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rock n roll

C.O.F.F.I.N

Children of Finland Fighting in Norway (C.O.F.F.I.N) are a four piece hard rock & roll band hailing from the ocean shores of Sydney, Australia featuring a lead vocalist on drums. Forming in 2005 as schoolmates influenced by a huge love for music, skateboarding and a good-times-all-the-time attitude. Since playing their first show at the age of 12 opening for The Hard-Ons at Manly Youth Centre the band have meticulously carved out their own corner of hard biting Australian Rock n Roll.

C.O.F.F.I.N have gained a passionate following for their unique take on punk and rock music, gathering widespread acclaim for their energetic and addictive live shows combined with their lyrical activism and howling guitars. It has delivered them hundreds of gigs over the years, headline tours, and numerous festival appearances. They’ve toured and shared the stage with many world renown bands such as Rose Tattoo, TSOL, Celibate Rifles, Dead Kennedys, Cosmic Psychos, Parkway Drive, Frenzal Rhomb, Misfits, Amyl and the Sniffers and the Hard Ons.

C.O.F.F.I.N have recorded and released four studio albums, one live album, and three EPs, all of which have sold out globally.

Their most recent LP – the self-titled ‘Children Of Finland Fighting In Norway’ – released through Legless Records and Erste Theke Tontraege Records in October 2020 is now in its 6th re-issue and continues to be distributed globally. 2022 saw C.O.F.F.I.N tour the world in support of friends and Australian punk heroes Amyl and The Sniffers. Playing shows to crowds in the thousands across the globe, C.O.F.F.I.N’s reputation for wild live performances became known by fans and industry alike everywhere. Following their lap of the globe, with not a minute has been wasted, a new album has been tracked and three new record labels signed (EU, AU and US regions), including a deal with the highly esteemed, historical Goner Records (US).

C.O.F.F.I.N are set to travel far and wide this year with various scheduled tours around key festivals such as The Great Escape (Brighton, UK) and Goner Fest (Memphis, US).

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Flying Dutchman + Forklift Assassins

Flying Dutchman are a 4-piece Rock & Roll band from Melbourne, Australia. After years of jamming together the two brothers and two cousins fuse hard monsterous groove and tight punchy riffs with hard hitting vocals. The type of of sound that will make you want to slam back a few bevs and bang your head until your neck is sore.

Born out of a love of rock, punk and metal, Forklift Assassins have come to throw down some massive riffs. Playing fast and loud tunes, these guys know what it means to ROCK OUT.
The band is made up of Sanjin on guitar, Lex Baritone on bass and Mike on drums and vox. Influences include Dead Kennedy’s, Black Sabbath, The Ramones, The Misfits and especially Motorhead. Go on, get on it.

The Slingers

The Slingers are a five piece rock band who have recently emerged from jamming in a warehouse in industrial Port Melbourne. After growing up together and bonding over a mutual love of Simon & Garfunkel and the Star Wars prequels, The Slingers are starting to storm stages at pubs across the city with their own unique brand of introspective rock'n'roll. Despite only completing the lineup earlier this year, the band have already released their debut EP 'Fake Fruit' and have been putting out further singles along the way. The Slingers are looking forward to continuing their recent streak of live shows, including an upcoming gig at Cherry Bar on the 15th of October, building momentum towards the end of the year and culminating in an appearance at the Rabbit Hole Festival in December.

The Monkeymen

Arguably, The Rolling Stones are one of the most iconic rock and roll acts in the history of modern pop music, given and holding the title of the World’s Greatest Rock and Roll Band for decades. Monkey Men dare to stand in the world’s biggest musical shoes. Formed in March of 2023 by Karl Liebhardt and Paul Montgomery, band mates from a former Rolling Stones tribute, Exiles on Main Street, they hit the ground running with a fantastic line-up of local musical talent. Monty, the group’s frontman, looks nothing like Mick Jagger, but wears the look as the character he portrays. “I have seen the Stones at least a dozen times and I have been singing their tracks at the top of my lungs driving up and down California’s freeway’s for decades. I know what Mick sounds like and I know how he moves. What do they say about 10,000 hours? I’ve put the time in on their music”. Yet Monty asks the audience of Rolling Stones fans to listen with their ears, not their eyes. “I get our guys to bring the energy out of the music in their playing. I tell them, "I need to feed on you guys and you need to feed off me and the audience will feel it. We’re not just playing their music, we have to bring the energy they bring.” Like Mick himself says on Let It Bleed, “We All Need - Someone we can Feed aawwwnnnn..” Karl, the group’s “Keith” guitarist, is also the band’s historian, a veritable encyclopedia of knowledge about the Rolling Stones. He brings an authenticity to his musical approach staying true to the different guitar tunings Keef used on certain recordings and uses today in their live sets. There’s that 10,000 hours thing again… Monkey Men, a play on words from the hit song “Monkey Man” from the Let It Bleed LP, are after the live sound of the Rolling Stones today, bringing to the stage an entourage of seasoned, musically educated and talented performers including a horn section and backing vocals. Monkey Men bring the Rock and Roll Show in their tribute to the Greatest Rock and Roll Band, tip their hats and dig in the feast of energy in the music of The Rolling Stones.

Thee Cha Cha Cha's

It’s a barrage of rough and raucous rock and roll from this one-woman-one-man duo out of Melbourne. Four bracing songs on a seven-inch that sit comfortably in the garage-punk oeuvre without breaking down any barriers. Distortion and dual vocalising, done right.

Thee Cha Cha Chas are Lluis Fuzzhound (also of Intoxica and Midnight Woolf - guitar, drums and vocals) and Kylie Kooks (bass and vocals), and they’ve been carving a place on the Melbourne band scene for about five years. A big burst of touring over 2019-20 had the spreading their word further afield but with that not currently an option, this vinyl EP will do. The title track articulates these crazy times.

Labelling an A and a B side can be a fraught concept in the digital era with the consumers having no respect for format, but "It's Coming After You" is strictly vinyl so don't expect to cherry-pick songs by downloading them indvidually. My own call is that the two tunes on the flip (“Day is Done” and “Midnight Bus”) edge out the title track and its companion piece, “Worried Sick”, for impact, but it’s kind of a moot point. In the end, it’s all lo-fi goodness. And I’ve just learned that “Midnight Bus” is a cover of a John D Loudermilk song.

Sam Agostino (Digger & The Pussycat) did the mastering thing so that should give you a hint of what to expect. It's available from Outtaspace’s shop. Don't be tardy.

Perry Keyes

Perry grew up in the inner city working class area of Sydney known as Redfern. He grew up in a home populated by various uncles, aunts, cousins and grandparents. Every Saturday morning his grandmother would do the house work whilst playing the likes of Ray Charles and Roy Orbison at a volume loud enough to spill out onto the neighbouring streets, lined with tightly-packed terraced houses, warehouses and textile factories.

When he was 12, he got his first guitar from the local pawn shop and within six months he’d written his first song. It was during his first year at high school that his family moved to the neighbouring area of Waterloo, with its high-rise Department of Housing blocks. It was within this environment that Perry formed the band The Stolen Holdens in 1989. Musically inspired by the likes of The Clash and Elvis Costello and lyrically taking his cue from artists like Lou Reed and Bruce Springsteen, Keyes and The Stolen Holdens developed a small but loyal following in the local Sydney music scene.

The band faded by the early 90’s and Perry re-emerged in 2003, playing solo sets featuring songs that would make up the bulk of his debut double album Meter – released in 2005 to critical acclaim and numerous years end best-of lists.

His next album The Last Ghost Train Home was received with even greater acclaim upon its release in 2007. It went on to be short-listed for the Australian Music Prize and was named the ABC Radio National Album of the Year.

Johnny Ray’s Downtown contains 16 tracks that once again draw on Perry’s local environment – the marginalised, often neglected and rapidly decaying inner city areas of Sydney – for their inspiration. These are songs about growing up, or trying to grow up, in the face of an environment that often suggests that the mere thought of getting past your late adolescence is hoping for more than what’s actually on offer.

With Sunnyholt the focus shifts west to the outer Sydney suburbs where Perry's family travelled in the late 1960s and 1970s only to find an environment devoid of infrastructure and struggling to birth a community.

Jim Salmon's Lament was released October 5, 2018. “I started thinking about the families I grew up with and a particular family that lived in the James Cook [Housing Commission] flats, a brother and sister. I thought I would write about the dad, because I was pissed off with narcissistic blokes where everything they do is fuelled by self-interest but every time it got to mentioning the kids I would start writing a song about them, so I realised that the centre of the album was the brother and sister. That is the grace in the record.”

In 2020 Perry released a series of singles including "Railway Square" and "Wentworth Park".

"I think putting the songs out at regular intervals is a good way of keeping up contact with the people that like what I do and at the same time, hopefully, have some new people hear it as well," he says. "There's a nice immediacy to it as opposed to going away for two years to record albums whilst nobody hears from you for all that time.

"Having said that, there are three albums in the can that I hope to get out in a relatively short amount of time. And, there's also a live album ready to go."

That album was Live in B-Town, and was released at the end of 2021.

Damage Inc

Sleep with one eye open, gripping your pillow tight because
Damage Inc – The Australian Metallica Tribute Band are here to KICK YOUR ARSE!

Nothing else matters once Sydney boys Clint, George, Brad and Drew light up the stage; they will Seek & Destroy! For 14 years Damage Inc has brought their Metallica Tribute to the crazy ‘Tallica fans of Australia, every show promises to be an experience you’ll never forget.

Damage Inc first hit the road in March 2004 and after playing a handful of gigs, the word quickly spread that this rocking tribute ban
d really know their stuff and were serious about moving ahead. Being able to brandish the kind of musical fire-power that Metallica has unleashed for more than three decades, Damage Inc has plugged right into the strength of Metallica’s music and helped heavy music shine.

Damage Inc recreates the live Metallica experience so well, you’ll swear you have just seen the heavy metal legends themselves. Covering songs from Metallica’s 30 plus year career, Damage Inc is a band not to be missed if you love Metallica or Heavy Metal

THE CROOKEDS

The Crookeds are a Melbourne 4-piece making rock music like you’ve never heard. Perfect amounts of grit and splendour combine to create an alluring and epic sound. The band effortlessly combine tight drums, groovy bass, and heavy riffs with angelic, Buckley-esque vocals to create one-of-a-kind, heavy rock ‘n’ roll. 2019/20 saw The Crookeds release two massive singles ‘Sucker for Pain’ and ‘Never Get It’. During this time, the band also embarked on two massive national tours, allowing them to refine and perfect their infectiously energetic live show in venues across the East Coast. Rearing to go following the Melbourne lockdowns, the boys have come back strong with a massive new track ‘Dead Eye’ - a hard and fast take on society’s shift from intuition. Dirty riffs and powerful grooves combine effortlessly as the band takes you on an epic sonic journey. With a recent run of sold-out hometown shows, and an EP on the way, these guys are proving they are a rock ‘n’ roll force to be ...

Members
Sonny James // Oscar Linkson // Matt McLean // Brad Biviano

John Corabi

John Corabi - Acoustic & Solo

Journeyman, stalwart or just The Mayor of Rock ‘n’ roll, John Corabi certainly needs no introduction.

As the voice of The Scream, The Dead Daisies, Union and ESP, but perhaps most notably, as the voice of Motley Crue during their brief departure from life with Vince Neil in 1994, anything featuring the raspy vocals of John Corabi cannot be mistaken.

On the eve of the release of his autobiography “Horseshoes and Hand Grenades”, in which he recounts his life from the streets of Philadelphia to the Sunset Strip and beyond, John Corabi brings his intimate solo acoustic show to Australia for the first time in what can be considered a career retrospective of sorts.

Fans can expect to hear Corabi perform music from all stages of his career intertwined with stories and anecdotes that only John Corabi can deliver.

They don’t come more seasoned than Corabi and with a wide repertoire of rock ‘n’ roll at his disposal, this will be a unique insight into one of the biggest and most recognisable voices in rock ‘n’ roll.

The Pink Stones

The Pink Stones deliver a full serving of Peach State picked country-rock from Athens, Georgia with the release of their debut album, Introducing… The Pink Stones, via the New West Records imprint Normaltown Records. Mixing elements of classic cosmic country, raucous rock’n’roll and fresh humor and heartaches, The Pink Stones are authoring a new chapter in the annals of Cosmic American Music.

The journey to the Pink Stones debut album began in 2015, when freshman college-student and then punk rocker Hunter Pinkston bought a special single by one of his favorite bands. “It was the song ‘Brass Buttons,’ Pinkston says. “One side was The Lemonheads and the other was Gram Parsons’ original version. I bought it because I was a Lemonheads fan, but I flipped it over and that was the one of the first times I’d heard Gram Parsons. I was like, ‘Oh shit! I didn't know I liked country until right now.’”

Inspired by his discovery, Pinkston not only began tracking down and listening to Parsons’ catalog, but took the well-travel music fan path of seeking out similar artists and influences. It was actually a landscape he’d seen before but paid little attention to.

“When I was a kid my mom liked country music but my dad was totally a rocker,” Pinkston says. “They would constantly be switching the radio. I was definitely with my dad and had discounted country forever. Then it caught up with me and I became pretty much obsessed with it.”