Dead Letter Circus is a four-piece music group from Brisbane, Queensland, Australia. Their music style is a combination of melodic alternative rock and indie rock, with alternative metal and progressive rock influences. Major influences of the band include Faith No More, Muse, The Mars Volta, Radiohead, U2, Cog, Deftones, Tomahawk, Massive Attack, Shihad, The Butterfly Effect, Portishead, Karnivool and At The Drive-In.
There are at least 2 bands called The Moderns. 1. Mod Revival band from Sweden (1979-1981) 2. Garage rock band from Australia. Samuel John Rees fronting the band, Willi Hamilton wielding a 335 high in the air, Andre Franco slapping the bass and Swanny hitting the hell out of his skins; The Moderns are dirty Gold Coast rockers who are fast becoming the best live rock band in Australia. After playing their first show in September of 2007, the four of them can now be found loudly unleashing their flavour at every divey dingey club on every corner of every town.
Emperors started out in 2009 as a studio project with Adam Livingston and Greg Sanders having the common goal of writing catchy, loud pop music without any trace of cynicism or pretension. The songs combine rich melodies, anthemic vocals and abrasive guitars with the influences being varied, but firmly entrenched in 90’s indie rock and 80’s punk.
So what began as an inebriated, weekly ritual in a North Perth apartment developed over the next year until it became a poorly rehearsed but passionate rock n roll machine.
Every so often over the past few years you’d hear a whisper about this new Brooklyn band featuring a couple of indie rock veterans. Supposedly they’d been practicing since 2006, but weren’t ready to play live yet. Then they finally did play and immediately a bootleg recording of that first show spread all over the web. In lieu of having anything recorded for people to hear, the band even put some of the songs on its MySpace page.
It’s always been the element of struggle that makes music human and exciting. Neil and Sharon Finn discovered that for themselves at home late one night in their pajamas, having their first jam, making a racket in the grand tradition of enthusiastic amateurs. For Neil, after a career of writing songs and strumming guitars, it was liberating to be behind a drumkit, no chords or melody to navigate, just keeping time and making it swing. For Sharon, after raising 2 fine boys and coping with Neil it was just 3 notes, pure feel on the bass guitar.
Kenny Wayne Shepherd (June 12, 1977-) is an American Blues musician. Shepherd was born in Shreveport, Louisiana. Self-taught, he began playing guitar at age 7, figuring out Muddy Waters licks from his father's record collection. Using his own contacts in the record business, Shepherd's father and manager, Ken Shepherd, helped his son land a major-label record deal with Giant Records. In 1995, his debut album was entitled Ledbetter Heights and featured original material and a few covers.
There are at least 4 bands with the name "Airport". The first 2 are an alternative punk trio formed in 2001, in Japan (<a href="http://www.airport-net.com/" rel="nofollow">http://www.airport-net.com/</a>), and a Ukrainian electronic band. The last 2 "Airport" are side-projects with Tony Barber, the other with Aaron Corbett. Tony Barber joined the Buzzcocks in 1993, becoming their bass player, just in time for their latest european tour. He has made a side project throughout, called Airport.
Incorrect tag for The Beach Boys. Keep stats clean by fixing your ID3 tags, or leave auto-correction on. Don't cheat the artist of plays and listeners...
Post-coital Punk from Sydney, Australia. Sebastian Harrison-Naish - vox
Louis Oliver Roach - guitars
Maxim Skilbeck-Porter - bass
Lucas D.H. George - guitars
Jeffery Lewis - drums
Felix Fernando Gailey - noise
The Australian Peabody is documented below with the American Peabody following. Starting in the mid-90s fresh out of high school, Sydney, Australia three-piece Peabody chose the road less traveled by mixing smart suits, Rickenbacker guitars, classic pop melodies and good old Australian pub sweat. The band recorded and self-released two EPs and also delivered literally hundreds of live shows before recording their debut album for Nonzero Records. Following the success of that album, Professional Againster, Peabody impressed again with the release of their second album, The New Violence.