Indie Rock

Kicking off 2024 with a headline AUS tour and supporting international acts Louis Tomlinson and Sun Room. Naarm/Melbourne based indie outfit The Velvet Club have had a huge 12 months touring AUS three times in support of DICE, Ra Ra Viper & The Rions alongside debut festival appearances at Splendour in the Grass, Icebreaker and Now & Again.

Creating hazy Indie-rock, reminiscent of early 2000s Indie coupled with self reflective lyricism about navigating life through your 20's. The band, through regular nationwide touring, has been steadily growing a fan base around the country since their inception in 2018.

Returning in 2024 with the first single from their forthcoming EP. The 5-piece are set to release ‘Sleeping In' and announce an 11 date Australian Tour including a support slot with Louis Tomlinson in Melbourne and two dates at Tone City Festival in WA. Tickets for their headline shows are on sale now.

Melbourne-based indie rock band Junior Bones writes beautiful, resonant and emotive songs with catchy melodies and dreamy atmospherics
Their first release is due early 2022 through Small Sanctuary Records

The Twigs are legends – teen sensations, k pop stars, BrotherLovers, Twiggy Cola Lite. Their songs exist as cultural freebase. Cocaine, water, baking soda, and DNA. (o.k. )
While the White Smile Face People appoint Garage Girl, Digital Bass Face or Shitbag Boy as the new FreakoftheWeek, the Twigs have lived 26 cat lives from here to japan making real life bonafide Humans rejoice in the pagan art of Magick Pop Freebase. There are millions of fans, You see; the twigz are more Popular than You, they are Greater than Your Favorite Band, they are a phenomenon.
And now it’s been more than three years since they showed up with their masterpieces and the kids went berserk.
You loved “Meet the Twigs,” you loved the fucking monkey.
Well Music For the General Public is the ultimate ride cocksucker.
Because the Twigs heated up the bottom of their spoons and let their chemicals morph into oil-slick-rainbow clumps. 12 of them. Each song is Twigs from concentrate: seven times more concentrated than the initial juice.
A noseful for every junkie, sparkling as the cream smeared across the mythical holy Ghost-Teen’s high waisted vintage-ass JEANS.

THE TWIGS are celebs. They are in Rado’s dusty bat cave, one of several spots they’ve been chipping at their fuck puzzle. They have nothing to prove. They don’t care. Everybody who’s the face of a designer clothing campaign is because the twigs passed first.
//~ Michael lives in the studio and lays down his tracks at night. He has become a reluctant studio engineer in the Twigs’ home studio in Long Island and can run the machines himself. He is working on the album’s opener, ‘Hell on Wheels,” in which His searing cartoon visions of dirty screaming teenage deathkids ripping down the Strip parade us into into the throb of the album. He mopes around. The subject matter of his songs is dark. His songs are Masterful and bombastic, exploding and shining black, while his lyrics seem preoccupied with incest, broken homes, loneliness. Welcome.
Now It’s daytime. Brian’s in love. He and his girlfriend Anastasia have shown up after her shift at Squaresville vintage clothing store. Brian sprinkles sweetgrass around. Brian’s songs have become Too Good – they are DMT jesters of themselves, cartoon crack. You can wind a Brian Song up and watch it go BOING BOING BOING down the hallway with art deco birds towering above, snirting their snorters into snakey red inkwater.
And here you are, in your stupid fake clown costume, with your Twigs merch, hitting your vein again.
You clown, you fanboy. you love this shit.
Admit it sucker. you need this shit.

Jeff Rosenstock was an anxious kid who grew into an anxious adult and has also made a bunch of music along the way with a bunch of bands, most notably Bomb the Music Industry! who apparently pioneered giving shit away for free on the internet - or at least got some of the credit for it.

Now he plays with his bi-coastal band of rad musicians, mixing punk heart with diverse instrumentation and occasional accuracy. Rosenstock has built his career on an uncompromising commitment to stay true to his beliefs. He’s toured the globe countless times and played to thousands of dedicated fans. In addition to the vast critical acclaim he’s received from places like Pitchfork, The NY Times, NPR and others, Jeff's work can be heard scoring the Cartoon Network series Craig of the Creek, which was nominated for multiple awards, including 2 Emmys. He’s performed on Late Night with Seth Meyers & The Chris Gethard Show as well as numerous music festivals across the world, including Pitchfork Music Festival, Noise Pop, Riot Fest, and more.