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No Pressure
No Pressure formed on 27th August 2007 consisting of Matt (Joey) Piper, Ben Pinner and Luke Wangmann. Matt and Ben have known each other since Kindergarten and they both met Luke at a Battle of the Bands at Club Tuggerah in January this year. The boys decided to form a band and all they needed now was a singer and rhythm guitarist, so the hunt was on. Matt, Ben and Luke remembered meeting Josh Keane who was performing solo at the time.
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The City Lights
The City Lights are a band from Sydney. They released their debut album "Escape From Tomorrow Today" in May 2004 on Ivy League Records in Australia and on Bittersweet Records in Spain and followed it up in August 2007 with "El Sol" on the same labels. They have just finished a brand new album called "I Just Got To Believe" with a release date of 14th September 2012. They have had a bit of a revolving door of great musicians coming and going…. HISTORY
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Lynchmada
Lynchmada have made quite a name for themselves in a rather short period of time - along the way landing supports for some of the biggest and best bands Australia has to offer. 2002 saw the formation of the band and subsequent release of their debut two-track single Stress Therapy (produced by Dave Leonard of Modern Music - The Butterfly Effect & Devolved). Not too long after the positive feedback came flowing in the band found themselves signed to Ward69 Records and got to work on their EP.
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Fires Of Waco
Melodic hardcore from BRISBANE featuring ex members of JUST SAY GO! THE GIFTHORSE, REACH OUT and VALUES HERE.
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Umpire
Based in Perth, Western Australia, Umpire was formed in 2006 as a studio songwriting and recording project, where Simon Struthers, Geoff Symons and Michael Lake had the opportunity to utilise the studio as an instrument, developing their songs without the pressures of playing as live band.Australian audiences first became familiar with the band via with their debut single ‘Streamers’ off their self-titled EP in 2009. 'Streamers' achieved widespread critical acclaim, national airplay and won WAM Song of the Year in 2009.
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Custard
Custard were a masterful band of pop craftsmen with an uncanny grasp of the two-minute-something single who seemed to have equal amounts of Devo, Pavement and, oddly, disco in their genetic makeup. They were also blessed with singer Dave McCormack, whose voice was innocent and boyish-sounding enough to get away with things that might ordinarily cause a fuss – from songs about speed labs to geeky dedications to Jim Henson and an infamous declaration that “music is crap”.
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Ball Park Music
In 2006, Ball Park Music began to crawl as an uneventful solo adventure for singer/songwriter Samuel Cromack. In the eighth year of the Naughties, equipped with a little collection of songs, his adventure took him to Brisbane. At a serendipitous pool-party he encountered Daniel Hanson, Dean Hanson, Paul Furness, Brock Smith and Jennifer Boyce: five of the most talented and delightful musicians...EVER!
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Models
Three bands share this page: an Australian rock group, a 70s punk rock band, and a Serbian pop band. 1. Models were an alternative rock group from Melbourne, Australia, active from 1978-1987. Various versions of Models have reformed for short tours. 1) They formed from two earlier punk/New Wave bands, Teenage Radio Stars (singer and guitarist Sean Kelly) and JAB (Ash Wednesday, Pierre Voltaire and Johnny Crash, keyboards, bass and drums respectively).
When they formed, Models were hailed as one of the most innovative and imaginative Australian bands.
Four decades later, nothing has changed.
Well, that’s not quite right – a lot of things have changed, but not the band’s approach to making music.
Models have always done things their own way.
As the authors of The 100 Best Australian Albums (which featured Models’ The Pleasure Of Your Company) stated: “Melbourne electronic outfit Models followed a distinctly perverse and disjointed course from the outset.”
The band actually had a “no singles” policy when they started – which annoyed Molly Meldrum. In 1980, Molly stopped his car on busy Chapel Street in Melbourne when he spotted a couple of Models. “He blocked traffic for several minutes to berate us,” singer Sean Kelly chuckles, “telling us that we were doing no one any favours and that our song ‘Happy Birthday IBM’ could’ve been a hit!”
(Molly didn’t hold a grudge, later calling Models “one of my favourite bands from the Countdown era”.)
Models rescinded their “no singles” policy with their second album, Local &/or General, and their chart-topping run of hits includes I Hear Motion, Big On Love, Barbados and Out Of Mind Out Of Sight.
Models are that rare breed of bands – one that has successfully straddled critical acclaim, cult appeal and commercial success.
“Alongside The Boys Next Door/The Birthday Party, Models were one of the first Melbourne bands to rise out of the ashes of that city’s hothouse punk/new wave explosion of the late 1970s with a clear vision and wider appeal,” says Ian McFarlane, author of The Encyclopedia Of Australian Rock And Pop.
Models were inducted into the ARIA Hall of Fame in 2010.
“We might go into hibernation occasionally – actually, quite a lot,” Sean Kelly says, “but we have never broken up.”
Models have continued to record, recently releasing two EPs, GTK and MEMO. And live, the band pays tribute to the pop genius of James Freud, who died in 2010.
The songs still sound fresh. “We don’t think of them as being old,” Andrew Duffield says.
Models never go out of style.
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Mia Dyson
As a little girl growing up in a sleepy surf town on Australia’s southern coast, Mia Dyson would sit in her father’s workshop and watch him build custom guitars by hand. He would play records by The Band and Bob Dylan and she would dream of playing lead guitar in arenas around the world. From an early age Mia was all too aware of the lack of female musicians she could look up to. “When people think of a musician or rockstar, they almost always think of someone male. If you want to be a serious musician/songwriter as a female, what is that? What does that look like?” says Dyson.
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