metal

Based in Melbourne, Australia Rohan ‘Ro Han’ Stevenson has been releasing self produced instrumental guitar music under the name ‘I Built The Sky’ since 2012.

Ranging from complex riffs, shredding guitars, catchy melodic lead work through to intricate acoustic pieces, Ro has gained worldwide attention as one to watch among the modern guitar community.

Over the last few years Ro has transformed what was essentially a studio project into a fully fledged live band, the beginnings of which saw live shows supporting international acts including Between The Buried and Me, Chon, The Dillinger Escape Plan, Monuments, Polyphia, Plini, Intervals, Twelve Foot Ninja, Haken and more.

In 2017, Ro was invited to present a songwriting masterclass at Los Angeles based university Cal Poly Pamona.

Later in 2017, I Built The Sky toured Australia in support of album ‘The Sky Is Not The Limit’ followed by national support for Caligula’s Horse.

In 2018 I Built The Sky hit new levels with a sold out show supporting Twelve Foot Ninja, a sold out single launch for track ‘Celestial’ followed by 2 headline shows in New Zealand and a 23 date tour of Europe/UK with Caligula’s Horse and Circles which gained overwhelming reviews all round.

2019 saw the release of album ‘The Zenith Rise’ which charted at number 8 on Bandcamp (Metal) 13 on Australian Independent Albums (AIR) 20 on iTunes Australia (Rock) and 50 overall.

2020 saw Ro head to USA for the NAMM convention in which he performed across 3 days representing Bare Knuckle Pickups, leaving shortly after to tour Europe and Uk across 23 dates with Progressive Metal heavyweights Monuments.

Later in 2020 Ro released ‘The Fire Inside’ which featured friends Andy Cizek on Vocals, Andrew Scott on Drums and Sam Tan on Bass.

2021 saw a collaboration with long time friend Jake Howsam Lowe for an EP titled ‘Coalesce’. The EP features members of Intervals and The Omnific as well as world renowned guitarist Andre Nieri. Reaching #1 on Bandcamp across multiple categories, #3 on Australian AIR charts and number #39 on Itunes Australia the EP has been incredibly well received.

2022 has Ro heading back to UK to perform at Radar Festival and plans to release new album early in the year.

Direct from Athens, Greece, heavy psych rockers 1000mods make their triumphant return to Australian shores and debut in New Zealand for 11 electric live shows in February 2023.

As one of the top bands leading the forefront of the established Greek heavy music scene, 1000mods continue to tour relentlessly around the world and have their sights set on Australian & New Zealand fans early next year.

Corner strives to create a safe space that everyone can enjoy.
Crowd surfing & dangerous behaviour will result in removal from the venue.

Dylan's Omens erupt into 2024 at The Workers Club! with support from SMILAS and Titration, the rock and metal quartet promises to bring it on January 6th, 2024. Old music, new music, and most of all... LOUD music.

Vio-lence is an American thrash metal band formed in 1985 in the San Francisco Bay Area. Throughout its existence, they released demo tapes, one EP and three studio albums. Vio-lence is best-known for their association with the 1980s Bay Area thrash metal scene, and often credited as one of the leading lights of the second wave of the genre, along with Pantera, Sepultura, Sacred Reich, Dark Angel, Annihilator and Flotsam and Jetsam as well as their Bay Area counterparts Testament, Death Angel and Forbidden.[1][2][3][4][5] The band has also been referred to as one of the so-called "Big Six of Bay Area thrash metal", alongside Exodus, Testament, Death Angel, Lååz Rockit and Forbidden.[6][7]

Vio-lence's most stable line-up was Phil Demmel and Robb Flynn on guitars, Deen Dell on bass, Perry Strickland on drums and Sean Killian on vocals; this lineup recorded all three of their studio albums–Eternal Nightmare (1988), Oppressing the Masses (1990) and Nothing to Gain (1993). After breaking up in 1994 and reforming for occasional live performances from 2001 to 2003, the band reunited once again in January 2019,[8] and released the EP Let the World Burn, their first collection of new material in nearly three decades, in March 2022.[9] The current lineup of Vio-lence includes Demmel, Strickland and Killian, in addition to bassist Christian Olde Wolbers as the replacement of Dell.

Vio-lence, then-called Death Penalty, was formed in 1985 with the line-up of Jerry Birr (vocals), Phil Demmel (guitar), Troy Fua (guitar), Eddie Billy (bass – brother of musicians Andy and Chuck Billy) and Perry Strickland (drums).[10] Not long after playing their first gig, which reportedly took place at a house party, Death Penalty changed their name to Violence and eventually then to Vio-lence, as the former was taken by another band. After recording two demos in 1986, they parted ways with Birr, Fua and Billy, who were replaced by Sean Killian, Robb Flynn (formerly of Forbidden Evil) and Deen Dell respectively. Their live success at local clubs in Northern California – opening for bands like D.R.I., Voivod, Kreator, Dark Angel, Suicidal Tendencies and the Mentors, as well as their Bay Area thrash metal peers Testament, Exodus, Death Angel, Lȧȧz Rockit and Heathen – allowed Vio-lence to record another demo, this time for major labels, including MCA Records' sister label Mechanic, who offered them a recording contract.[10][11][12]

From February to April 1988, Vio-lence recorded their debut album, Eternal Nightmare, at two studios: The Music Grinder in Los Angeles and Alpha & Omega in San Francisco. The album received mostly positive reviews upon its release in the summer of 1988, and peaked at number 154 on the Billboard 200, becoming the band's only album to enter that chart;[13][14] this can be attributed to the album selling over 30,000 copies.[10] Vio-lence toured throughout 1988 and 1989 in support of Eternal Nightmare, with bands such as Testament, Voivod, Death Angel, Sanctuary, Nuclear Assault, D.R.I., M.O.D. and the Cro-Mags.[10][11][12] The underground success of the album also caught the attention of several labels, including Megaforce Records (then-home to bands such as Testament, M.O.D., Anthrax, and Overkill), who eventually signed the band.[10][11]

In December 1989, Vio-lence entered the studio to record what would be their second album and only release on Megaforce (distributed by Atlantic) Oppressing the Masses; however, the album faced multiple delays until its release in the summer of 1990.[10][11][12] Although the album's success did not match that of Eternal Nightmare, it received some positive reviews and a video for the song "World in a World" was released. Oppressing the Masses also generated some controversy, when the original album (which reportedly sold only 20,000 copies) was destroyed because of Atlantic's objection to the lyrical content of "Torture Tactics";[10][11] as a result, the album was reprinted without this track. Vio-lence toured in support of the album for about a year, with bands such as Overkill, Exodus, Forbidden, Flotsam and Jetsam, Prong, Defiance and Rigor Mortis.[12]

In 1991, after being dropped from Atlantic/Megaforce, Vio-lence released an EP Torture Tactics, which included three studio songs (recorded in 1989 during the sessions of Oppressing the Masses) and one "live" track from 1988. Internal conflicts in 1992 resulted in the departure of Robb Flynn who would move on to form groove metal band Machine Head.[10] A year later, Vio-lence released their third and final album, Nothing to Gain, which was actually recorded in 1990. They never toured in support of that album, and Strickland left the band after its release.