Alternative Indie | Musicosity

Alternative Indie

The Ugly Kings

Coming off the release of their second full length album 'Strange, Strange Times', their first under powerhouse European label Napalm Records, The Ugly Kings are eager to take their unique power-blues sound to the stage and unleash their electrifying performances across Australia. Supporting on the night are Melbourne riff beasts A Gazillion Angry Mexicans and soul wizard Millar Jukes.

Calico Sunday

Calico Sunday is a 5 piece band hailing from the northern suburbs of Melbourne. Their new and energetic sound draws upon elements of indie rock and Synth Pop, blending sounds that produce an intricate and full show that goes beyond just music.

The band consists of singer Saskia Wardlaw, guitarists Michael Gage and Luke Santomartino, bassist Michael Fabri and drummer Jonathan Magnone. Playing shows around Melbourne at iconic venues such as Max Watts, The Espy and Penny black.

The band is set to release their new single ' VODKA', Which has a summer feel drawing from genres such as indie rock and Synth pop in addition to catchy lyrics and sing along able chorus this song is set to be the Band's most anticipated release.

Talking Heads

Talking Heads were an American rock band formed in 1975 in New York City and active until 1991.[9] The band was composed of Scottish-born David Byrne (lead vocals, guitar), Chris Frantz (drums), Tina Weymouth (bass) and Jerry Harrison (keyboards, guitar). Described as "one of the most critically acclaimed bands of the '80s",[3] the group helped to pioneer new wave music by integrating elements of punk, art rock, funk, and world music with an anxious, clean-cut image.[3]

As former art school students who became involved in the 1970s New York punk scene, Talking Heads released their 1977 debut album, Talking Heads: 77, to positive reviews.[10] They collaborated with the British producer Brian Eno on a trio of critically acclaimed releases—More Songs About Buildings and Food (1978), Fear of Music (1979), and Remain in Light (1980)—which blended their art school sensibilities with influence from artists such as Parliament-Funkadelic and Fela Kuti.[3] From the early 1980s, they included additional musicians in their recording sessions and shows, notably guitarist Adrian Belew, keyboardist Bernie Worrell, singer Nona Hendryx, and bassist Busta Jones.

After a hiatus, Talking Heads hit their commercial peak in 1983 with the U.S. Top 10 hit "Burning Down the House" from the album Speaking in Tongues, and released the concert film Stop Making Sense, directed by Jonathan Demme. For these performances, they were joined by Worrell, guitarist Alex Weir, percussionist Steve Scales, and singers Lynn Mabry and Ednah Holt.[3] In 1985, Talking Heads released their best-selling album, Little Creatures. They produced a soundtrack album for Byrne's film True Stories (1986), and released their final album, worldbeat-influenced Naked (1988), before disbanding in 1991. Without Byrne, the other band members performed under the name Shrunken Heads, and released an album, No Talking, Just Head, as the Heads in 1996.

In 2002, Talking Heads were inducted into the Rock and Roll Hall of Fame. Four of their albums appear in Rolling Stone's list of the 500 Greatest Albums of All Time, and three of their songs ("Psycho Killer", "Life During Wartime", and "Once in a Lifetime") were included among the Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll.[11] Talking Heads were also number 64 on VH1's list of the "100 Greatest Artists of All Time".[12] In the 2011 update of Rolling Stone's "100 Greatest Artists of All Time", they were ranked number 100.

Bagful of Beez

'Do Androids Dream of Electric Beatles’ is Link McLennan's first release under the moniker Bagful of Beez. Link is the founding member of seminal Australian acts The Meanies, Tomorrow People, The Bakelite Age and Sun God Replica amongst others. His latest project Bagful of Beez is a melting pot of all those acts, and the results are astounding.

PALE WAVES

Pale Waves are an English rock band from Manchester, formed in 2014. It was founded originally as Creek when lead singer and guitarist Heather Baron-Gracie met drummer Ciara Doran while attending university in Manchester. The other members are guitarist Hugo Silvani and bassist Charlie Wood, completing the lineup.[1] Pale Waves's early work is often described as 80s-inspired indie rock or synth-pop; their second and third albums, however, owe more to the pop-punk genre.

After signing a record deal with Dirty Hit in 2017, Pale Waves released their debut single, "There's a Honey", followed by "Television Romance". In 2018, the band were ranked fifth in the BBC Sound of 2018 poll and won the NME Under the Radar Award at the NME Awards. Pale Waves' debut EP, All the Things I Never Said, was released in February 2018, followed by their debut studio album, My Mind Makes Noises, on 14 September 2018. The band's second album, Who Am I?, was released on 12 February 2021, and peaked at number three on the UK Albums Chart; the record also hit number one on the UK Independent Albums Chart. The band's third album, Unwanted, was released on 12 August 2022.

Pale Waves formed in 2014 when drummer Ciara Doran met Heather Baron-Gracie while attending BIMM Manchester.[2][3] The two originally named their group "Creek",[4] but they soon changed it to "Pale Waves", basing the name on a painting Baron-Gracie's grandmother had created.[5] Doran and Baron-Gracie initially enlisted second guitarist Ben Bateman and bassist Ryan Marsden to complete the lineup, but they departed from the band shortly thereafter, with current bassist Charlie Wood and second guitarist Hugo Silvani replacing them.[6] The band recorded early demos with production team Sugar House that were released in 2015. These tracks caught the attention of XFM radio broadcaster John Kennedy, who referred them to the independent record label Dirty Hit.[7] Pale Waves was subsequently signed to the label in 2017.[6]

The band's first single under Dirty Hit, "There's a Honey", was released on 21 April 2017 to widespread acclaim.[8] On 1 June 2017, the band played a sold-out show at Madison Square Garden supporting The 1975 on their North American tour.[9] The band's second single, "Television Romance", was released on 16 August 2017,[10] with its music video directed by The 1975 lead singer Matty Healy.[11] Healy later appeared on the cover of NME with Baron-Gracie for the 20 October 2017 issue of the magazine.[12] Pale Waves embarked on their first North American headlining tour in November and December 2017, playing 21 shows over four weeks.[13]

The band headlined DIY magazine's Class of 2018 shortlist for its December/January issue.[14] On 7 November 2017, the band released the single "New Year's Eve",[13][15] followed by "My Obsession" on 13 December 2017.

Baron-Gracie announced on 4 January 2018 via Twitter that the band had started recording their debut album.[17] On 8 January, it was announced that the band had been placed fifth in the BBC Sound of 2018 poll.[18] Speaking to the BBC, Baron-Gracie talked about how the band's debut album is shaping up and its darker tone: "The songs we have out now are very influenced by romance. The album is me talking about a lot of my darker issues. I talk about a lot of things that go on in my mind rather than in my heart".[18] "The Tide", the first song written by the band, was released on 1 February 2018 as the third single from the band's then-upcoming debut extended play (EP), All the Things I Never Said.[19][20]

Pale Waves won the NME Under the Radar Award at the NME Awards 2018, and performed "There's a Honey" at the ceremony at London's O2 Academy Brixton on 14 February 2018.[21] The band also received a nomination for Best Video for "Television Romance",[22] but lost out to The Big Moon.[23]

Pale Waves' debut EP, All the Things I Never Said, was released digitally on 20 February 2018,[24][25] followed by a 12-inch vinyl release on 16 March 2018.[26] On 6 April 2018, it was announced that the band had signed to Interscope Records in a joint venture with Dirty Hit to release music in the United States.[27] The third single from the band's debut album, "Kiss", following "There's a Honey" and "Television Romance", was released on 15 May 2018. "Noises" was released as the fourth single on 28 June 2018.

In an interview with NME magazine in early September 2018 the band revealed they are working on a new EP following the debut album. Baron-Gracie discussed how the new EP will lean towards "pop punk and rock'n'roll" and will touch on themes such as politics, acceptance and sexuality.[28] The band's debut album, My Mind Makes Noises, was released on 14 September 2018 and reached number eight on the UK Albums Chart.

The Lemon Twigs

The Twigs are legends – teen sensations, k pop stars, BrotherLovers, Twiggy Cola Lite. Their songs exist as cultural freebase. Cocaine, water, baking soda, and DNA. (o.k. )
While the White Smile Face People appoint Garage Girl, Digital Bass Face or Shitbag Boy as the new FreakoftheWeek, the Twigs have lived 26 cat lives from here to japan making real life bonafide Humans rejoice in the pagan art of Magick Pop Freebase. There are millions of fans, You see; the twigz are more Popular than You, they are Greater than Your Favorite Band, they are a phenomenon.
And now it’s been more than three years since they showed up with their masterpieces and the kids went berserk.
You loved “Meet the Twigs,” you loved the fucking monkey.
Well Music For the General Public is the ultimate ride cocksucker.
Because the Twigs heated up the bottom of their spoons and let their chemicals morph into oil-slick-rainbow clumps. 12 of them. Each song is Twigs from concentrate: seven times more concentrated than the initial juice.
A noseful for every junkie, sparkling as the cream smeared across the mythical holy Ghost-Teen’s high waisted vintage-ass JEANS.

THE TWIGS are celebs. They are in Rado’s dusty bat cave, one of several spots they’ve been chipping at their fuck puzzle. They have nothing to prove. They don’t care. Everybody who’s the face of a designer clothing campaign is because the twigs passed first.
//~ Michael lives in the studio and lays down his tracks at night. He has become a reluctant studio engineer in the Twigs’ home studio in Long Island and can run the machines himself. He is working on the album’s opener, ‘Hell on Wheels,” in which His searing cartoon visions of dirty screaming teenage deathkids ripping down the Strip parade us into into the throb of the album. He mopes around. The subject matter of his songs is dark. His songs are Masterful and bombastic, exploding and shining black, while his lyrics seem preoccupied with incest, broken homes, loneliness. Welcome.
Now It’s daytime. Brian’s in love. He and his girlfriend Anastasia have shown up after her shift at Squaresville vintage clothing store. Brian sprinkles sweetgrass around. Brian’s songs have become Too Good – they are DMT jesters of themselves, cartoon crack. You can wind a Brian Song up and watch it go BOING BOING BOING down the hallway with art deco birds towering above, snirting their snorters into snakey red inkwater.
And here you are, in your stupid fake clown costume, with your Twigs merch, hitting your vein again.
You clown, you fanboy. you love this shit.
Admit it sucker. you need this shit.

Flowerkid

Flynn Sant, known professionally as Flowerkid is an Australian producer, singer/songwriter from Sydney, New South Wales. His songs "Boy with the Winfields and the Wild Heart" and "Miss Andry" both received full rotation on Triple J in 2019.

Hope D

Emerging from Brisbane, alt pop-rock artist Hope D began writing and playing music at the early age of 9 years old. Previously performing solo, she now has a passionate 5-piece band behind her, and shows have become more engaging and energetic than ever.

Terra Rouge

Terra Rouge is an 18-year-old singer-songwriter based in Melbourne Victoria. Inspired by life experiences, she explores the beauty of art found in suffering

Shag Rock

Born in the depths of the high school band room, Brisbane’s Shag Rock have managed - through sheer determination, skill and plenty of shenanigans - to sell out multiple national and international tours and amass over 40 million streams worldwide.

Since the release of their debut full-length album Barefoot (2017), the indie surf-poppers have toured the USA, embarked on multiple sold-out headline tours locally and across the ditch, and toured with the likes of Ocean Alley, Lime Cordiale and The Rubens. With over 16 million streams alone on their single ‘Sunbleached Girl’ they’ve collected a passionately loyal fan-base.

What has kept the fans coming back? Jacob Reed (vocals and guitar) says it’s simple. “We’ve met so many great people and they always seem unbelievably stoked. We’d like to think our stoke is bringing their stoked-selves back.”

Over the past three years, the comfortably dishevelled group of Alex Wilson (vocals and guitar), Jacob Reed (vocals and guitar), Nick Cavdarski (Bass) and Max Beech (Drums) have had their heads buried deep in the lyric books trying to stoke things once more. The dedicated group of lifelong mates are now emerging into the glow after spending months on end in the recording studio.

Recently welcoming Brisbane via Townsville’s Tayla Young to the band, the lovable livers of life, are back with a taste of their most substantial body of work yet - a double album. With tracks written as far back as 2015, Double Overhead is the band’s huge 18 track, double sided ‘magna carta’.

Working with long-time friend and producer Ian Haug (Powderfinger, The Church) and signed to his label Airlock Records, the band have released a string of new singles including ‘Flicker’, ‘Golden Lungs’, ‘Creaky Minds’, ‘Blur’ and ‘Wild Thing’. Recent single ‘April Nights’ landed in Spotify’s New Music Friday and Rock Out Playlists as well as Apple Music’s New Music Daily.

The band have an ability to write music that spans generations. Recently selling out staple Brisbane venus such as The Tivoli and filling The Triffid four times over, they have lodged a special place in the hearts of Australian music-lovers, and hope to edge more feels with the release of their most profound body of work Forever, Whatever

This new era of shaggy groove is set to open a new chapter for the band and whilst remaining true to their well-known optimism and cruisey vibes.