Rock | Musicosity

Rock

Blackwood

Melbourne based rock band consisting of: Will Dillon, David Lim, William Lim and Hong Wen Yue

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The Silversound Feat. Shane O'Mara

The Silversound are Shane O’Mara, Andrew Tanner and Leroy Cope (Sand Pebbles, Woodland Hunters) and Stu Thomas (Kim Salmon, Dave Graney). According to critic Michael Dwyer, ‘The Silversound embark on a deep psychedelic trip in the melody-rich tradition of rock’s golden age.

From beefy boogie to rainwater jangle, loopy acoustic echoes to woolly overdrive, The Silversound's aquaplaning guitars and cyclical grooves will turn your dull grey matter inside out and your 21st century blues to every damn colour under the Fat Old Sun.

Keaper

Founded in 2019 by vocalist/guitarist Ameya and bassist Julia, with the addition of band members Austin and Sam, Keaper is a Melbourne-based band writing immersive, guitar-driven music and blending it with visual flair. Drawing inspiration from artists like DIIV, The Smashing Pumpkins, The Sundays and The 1975, the band’s songs are recognisable by their pensive lyrics, melodic and explorative instrumentation and the introspective atmosphere they create. Doubling as a visual art project, Keaper combines artforms to provide a unique style of escapism reflective of the band’s interest in cinema, illustration and photography. These visual elements are linked to Keaper’s music through a connection to place and emotion.

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Art vs Science

Beloved Sydney electronic dance band Art vs Science release their long-awaited new album ‘Big Overdrive’. The vibe-packed record, written and recorded over the past decade includes their recent dancefloor ready single ‘I Saw You’, ARIA club hit ‘SWEAT’ produced by Kim Moyes (The Presets) and their new single ‘Check The Boombox’, which was produced by Dan McNamee and Dan Williams. Rich in melodies, synth stabs and classic Art vs Science experimentation, ‘Big Overdrive’ is a collection of songs that captures the heights of the trio as a groundbreaking alternative dance band, pushing musical boundaries with crafted multi-layered bangers.

Sonically ‘Big Overdrive’ lives and breathes in a way that can be played live to an intimate club audience or to a festival crowd. It’s also a celebration of the band’s longevity performing together for fifteen years. The music was recorded in studios all around Sydney, with a heavy emphasis on DIY. The bulk of the album was tracked at Dan Mac’s parents’ old place in Dural, in a sweaty hotbox near the attic, using a handful of microphones and a bucketload of vibe!

“In the course of selecting the music for this long awaited album, some of these rare sessions were uncovered, and the joy and fun embedded within were plain to hear. Of course, lots of love and expertise came from actual outside experts such as Kim Moyes (The Presets), Alex Gooden (Mix Engineer, SAFIA), Sam Ford (Tone City Records), Joe La Porta (Mastering, Sterling Sound), and Guy Davies (Mastering, Electric Mastering).”
Art vs Science.

Festival ready single “I Saw You” explores a quiet-verse loud-chorus dynamic, with soaring synths and thumping drums. New single “Check The Boombox” was recorded at a friend’s house in Wilsons Creek in the Blue Mountains near Sydney. A full arsenal of old stereo equalisers, a terrible mixing desk, and dusty guitar amplifiers went into this track. “The cost of producing this track was keeping a black and white cat fed and entertained, and lugging the gear from Bondi in a hired Goget van.”

“How 2 Stay High” was recorded in one session at Dan Mac’s house in Thirroul, whilst “Sweat” saw the band recruit Kim Moyes from The Presets to beef up and bangify. “Joe La Porta was enlisted to give SWEAT its beautiful sheen and thump, while Guy Davies was chosen to make DANCE the most thumping it could be” Art vs Science

Dan Mac produced many of the tracks on ‘Big Overdrive’; finding weird locations and setting up mics in bedrooms and kitchens to capture Dan W’s epic drum performances. Jim as always provided the solid synth bass lines and creative counterpoint that makes the band more than the sum of its parts.

“Big Overdrive is a celebration of jamming and making music which is fun, different and experimental. It’s a collection of tracks written over most of the band’s lifespan, with an emphasis on songs which we think are beautiful in their weirdness. The themes of the songs span love, loss, exuberance, life, death and passion. And dancing.” Art vs Science

Since 2008 Art vs Science has been widely acclaimed for their dynamic live performances and energy on stage. With their insistence on playing everything 100% “live” weaving intricate dance arpeggios – played by human hands – with real drums, real presence, and a bass sound that is uniquely their own. Dan Mac, Dan W and Jim Finn’s clear musicality is empowered by a collection of random keyboards plugged into huge guitar amplifiers and pedals which inspired one critic to call them “AC/DC with keyboards”.

They’ve performed at nearly every major Australian music festival including: Falls Festival, Splendour in the Grass, Bass in the Grass, Parklife, Good Vibrations, Big Day Out, and a range of boutique festivals such as Festival of The Sun, St Kilda Festival, Caloundra Music Festival, Wine Machine, Red Deer Fest, NYE On The Hill, The Great Australian Beer Fest, The Bacardi Express and Mountain Sounds. Art vs Science also performed at the Keep Sydney Open rally in 2016 and has supported Groove Armada and The Chemical Brothers.

Peaking at #2 on the ARIA charts, their album “The Experiment” won an ARIA for Best Independent Album in 2011. They currently have over 136K Spotify monthly listeners including 4.9million streams for their ubiquitous hit ‘Parlez Vous Francais’, 2.3million plays on Apple and over 7millon views on Youtube.

Art vs Science will be returning to the festival stage playing at the Caloundra Music Festival on Friday, 30 September, and Wine Machine, along with Flight Facilities, Lime Cordiale, Masked Wolf, San Cisco and many others in December!

ART VS SCIENCE TOUR DATES
Friday 30 September, Caloundra Music Festival, Queensland Tickets
Saturday, 17 December, Wine Machine, McLaren Vale, South Australia Tickets

“Stoked to be playing at the Caloundra Music Festival again this year. Had a ball at the 2017 one. Also keen as beans for another round of Wine Machine, this time in South Australia. Psyched!”
Art vs Science

PRAISE FOR ART VS SCIENCE

Art vs Science – The Experiment album – 200 Greatest Australian Albums Of All Time – Honorable Mentions List
ROLLING STONE AUSTRALIA

“It’s easy to tell why crowds love these boys. Their music is laced with happiness: it’s addictive, plus their live shows involve inflatable penguins!”
MUSIC FEEDS

“Unlike most hyped-up artists, this claim wasn’t far from the truth, with singles like ‘Magic Fountain’ and their debut album, The Experiment, going on to cement the band as household names in no time.”
TONE DEAF

“The Sydney trio’s new tune is definitely larger than their previous stuff, with their signature, fast-paced synth blending super nicely with rolling piano chords, bouncy vocals and hectic drum work.”
PILERATS

“Art vs Science have always been capable of producing – an album that is sharp, full of confidence and great musical execution.”
AU REVIEW

ART VS SCIENCE are:
Jim Finn (vocals, keyboard)
Dan McNamee (vocals, guitars, keyboard)
Dan Williams (vocals, drums)

Lady Lyon

Lady Lyon writes their songs like they make love. Pure, Threatening, Sumptuous nostalgia for the heart that will linger in you long after your feet stop the inevitable two step.

Cowgirl Blues at its finest.

Members
Hayley Lyon
Reece Grogan
Ross Tipper
Helen Henry
Mark Piccles

The Spiders from Mars

The Spiders from Mars were rock singer David Bowie's backing band in the early 1970s, and initially consisted of Mick Ronson on guitars, Trevor Bolder on bass guitar, and Mick Woodmansey on drums.[1]

The group had its origins in Bowie's earlier backing outfit the Hype, which featured Ronson and Woodmansey, but Tony Visconti on bass. They were briefly signed as a band on its own, known as Ronno. With Bolder taking over bass, they were subsequently named via the landmark 1972 Bowie concept album, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, and were billed as such on the accompanying large-scale Ziggy Stardust Tour. Bowie had originally wanted keyboardist Rick Wakeman to join the band (Wakeman had played piano on Bowie's second album and on Hunky Dory and was active with the band The Strawbs); however, Wakeman declined and instead joined progressive rock band Yes.[2] Wakeman would feature uncredited on the album, and would collaborate with Bowie again on "Absolute Beginners". The Spiders from Mars were present again on Bowie's 1973 album, Aladdin Sane. Another leg of the tour followed that year, with the final show captured in the film, Ziggy Stardust and the Spiders from Mars.[3]

The group joined Bowie's stage persona, Ziggy Stardust in the theatrical style of the material's presentation. Ronson's guitar and arranging during the Spiders from Mars era not only fit into this style, but also provided much of the underpinning for later punk rock musicians.[4]

In 1975, Bolder and Woodmansey reformed the band without Ronson, and were joined in this lineup by Mike Garson, Dave Black, and Pete McDonald. Their self-titled album, released in 1976, was their only album before the group disbanded.

The band's name came from the UFO sighting on 27 October 1954, where a stadium crowd thought they had witnessed Martian spacecraft which cast off a thin filament material, later hypothesized to be webs from migrating spiders. The band's name did not come, as sometimes believed by Bowie fans, from the Martian areographic features often labelled as 'spiders' and 'baby spiders'.

LongBoys

In the midst of the hustle and bustle of suburbia we find a group of layabouts. In their natural habitat music is created that the local council will refer to as a "noise violation". They soldier on. LongBoys, comprising of five members, Sam Craine (vocals/guitar), Sam Power (vocals/guitar/keys), Ayrton Ganas (guitar), Jack Hetherington (bass) and John Gore (drums), are sweeping the Eastern suburbs of Melbourne. Taking inspiration from different genres and acts such as Mac Demarco and The Doors, the band collaborates to create all of their songs. From this, they are able to bring in different kinds of genre aspects to their music and create some smooth surf sounds. Beginning in 2017 they have morphed in multiple forms, from the maturing of their musical sound seen in their first EP “Scenes” to their most recent “Clockwork” which came out in March 2020; to selling out shows across Melbourne and interstate at venues such as Rad Bar, Yah Yah’s and even backyard-festivals. After the ...

Members
Lead Vocals / Git - Stingray Rhythm Git - Velvet Smooth Bass - Willy Deeza Lead Git / Keys - Spirit Fingers Drums - Johnny Sticks

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