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indie pop

Matt Maltese (UK)

Matthew Jonathan Gordon Maltese (born 6 October 1997) is a British-Canadian singer-songwriter. His style blends elements from indie pop, indie rock, and chamber pop. Since releasing his debut single "Even If It's a Lie" in 2015, Maltese has released four studio albums, and four EPs. In July 2021, Maltese announced his third studio album, Good Morning It's Now Tomorrow; the album was released in October 2021 via Nettwerk, the label he is currently signed with. Maltese released his fourth studio album, Driving Just to Drive in April 2023.

Maltese released his first single, "Even If It's a Lie", on SoundCloud in 2015. After the release of the single, Maltese signed with Café Bleu Recordings, a subdivision of Atlantic Records. In 2016, through Café Bleu Recordings, Maltese released his follow up EP, titled In a New Bed. The following year in 2017 Maltese released a single titled "As the World Caves In" which as he shared in an interview, is about the idea of then-UK Prime Minister Theresa May and then-U.S. President Donald Trump, deciding to spend a night of romance together before triggering atomic warfare. The single saw a resurgence on TikTok starting in May 2021 following a cover by singer Sarah Cothran. In January 2023, it was certified Silver in the UK by the British Phonographic Industry (BPI) for selling 200,000 equivalent units.

Nana's Pie

East Coast natives Tyler, and the twins Adam and Nash, make up the IndieFolkRock trio Nana’s Pie! They've spent the past five years focused on creating a captivating and energetic live set, combining the laid back vibes of the Coast with their enthusiasm for life. Their sound brings a musical maturity and vibrancy across both their melodies and lyrics, a live performance from Nana's Pie can either leave audiences with tears or sore necks (from head bopping). And just like your nan, all they wanna do is make you smile!

Laurel

Laurel Arnell-Cullen,[1] better known as Laurel, is a British indie musician based in London. Laurel received critical acclaim for writing, recording and producing all her music in her bedroom studio in London.
Laurel first caught interest from music bloggers in 2013 when she posted a demo for her song "Next time". Laurel released "Fire Breather" as her first official single, via her SoundCloud the same year.[2] Laurel released her debut EP, To The Hills, in 2014 via her own record label, Next Time Records.[3][4][5][6][7][8] In July 2015, Laurel released a finished version of her song "Blue Blood" which, in demo form had gained much attention with online blogs.[9][10]

In March 2016, Laurel released "Life Worth Living" which, would be the first track of her debut album released 3 years later. Unlike her previous work, it featured a strong indie rock influence with a leading electric guitar. In May 2016, she then dropped a second single titled "San Francisco". This single earned her the place of Apple Music's first Artist of the Week. In August 2016, Laurel announced she had signed to Counter Records, a division of Ninja Tune Records and that she would be going on her first headline UK tour in November, in support of her EP, Park. "Hurricane" was released as the first single from Park in September 2016 and gained a lot of buzz from music bloggers and indie radio stations.[11]

In August of 2020, Laurel released “Scream Drive Faster” from her EP entitled “Petrol Bloom.” This represented a significant change in her musical style towards that of synthpop and synthwave, with more of a retro synth-based sound on her tracks, often similar to that of the 80s. She followed this up with “Best I Ever Had” in October of 2020 and “Appetite” in December of 2020, which is currently her most-viewed video on YouTube.

In spring of 2021, Laurel released another EP entitled “Limbo Cherry” from which she released the singles “You’re the One”, “Let Go” and “Wild Side”.

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Sweethearts

Sweethearts revive and enliven Soul, Funk & Blues with their trademark Sass that has afforded them return appearances at the Montreux Jazz Festival, Jazz à Vienne & the Porretta Soul Festival with music legends!

“Sweethearts are keeping the music of soul alive and I feel confident that it’s in great hands” Vivian Sessoms, Vocalist, USA.

Having just returned from their 7th Europe Festival tour, Sweethearts once again showed the world why they are a must see act. What other band commands the attention of music greats including Bernard Purdie, Gil Askey, Maceo Parker & Vivian Sessoms? This time around it was the one and only Alfred ‘Pee Wee’ Ellis, former member of the original James Brown Band and co-writer of soul classics including ‘Cold Sweat’ and ‘Say It Loud – I’m Black and I’m Proud’. He had heard about the talent of Sweethearts so he showed up at one of their sound checks. It only took half a song until he agreed to jump up and perform his original Cold Sweat with the band.

“The Sweethearts once again provided the best entertainment of the whole weekend at the Porretta Soul Festival.” Tony Rounce, Ace records, UK

Such is the talent and drawing power of this unique band. For 30 years Sweethearts have delivered explosive energy with their exuberant live shows. Comprising up to 30 members, this all female soul band continue to develop young female musicians on some of the worlds best stages. Performing a mix of classic soul covers and dynamic originals Sweethearts are sure to get you moving.

Bernard Purdie loves Sweethearts so much that in 2018 he returned to Australia for the first time in over 20 years specifically to perform with the band again.

“There is nothing like this band in the world. These girls need to be heard.” Bernard Purdie, Drumming legend, USA.

Experience Sweethearts for yourself and see why artists/music lovers around the world are talking about this band.

“Sweethearts will always be welcome at Montreux Jazz Festival.” Claudia Regolatti, Festival Programmer.

Amanduh

After what feels like a lifetime, Amanduh, the indie pop songstress from the hills is headlining The Workers Club in Naarm/Melbourne on Wednesday 25th of May to launch her debut single ‘Old Flame’.

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Hayli

Following on from her successful 3 single run in 2022, Hayli has released 'Sometimes'. Sometimes tells the story of leaving behind a toxic relationship to focus on yourself. This relationship could be anyone... family, a friend, or even a lover. The message is that you deserve better. You can hear Sometimes LIVE at one of Hayli's east coast shows over the winter.

Hayli is a Indie/Pop/Country/Rock artist based in South Australia. Debuting in 2022 with her single ‘Mustang Crescent’, the Australian singer songwriter has finally revealed the secrets of her lyrics book.

Over the past years Hayli has composed her own lyrics, dedicating her emotive creativity to the “note section” of everyone’s lives. From love, to hate, to impartial romances, misfortune, family and sassy expression; Hayli ambiguously tells the stories of both herself and those around her.

Hayli works as a co-writer with young upcoming artists and collaborates with many musicians as a session vocalist, violinist and pianist.

Hayli started producing her own music with Palomino Sound Recorders at the beginning of 2021, before shifting to an independent approach in 2022 with Jam House Studios. She has worked with respected global musicians including Steven Jeffery (AUS/USA/Atlas Genius), Fred Eltringham (US) and Govinda Doyle (Aus). The 12 month project of bringing life to Hayli’s lyrics book has landed her with 3 singles and an EP underway.

Jem Cassar-Daley

The talents of indie-pop artist Jem Cassar-Daley have dazzled the Australian music scene since her debut last year. Previous singles, "Letting Go," "Changes," and "Like it More" have quickly gained her notoriety and adoration, and soon they'll be released together with lead single, "Oh No," on Jem's debut EP. I Don't Know Who to Call is a devastatingly gorgeous collection of all of the singer-songwriter's works to date.

The EP's genesis is suitably wholesome and Jem thanks all those who helped make it possible. "This project is very close to my heart... Its personal, raw and like a glimpse into my personal journal. It was also an EP that was only made possible with the help of my family and I am so fortunate to be surrounded by such supportive and inspiring people to pull it all together.

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Claire Rosinkranz

Frontier Touring are excited to welcome global rising superstar Claire Rosinkranz back to Australia, this April and May.

Returning down under to perform at this year’s instalment of Groovin The Moo, Claire will also play headline shows in Melbourne at Max Watts on Tuesday 30 April and Sydney’s Oxford Art Factory on Wednesday 1 May, before heading to Brisbane on Tuesday 7 May for a show at The Zoo and rounding out her tour on Friday 10 May at Perth’s Rosemount Hotel.

Frontier Member presale begins Thursday 8 February from 11am local time, before the general onsale begins Monday 12 February from 11am local time. Tickets and tour information via frontiertouring.com/clairerosinkranz.

Last in Australia in 2023 for an exclusive show at Oxford Art Factory ahead of the release of her latest album Just Because, the overwhelming demand for Claire meant a return down under in 2024 where she will bring her live experience to venues across Australia for her growing legion of Aussie fans.

Catapulted into the spotlight following the 2020 viral track, ‘Backyard Boy’, she released as a 16-year-old, to being named on multiple ‘Ones To Watch’ lists, performing festival sets across the globe including Australia’s own Splendour in the Grass and now Groovin The Moo in 2024 – Claire Rosinkranz is a superstar in the making.

Giving fans an exclusive listen to her debut album Just Because on her last visit, including a performance of Rihanna’s ‘Kiss It Better’ for triple j Like A Version, Claire will return to perform more tracks from the critically-acclaimed album.

“Encompassed by idyllic summer narratives, teen romance, and delicately penned lyrics, Just Because is a truly sensational offering from Claire Rosinkranz” - Line of Best Fit

“It’s a seasoned maturity not yet seen from the teenager star but it’s exciting to witness” - Clash Music

Spending 2024 touring across the US and beyond, don’t miss Claire Rosinkranz On Tour this April & May

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Dakota East

Earnest and soulful, Indie Pop/Country artist Dakota East travels both on a lonesome mountain dirt road and an inner city street.
“I was surrounded by down home American music for as long as I can remember,” says East of her musical upbringing. “Mum would have B.B King and Bonnie Raitt playing around the house. Dad being Canadian loved North American folk singers like Neil Young, James Taylor and Joni Mitchell. Growing up in a log cabin on our small island in the middle of an Ontario Lake, the music married with the scenery so well and was the perfect soundtrack to my childhood. As I’ve gotten older I’ve been influenced by so much other music but the essence of pure, raw and unrefined musical emotion has always stayed strong within me and is what I try to evoke as an artist.”
2017 saw East follow her ears and move to Melbourne where she has established herself as a regular performer amongst Victoria’s most loved music venues and has opened for Australian music legends Jon Stevens, Wendy Matthews & Jo Camilleri and The Black Sorrows.
Dreamy and alluring, her eagerly awaited debut single “Runaway” was recorded between Melbourne and Sydney and was released in May 2021. An immediate reception recognizing something fresh and authentic, Runaway was added to Spotify official playlists “Fresh Country” and “Country Chill”, Apple Music official playlists “New Music Daily”, “Todays Country”, “Country Risers” and “Aussie Country”, a massive achievement for an independent artists debut release. Runaway has also received airplay on “Triple M Country” , “ABC Country”, “Kix Country” and MTV’s “CMT” reaching #20 on the Countrytown Hot 50 charts, which in turn led to East being named Countrytown Artist of the Week.
Written with long time collaborator, guitarist and producer Kieran Colton and mixed by Konstantin Kersting, East sings of the experience of fear. “After losing my dad when I was 24, I felt a resurgence of anxieties and fears that I thought were just based in childhood. Things that I thought I had grown out of. Fear of flying, fear of the ocean, fear of the dark. Life felt so fragile and at any moment it could break.” Music and songwriting has always been the way forward for East.

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Wesley Fuller

Wesley Fuller, the Perth-born, Melbourne-based power pop boy wonder, has announced details of the release of his debut album. Inner City Dream will be released on 1965 Records on Friday 22nd September 2017.

Very much a ‘solo’ affair, the album was written, recorded, produced and mixed at various studios, including his own home set-up, around Melbourne.

The album also features bassist Brendan West & guitarist Liam Hopkins from Fuller’s live band and vocalists Cate Woodfield & Simone Kieruj.

Fuller has also announced details of the release of the first track from the album, #1 Song, a track which sees him turning his observational eye towards the far off universe that is the upper echelon of modern pop – “I think everyone in the scene knows to a certain extent that it’s all bullshit. So why take it too seriously? You’ve got some artists with 20 tracks in the Top 30. The gap between the big stars and the indie bands are worlds apart,” he explains. “There’s really no money in music at all unless you’re at the very top. To get there you have to compromise your dignity and be prepared to release some pretty pedestrian shit.”

Coming a year on from the brash debut EP, Melvista, Inner City Dream features twelve tracks of swirling psych, jangly pop and punchy, crunchy glam that show off Fuller’s broadening sonic palette and his progression as a writer and producer.

He explains: “Melvista was really my first solo expedition and I was learning as I went along. I think by the time I came to record the album I had a better technical knowledge of what I was doing. There’s probably a wider span of influences on the album. I wanted to showcase every aspect of my sound.”

As well as his steady diet of 70s junk shop glam and bubblegum, Fuller’s regular DJ slots around the Melbourne rock scene’s favourite dive bars produced a new fascination for the polyrhythmic ways of Talking Heads during their late-70s/early-80s peak. It inspired Fuller to make tunes of his own that would make people boogie.

Lyrically, Fuller has also progressed. Moving on from the teenage lust of much of Melvista, Inner City Dream presents the worldview of a young man trying to come to terms with his place, both physically and symbolically.

Fuller has already started demoing tracks and playing with ideas for his second album, though it may be some time off. The concepts on Inner City Dream and world events have started him thinking about what else could be around the corner.

“I think the next few years will be a very interesting time for pop music. The world is in a crazy state right now and it feels as though something will have to give pretty soon. There’s plenty to write about. But do people want to hear protest songs or do they want to escape reality? Perhaps there’s a new sound around the corner. Who will turn on the light?”

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