chorus dynamic, with soaring synths and thumping drums. New single “Check The Boombox” was recorded at a friend’s house in Wilsons Creek in the Blue Mountains near Sydney. A full arsenal of old stereo equalisers, a terrible mixing desk, and dusty guitar amplifiers went into this track. “The cost of producing this track was keeping a black and white cat fed and entertained, and lugging the gear from Bondi in a hired Goget van.”

“How 2 Stay High” was recorded in one session at Dan Mac’s house in Thirroul, whilst “Sweat” saw the band recruit Kim Moyes from The Presets to beef up and bangify. “Joe La Porta was enlisted to give SWEAT its beautiful sheen and thump, while Guy Davies was chosen to make DANCE the most thumping it could be” Art vs Science

Dan Mac produced many of the tracks on ‘Big Overdrive’; finding weird locations and setting up mics in bedrooms and kitchens to capture Dan W’s epic drum performances. Jim as always provided the solid synth bass lines and creative counterpoint that makes the band more than the sum of its parts.

“Big Overdrive is a celebration of jamming and making music which is fun, different and experimental. It’s a collection of tracks written over most of the band’s lifespan, with an emphasis on songs which we think are beautiful in their weirdness. The themes of the songs span love, loss, exuberance, life, death and passion. And dancing.” Art vs Science

Since 2008 Art vs Science has been widely acclaimed for their dynamic live performances and energy on stage. With their insistence on playing everything 100% “live” weaving intricate dance arpeggios – played by human hands – with real drums, real presence, and a bass sound that is uniquely their own. Dan Mac, Dan W and Jim Finn’s clear musicality is empowered by a collection of random keyboards plugged into huge guitar amplifiers and pedals which inspired one critic to call them “AC/DC with keyboards”.

They’ve performed at nearly every major Australian music festival including: Falls Festival, Splendour in the Grass, Bass in the Grass, Parklife, Good Vibrations, Big Day Out, and a range of boutique festivals such as Festival of The Sun, St Kilda Festival, Caloundra Music Festival, Wine Machine, Red Deer Fest, NYE On The Hill, The Great Australian Beer Fest, The Bacardi Express and Mountain Sounds. Art vs Science also performed at the Keep Sydney Open rally in 2016 and has supported Groove Armada and The Chemical Brothers.

Peaking at #2 on the ARIA charts, their album “The Experiment” won an ARIA for Best Independent Album in 2011. They currently have over 136K Spotify monthly listeners including 4.9million streams for their ubiquitous hit ‘Parlez Vous Francais’, 2.3million plays on Apple and over 7millon views on Youtube.

Art vs Science will be returning to the festival stage playing at the Caloundra Music Festival on Friday, 30 September, and Wine Machine, along with Flight Facilities, Lime Cordiale, Masked Wolf, San Cisco and many others in December!

ART VS SCIENCE TOUR DATES
Friday 30 September, Caloundra Music Festival, Queensland Tickets
Saturday, 17 December, Wine Machine, McLaren Vale, South Australia Tickets

“Stoked to be playing at the Caloundra Music Festival again this year. Had a ball at the 2017 one. Also keen as beans for another round of Wine Machine, this time in South Australia. Psyched!”
Art vs Science

PRAISE FOR ART VS SCIENCE

Art vs Science – The Experiment album – 200 Greatest Australian Albums Of All Time – Honorable Mentions List
ROLLING STONE AUSTRALIA

“It’s easy to tell why crowds love these boys. Their music is laced with happiness: it’s addictive, plus their live shows involve inflatable penguins!”
MUSIC FEEDS

“Unlike most hyped-up artists, this claim wasn’t far from the truth, with singles like ‘Magic Fountain’ and their debut album, The Experiment, going on to cement the band as household names in no time.”
TONE DEAF

“The Sydney trio’s new tune is definitely larger than their previous stuff, with their signature, fast-paced synth blending super nicely with rolling piano chords, bouncy vocals and hectic drum work.”
PILERATS

“Art vs Science have always been capable of producing – an album that is sharp, full of confidence and great musical execution.”
AU REVIEW

ART VS SCIENCE are:
Jim Finn (vocals, keyboard)
Dan McNamee (vocals, guitars, keyboard)
Dan Williams (vocals, drums)

Brad Cook Trio

Gear up for a captivating night of Psychedelic Blues Rock as the ‘Brad Cook Trio’ hits the Cherry Bar stage on Friday, February 9, 2024. Celebrating the EP ‘Time to Fly,’ the evening highlights Brad‘s retro guitar finesse and classic rock influences, showcasing the band’s genuine love for psychedelic rock and power blues.

Joining the lineup is ‘War Birds,’ fresh back from their recent UK tour. With catchy riffs and powerful vocals, they promise a memorable performance.

Round up your friends, grab a drink, and immerse yourself in the authentic essence of rock ‘n’ roll. Looking forward to seeing you there!

Michael McDonald

Michael McDonald (born February 12, 1952) is an American singer, keyboardist and songwriter known for his distinctive, soulful voice and as a member of the bands the Doobie Brothers (1975–1982, 1987, 2019–present) and Steely Dan (1973-1974). McDonald wrote and sang several hit singles with the Doobie Brothers, including "What a Fool Believes", "Minute by Minute", and "Takin' It to the Streets." McDonald has also performed as a prominent backing vocalist on numerous recordings by artists including Steely Dan, Christopher Cross, and Kenny Loggins.

McDonald's solo career consists of nine studio albums and a number of singles, including the 1982 hit "I Keep Forgettin' (Every Time You're Near)". During his career, McDonald has collaborated with a number of other artists, including James Ingram, David Cassidy, Van Halen, Patti LaBelle, Lee Ritenour, the Winans, Aretha Franklin, the rock band Toto,[2] Grizzly Bear,[3] Joni Mitchell, and Thundercat. He has also recorded for television and film soundtracks. McDonald is the recipient of five Grammy Awards, and was inducted into the Rock and Roll Hall of Fame as a member of the Doobie Brothers in 2020.

The Modfathers

Heavy Soul, the follow-up to the million-selling Stanley Road, saw Weller twist his sound again. The album was more raw than its predecessor; Weller was now frequently playing live in the studio in as few takes as possible.[citation needed] The first single "Peacock Suit" reached No. 5 in the UK Singles Chart, and the album reached No. 2. Success in the charts also came from compilations: "Best Of" albums by the Jam and the Style Council charted, and in 1998 his own solo collection Modern Classics was a substantial success.

In 2000, while living in Send, Surrey, he released his fifth solo studio album, Heliocentric. Once again finding himself without a record contract, Weller's Days of Speed worldwide tour provided him with the opportunity to view his works as one back catalogue, giving rise to a second successful live album in 2001. Days of Speed contained live acoustic versions from the world tour of the same name, including some of his best-known songs from his solo career and the back catalogues of his Jam and Style Council days.

There were rumours at the time that Heliocentric would be Weller's final studio effort, but these proved unfounded when he released the No. 1 hit album Illumination in September 2002. Co-produced by Noonday Underground's Simon Dine, it was preceded by yet another top 10 hit single "It's Written in the Stars". Weller also appears on the 2002 Noonday Underground album called Surface Noise, singing on the track "I'll Walk Right On".

In 2002, Weller collaborated with Terry Callier on the single "Brother to Brother", which featured on Callier's album Speak Your Peace. In 2003, Weller teamed up with electronic rock duo Death in Vegas on a cover of Gene Clark's "So You Say You Lost Your Baby", which featured on their Scorpio Rising album.

In 2004, Weller released an album of covers entitled Studio 150. It debuted at No. 2 in the UK charts and included Bob Dylan's "All Along the Watchtower" as well as covers of songs by Gil Scott-Heron, Rose Royce and Gordon Lightfoot, amongst others.

Weller's 2005 album As Is Now featured the singles "From the Floorboards Up", "Come On/Let's Go" and "Here's the Good News". The album was well-received, though critics noted that he was not moving his music forward stylistically,[14] and it became his lowest-charting album since his 1992 debut.

In February 2006 it was announced that Weller would be the latest recipient of the Lifetime Achievement Award at the BRIT Awards. Despite a tendency to shun such occasions, Weller accepted the award in person, and performed four songs at the ceremony, including the Jam's classic "Town Called Malice". In June 2006, another double live album titled Catch-Flame!, featuring songs from both his solo work and his career with the Jam and the Style Council, was released. In late 2006, the album Hit Parade was released, which collected all the singles released by the Jam, the Style Council and Weller during his solo career. Two versions of this album were released: a single disc with a selection from each stage of his career, and a four-disc limited edition, which included every single released and came with a 64-page booklet. Weller was offered appointment as a Commander of the Order of British Empire in the 2006 birthday honours, but rejected the offer.[15]

In 2007 Weller was guest vocalist on the album issue by the folk musical project the Imagined Village.

Gwyn Ashton

In Sydney, Australia in the 80s Gwyn Ashton was one-time lead guitarist for Stevie Wright and Swanee and in the 90s he moved to Melbourne and played on two of The Masters Apprentices Jim Keays' solo albums. Ashton opened for Rory Gallagher, Junior Wells and various blues bands from the USA when they came to Australia. Asked by Billy Thorpe if Mick Fleetwood could sit in with his band, Ashton was instantly on the short list as lead guitarist with according to Mick's sound engineer "something big but we can't say who it is", but he was told to get his passport together! One can only imagine...

After relocating and playing the European circuit for three years by 2001 the now Virgin Records France recording artist Gwyn Ashton was nominated at third position as ‘Guitarist of The Year’ in Guitar Part Magazine. First and second positions were Jeff Beck and Gary Moore, fourth was Popa Chubby, fifth was Guns N Roses Izzy Stradlin. Ashton’s first gig in France was opening for Buddy Guy with ex Rolling Stones Mick Taylor on before Gwyn. Ashton questioned this and said 'we don't deserve to be on after Mick. It's the wrong way around' but the organisers insisted on this as his popularity in France had grown. Ashton then played the Paris Music Trade Show where Fender France presented him with a new Stratocaster.

With numerous worldwide radio appearances under his belt, in the '90s Ashton appeared live on a radio show in Kent, England with Bert Jansch. He played on a derelict Dutch train carriage on the pirate station Radio London in the Netherlands and networks in Australia including various ABC stations and public radio. He was also interviewed and played a live performance in France on Paris Inter.

Ashton then co-headlined Garden Blues Festival in Marseille with Robben Ford and on the bill with Ray Charles at Cognac Blues Passions. At this time Ashton had two of his albums simultaneously in the Amazon France Top 100 charts. He has played many guitar and blues festivals including two appearances at the Acoustic Festival of Great Britain, Popkomm in Berlin, Guitar Heroes Festival in Germany with Mick Taylor and has conducted blues masterclasses at London’s Guitar Institute, Guitar X and Academy of Sound in Birmingham and Exeter, England. Ashton also played the 10th annual ’Thanks Jimi’ Festival in Wroclaw, Poland onstage with Bernie Marsden and Jimi Hendrix’s brother Leon Hendrix, leading 8000 guitarists playing ‘Hey Joe’ in the market square setting a new ‘Guinness Book of World Records’.

For five years Ashton was Gerry McAvoy’s choice for fronting the Rory Gallagher celebratory group Band of Friends, replacing Thin Lizzy/Motorhead guitarist Brian Robertson. They headlined the first two Ballyshannon Rory Gallagher Festivals with members of The Dubliners opening for them. Rory’s brother Donal was taken aback by Ashton’s interpretation of his late brother’s guitar playing stating ‘I like the way you put your own slant on Rory’s music, you don’t just copy him’. The band consisted of Gerry, Lou Martin, Brendan O’Neill, Mark Feltham and Dennis Greaves, all who at the time played in the band Nine Below Zero. Gerry and Brendan played on Ashton’s ‘Fang It! album with Greaves producing it. The album received great reviews and won many awards for ‘Album of The Year’ in a host of magazines.

Italian guitar company Liutart then asked Ashton to design his own signature guitar which he uses to this day with the configuration based on his favourite classic guitars - Gibson Firebird, Danelectro and Fender Telecaster pickups. Ashton called this 'the ultimate slide guitar'.

Since then Ashton has been touring Europe with many acts including The Yardbirds, Johnny Winter, Peter Green, Slade, The Sweet, Canned Heat, Magnum, The Troggs and headlining his own shows. He has also played dates in England with Van Morrison, Robin Trower, Jeff Healey, Tony Joe White, Walter Trout and 15 arena shows, including Wembley, with the legendary Status Quo with Francis Rossi asking him about co-writing and Rick Parfitt wanting some slide guitar tips. Ashton has shared the bill twice with Joe Bonamassa, once at Birmingham NEC for Music Live and once at a guitar festival in Sweden. Ashton has performed at guitar shows appeared twice on Czech National TV, ZDF TV in Germany and in Bulgaria on Slavi's Show, Slavi being the 'Bulgarian Jay Leno' with an audience of two million. This coincided with Ashton's concert for the American Chamber of Commerce celebrating American Independence Day, 50 years of Bulgarian occupancy and the 50th anniversary of the Stratocaster, the show being organised by Fender Bulgaria July 4 2004.

Three years running he played at Deep Purple keyboardist Don Airey’s charity show near Cambridge, England with members of Whitesnake Bernie Marsden, Mickey Moody and Neil Murray, plus Uli John Roth, Robert Hart and Jimmy Page’s first choice for Led Zeppelin vocalist Terry Reid. Don has played on two of Ashton’s albums ‘Prohibition’ (alongside Chris Glen and Ted McKenna from Sensational Alex Harvey Band, Ian Gillan, Michael Schenker Group) and ‘Radiogram’ which also features guest appearances from Kim Wilson (Fabulous Thunderbirds), Robbie Blunt (Robert Plant), Mark Stanway (Magnum, Phil Lynott’s Grand Slam) and Mo Birch (Robert Plant, Go West, Paul Rodgers, Culture Club). Ashton has recorded eight albums, some with special guests mentioned above.

Ashton has been invited onstage with some of the greatest blues and rock musicians including ex Black Crowes Marc Ford who also asked him to play lap steel on a studio session in Los Angeles. They also played three duo shows together. He jammed with Walter Trout, the legendary Canned Heat and Hubert Sumlin at blues festivals in England and Germany, bassist extraordinaire Jerry Jermott (BB King, Aretha Franklin) and Cactus and former Vanilla Fudge bassist Tim Bogert in Los Angeles and he even sat around David Crosby's dining room table trading licks on acoustic guitar with the former Byrd's legendary singer, songwriter. Jackson Browne and Robert Plant have both commented favourably on Ashton's playing and both been part of his audience. Ashton has even been known to sit around former Rainbow and Alcatraz singer Graham Bonnet in his living room, playing and singing Beatles songs together! He's also played with Steely Dan's Elliott Randal and former Jethro Tull's Mick Abrahams at a fund-raising show in England. Tull's former drummer Clive Bunker was Ashton's first UK drummer and Ashton played two shows with ex Rick Wakeman singer Gary Pickford-Hopkins.

During a tour of Spain, Ashton found himself jamming with former Wings drummer Geoff Britten who played on ‘Venus and Mars’. In Austin Texas, he was invited onstage with the hierarchy of the Austin scene including Derek O’Brien, Malford Milligan, Chris Duarte, Roscoe Beck and Frosty.

Eric Johnson’s bassist Chris Maresh joined Ashton on a 2018 German tour with Welsh drummer Chris Sharley from the 70s band Sassafrass. Budgie’s Burke Shelley gave Ashton a CD to learn their songs as they were possibly looking for a replacement guitarist at one stage. Shelley’s blues band opened for Ashton at a Christmas party at Tawe Delta Blues Club in Swansea, Wales. They were introduced by Dire Straits and Rockpile drummer Terry Williams.

Ashton’s first Czech Republic gig was with BB King at Golem Blues Festival, where he was the only other musician apart from King's entourage allowed in the dressing room prior to his

performance. Ashton has recorded nine albums, some with special guests mentioned above.

Gwyn Ashton’s critically-acclaimed release ‘Solo Elektro’ saw him reinvented as an alternative progressive blues-rock solo artist with elements of 60s garage rock, psychedelia, acoustic roots and some good old-fashioned rock 'n' roll influences. The follow-up power-duo album - 2019's Sonic Blues Preachers features ex Bon Scott Fraternity drummer John Freeman.

An inductee into the South Australian Music Hall of Fame for recognition of his contribution of sharing original Australian music with the world, Ashton's show is retro with a modern evolution as he crosses the boundaries between indie rock and the blues, mixing his electric set with acoustic lap side and steel-bodied resonator guitars along the way. His two-hour show takes his audience on an eclectic musical mesmerising story-telling journey, as he engulfs and engages them in a hypnotic musical adventure, showing music has no boundaries.

Joni Mitchell

Roberta Joan "Joni" Mitchell CC (née Anderson; born November 7, 1943) is a Canadian-American musician, producer, and painter. Among the most influential singer-songwriters to emerge from the 1960s folk music circuit, Mitchell became known for her starkly personal lyrics and unconventional compositions, which grew to incorporate pop and jazz influences.[1] She has received many accolades, including ten Grammy Awards and induction into the Rock and Roll Hall of Fame in 1997. Rolling Stone called her "one of the greatest songwriters ever",[2] and AllMusic has stated, "When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century".[1]

Mitchell began singing in small nightclubs in Saskatoon, Saskatchewan, and throughout western Canada, before moving on to the nightclubs of Toronto, Ontario. She moved to the United States and began touring in 1965. Some of her original songs ("Urge for Going", "Chelsea Morning", "Both Sides, Now", "The Circle Game") were recorded by other folk singers, allowing her to sign with Reprise Records and record her debut album, Song to a Seagull, in 1968.[3] Settling in Southern California, Mitchell helped define an era and a generation with popular songs like "Big Yellow Taxi" and "Woodstock". Her 1971 album Blue is often cited as one of the best albums of all time; it was rated the 30th best album ever made in Rolling Stone's 2003 list of the "500 Greatest Albums of All Time",[4] rising to number 3 in the 2020 edition.[5] In 2000, The New York Times chose Blue as one of the 25 albums that represented "turning points and pinnacles in 20th-century popular music".[6] NPR ranked Blue number 1 on a 2017 list of Greatest Albums Made By Women.[7]

Mitchell switched labels and began exploring more jazz-influenced ideas, by way of lush pop textures, on 1974's Court and Spark, which featured the radio hits "Help Me" and "Free Man in Paris"[8] and became her best-selling album. Mitchell's vocal range began to shift from mezzo-soprano to more of a wide-ranging contralto around 1975.[9][10][11] Her distinctive piano and open-tuned guitar compositions also grew more harmonically and rhythmically complex as she melded jazz with rock and roll, R&B, classical music and non-Western beats. In the late 1970s, she began working with noted jazz musicians including Jaco Pastorius, Tom Scott, Wayne Shorter, Herbie Hancock, and Pat Metheny as well as Charles Mingus, who asked her to collaborate on his final recordings.[12] She later turned to pop and electronic music and engaged in political protest. She was awarded a Lifetime Achievement Award at the 44th Annual Grammy Awards in 2002[13] and became a Kennedy Center Honoree in 2021.[14]

Mitchell produced or co-produced most of her albums. A critic of the music industry, she quit touring and released her 17th and last album of original songs in 2007. Mitchell has designed most of her own album covers, describing herself as a "painter derailed by circumstance".